Public Objects and Private Parts in Harry Hummerston's Recent Assemblages

Cover of Public Objects and Private Parts in Harry Hummerston's Recent Assemblages
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The Artlink Archive Project: Inside the 'Outsider' issue
Feature
Juliette Peers

Published 01 August 2022
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The SubMerge Project: Autistic embodiment and the extended bodymind
Feature
Alison Bennett and Dean Walsh

Published 01 August 2022
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Arts Project Australia: Raising the bar through collaborative partnerships
Feature
Sim Luttin

Published 01 August 2022
SALA
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Staying the distance, closing the distance: Graeae Theatre UK and DADAA, WA
Feature
Jenny Sealey

Published 01 August 2022
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Exquisite interplay: Accessible art workshops for emerging artists
Feature
M. Sunflower

Published 01 August 2022
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Other Body Knowledge: Sophie Cassar, Lara Chamas, Fayen d'Evie, Sam Petersen, Jane Trengove
Feature
Olga Bennett and Jane Trengove

Published 01 August 2022
Goulburn Regional Art Gallery
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What do you do at Studio A?
Feature
Emily Crockford, Guy Fredericks, Emma Johnston, Daniel Kim, Jaycee Kim, Adam Mandarano, Catherine McGuiness, Gabrielle Mordy, Meagan Pelham, Skye Saxon, Lisa Scott, Damian Showyin, Philip Sidney, Thom Roberts and Chloe Watfern

Published 01 August 2022
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Thinking without fear: Ruark Lewis
Feature
Marielle Soni

Published 01 August 2022

Harry's work immediately identifies the object as a site of meaning. It is fair to say that Harry is strongly opposed to any restriction or taboo upon what he may represent, particularly from the arena of representing the female object or gender.

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