Blokes and Sheds

Cover of Blokes and Sheds
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Between worlds: Belinda Mason and Blur Projects
Feature
Alasdair Foster

Published 01 September 2020
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Body, remember: Wrap me in a sister cloak
Feature
Ali Gumillya Baker

Published September 2020

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Regimes of care: Concerning the afterlife of artists
Feature
Robert Cook

Published 01 September 2020
QAGOMA
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The idea of redemption: Artmaking in prison
Feature
Alasdair Foster

Published 01 September 2020
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On thin ice: Creating a life beyond addiction
Feature
Ginger Gorman

Published 01 September 2020
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Flesh after fifty: Changing images of older women in art
Feature
Jacqueline Millner

Published 01 September 2020
MGNSW
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How can I live in your world? Empathic strategies in contemporary Asian art
Feature
Reuben Keehan

Published 01 September 2020
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Shahidul Alam: You're blocking the sun
Feature
Kelly Hussey-Smith

Published 01 September 2020

Images and text by Mark Thomson from his recent book 'Blokes and Sheds'.

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More from this Issue Full Issue Contents

Sorely Tried Men: The Male Body in World War Two Australia
Feature
Martyn Jolly

During World War Two, the Australian government's Department of Information represented the male body in at least two distinct ways. The photographer Edward Cranstone photographed a heroically active, phallicised body and the cameraman Damien Parer filmed a heroically suffering abject body.

Published March 1996
Masculinities Reflected
Editorial
Noel Sanders

Guest editors of 'Masculinities Reflected' Noel Sanders and Kurt Brereton reflect on the nature of masculinity.

Published March 1996
Soap: A Letter to Sam Schoenbaum on Not Writing an Essay on a Show Called Phallus and its Funtions
Feature
George Alexander

What is the phallus?

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Like a Chant
Review
Robert Crocker

Exhibition review Recent Work: Hossein Valamanesh
4-29 October 1995,
Greenaway Gallery, Adelaide SA

Published March 1996
Perverse Desire?
Review
Kay Schaffer

Exhibition review Mail Order (for Women): Di Barrett
14 Sept - 8 October 1995,
EAF [Experimental Art Foundation]
Adelaide, South Australia

Published March 1996
Symbolic Identities: Masculinity and the Motor Cycle
Feature
John Pigot

Since 1927, the idea that the motor cycle is synonymous with assertive and unmediated masculinity has been enlarged and expanded through a broad range of visual, literal and cinematic imagery to the point where a machine which was once acclaimed as a means of transport has been transformed into a gendered cultural icon, an object of and for masculine display.

Published March 1996
Figures of Elongation
Feature
Daniel Grafton

Using illustrations from a technical manual of the 1940s `the author examines the working male figure in popular iconography focusing on masculine representation in the visual arts and its link to the means of production.

Published March 1996
Everchanging Vindication
Review
Petrina Moore

Exhibition review I won't wish I will: Pippin Drysdale
28 September - 8 October 1995
The Door Exhibition Space Fremantle, WA

Published March 1996
Fathers and/or Sons
Feature
George Alexander

Musings on the man who was the author's father from a multicultural perspective.

Published March 1996
The Virtual in Hand
Review
Catherine Speck

Exhibition review Armorial: Dianne Longley
8 September - 3 October 1995
Adelaide Central Gallery, SA

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Men
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Robert Nelson

What boys give up to become men is all contained in this photograph...

Published March 1996
Light Works
Review
Stephanie Radok

Exhibition review Some Pictures from a Somniloquist's Diary
Tony Trembath
1 November - 26 November 1995
Greenaway Gallery Adelaide SA

Published March 1996
 
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