Blokes and Sheds

Cover of Blokes and Sheds
1.278
Meet Lisa Walker in her workshop: VR in the museum
Feature
Justine Olsen and Prue Donald

Published 01 December 2018
1.126
Eugenie Lee's Seeing is Believing: VR in pain management
Feature
Dylan DeLosAngeles

Published 01 December 2018
1.128
Artificial imagination: Deepfakes from latent space
Feature
Sean Dockray

Published 01 December 2018
NAVA
1.196
Brenda Laurel's Placeholder: In dreams everybody flies their own way
Feature
Claire L. Evans

Published 01 December 2018
1.128
The distributed virtual: Jill Scott's Eskin4 and other electronic environments
Feature
Rob La Frenais

Published 01 December 2018
1.126
Against realism: The badly rendered potential of VR
Feature
Ian Haig

Published 01 December 2018
Crown Resorts
1.094
The virtuous politics of Alejandro Iñárritu's Carne y Arena
Feature
Vince Dziekan

Published 01 December 2018
1.126
Metascape, memory and spacetime: The museum in VR
Feature
Andrew Yip

Published 01 December 2018

Images and text by Mark Thomson from his recent book 'Blokes and Sheds'.

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More from this Issue Full Issue Contents

Men
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Robert Nelson

What boys give up to become men is all contained in this photograph...

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The Back Yard Shed
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In 1992, Helen Moyes made a documentary 'The Back Yard Shed' which set out to look at the lives of a cross-section of Australian households through the phenomenon of the back-yard shed.

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I've Written a Letter to Daddy
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Social documenter Maxx Image is obsessed with the colour purple. Black leather is the costume of rebellion and the thrill and valour expounded by such an ideal could be seen as enticing accessories to the passion and zeal of leather sexuality.

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Sorely Tried Men: The Male Body in World War Two Australia
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Martyn Jolly

During World War Two, the Australian government's Department of Information represented the male body in at least two distinct ways. The photographer Edward Cranstone photographed a heroically active, phallicised body and the cameraman Damien Parer filmed a heroically suffering abject body.

Published March 1996
Demystifying Masculinity: The Photography of Krystyna Petryk
Feature
Allison Archer

Polish born Krystyna Petryk has long been fascinated with portraiture and representations of the nude in photography. Her own investigations began in Warsaw by photographing her pregnant friends and continued after her arrival in Western Australia in 1982. Once here she broadened her explorations to include both male and female subjects before shifting to photograph and research representations of men exclusively.

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Fathers and/or Sons
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George Alexander

Musings on the man who was the author's father from a multicultural perspective.

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Like a Chant
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Exhibition review Recent Work: Hossein Valamanesh
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Greenaway Gallery, Adelaide SA

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Image Bank: Works by Various Artists
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Noel Sanders

Series of works by Tyrone Townsend, Victoria Straub, Polixeni Papapetrou, Phil George and Simon Cardwell. Large format and mainly colour images.

Published March 1996
Everchanging Vindication
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Petrina Moore

Exhibition review I won't wish I will: Pippin Drysdale
28 September - 8 October 1995
The Door Exhibition Space Fremantle, WA

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The Many Tongues of Textiles
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Llewellyn Negrin

Exhibition review Tradition, Cloth, Meaning: Contemporary Textiles Curated by Sara Lindsay
17 September - 7 October 1995
Long Gallery Salamanca Arts Centre, Hobart, Tasmania

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Unwanted Shadow Man
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John Grech

Photos and essay by the author on a relationship between men.

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Light Works
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Exhibition review Some Pictures from a Somniloquist's Diary
Tony Trembath
1 November - 26 November 1995
Greenaway Gallery Adelaide SA

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