Unwanted Shadow Man

Cover of Unwanted Shadow Man
1.278
Meet Lisa Walker in her workshop: VR in the museum
Feature
Justine Olsen and Prue Donald

Published 01 December 2018
1.126
Eugenie Lee's Seeing is Believing: VR in pain management
Feature
Dylan DeLosAngeles

Published 01 December 2018
1.128
Artificial imagination: Deepfakes from latent space
Feature
Sean Dockray

Published 01 December 2018
Artlink Subs Promo
1.196
Brenda Laurel's Placeholder: In dreams everybody flies their own way
Feature
Claire L. Evans

Published 01 December 2018
1.128
The distributed virtual: Jill Scott's Eskin4 and other electronic environments
Feature
Rob La Frenais

Published 01 December 2018
1.126
Against realism: The badly rendered potential of VR
Feature
Ian Haig

Published 01 December 2018
NAVA
1.094
The virtuous politics of Alejandro Iñárritu's Carne y Arena
Feature
Vince Dziekan

Published 01 December 2018
1.126
Metascape, memory and spacetime: The museum in VR
Feature
Andrew Yip

Published 01 December 2018

Photos and essay by the author on a relationship between men.

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The Back Yard Shed
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Helen Moyes

In 1992, Helen Moyes made a documentary 'The Back Yard Shed' which set out to look at the lives of a cross-section of Australian households through the phenomenon of the back-yard shed.

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Like a Chant
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Exhibition review Recent Work: Hossein Valamanesh
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Greenaway Gallery, Adelaide SA

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Exquisite Corpses
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We collage, genderbend, cross dress and polymorph exquisite corpses out of media and advertising personalities, then use them as fantasy aids in the cause of our mundane desires.

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They Are Not Photographs: Natalie Lowrie
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The images are selections from a body of work called flamingharlots@trashed, created by Sydney based photographer Natalie Lowrie. The images, digitally retouched photos of Natalie's circle of friends and acquaintances were exhibited at the Polymorph Gallery at Newtown.

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Figures of Elongation
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Daniel Grafton

Using illustrations from a technical manual of the 1940s `the author examines the working male figure in popular iconography focusing on masculine representation in the visual arts and its link to the means of production.

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Symbolic Identities: Masculinity and the Motor Cycle
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Since 1927, the idea that the motor cycle is synonymous with assertive and unmediated masculinity has been enlarged and expanded through a broad range of visual, literal and cinematic imagery to the point where a machine which was once acclaimed as a means of transport has been transformed into a gendered cultural icon, an object of and for masculine display.

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Obsession
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Exhibition review Emergence: Arthur Russell
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I've Written a Letter to Daddy
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Perverse Desire?
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Kay Schaffer

Exhibition review Mail Order (for Women): Di Barrett
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Saviour and Sportsman
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Tony McGowan

Vigilantly looking out to sea, the two manifestations of the life saver, the saviour and the sportsman, are combined in this 'gay greeting card' in such a way as to draw on the history of surf club masculinity and create an erotic pose.

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Blokes and Sheds
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Mark Thomson

Images and text by Mark Thomson from his recent book 'Blokes and Sheds'.

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Light Works
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Exhibition review Some Pictures from a Somniloquist's Diary
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1 November - 26 November 1995
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ACMI
Hazelhurst
Axolotl
Japan Foundation