Unwanted Shadow Man

Cover of Unwanted Shadow Man
David Smerdon: Duchamp's Opposition
Feature
Rex Butler and David Smerdon

Published 14 May 2020
0.75
Nagesh's recipe for Biryani
Feature
Nagesh Seethiah

Published 01 December 2019
0.77
Geological pit stops: Kate Hill and Isadora Vaughan
Feature
Abbra Kotlarczyk

Published 01 March 2020
NAVA
0.772
Duchamp and Australia: In opposition
Feature
Rex Butler and A.D.S. Donaldson

Published 01 March 2020
0.77
The Brazilian moment: A picture gallery in transformation
Feature
John Mateer

Published 01 March 2020
0.786
Crafty prepping
Feature
Sera Waters

Published 01 March 2020
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0.77
2019: The year of our cyberpunk future
Feature
Darren Jorgensen

Published 01 March 2020
0.768
Art in the time of the burning
Feature
Ian Milliss

Published 01 January 2020

Photos and essay by the author on a relationship between men.

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More from this Issue Full Issue Contents

I've Written a Letter to Daddy
Feature
Dominic Chang

Social documenter Maxx Image is obsessed with the colour purple. Black leather is the costume of rebellion and the thrill and valour expounded by such an ideal could be seen as enticing accessories to the passion and zeal of leather sexuality.

Published March 1996
Fathers and/or Sons
Feature
George Alexander

Musings on the man who was the author's father from a multicultural perspective.

Published March 1996
Like a Chant
Review
Robert Crocker

Exhibition review Recent Work: Hossein Valamanesh
4-29 October 1995,
Greenaway Gallery, Adelaide SA

Published March 1996
Everchanging Vindication
Review
Petrina Moore

Exhibition review I won't wish I will: Pippin Drysdale
28 September - 8 October 1995
The Door Exhibition Space Fremantle, WA

Published March 1996
Soap: A Letter to Sam Schoenbaum on Not Writing an Essay on a Show Called Phallus and its Funtions
Feature
George Alexander

What is the phallus?

Published March 1996
The Back Yard Shed
Feature
Helen Moyes

In 1992, Helen Moyes made a documentary 'The Back Yard Shed' which set out to look at the lives of a cross-section of Australian households through the phenomenon of the back-yard shed.

Published March 1996
When You Get Behind Closed Doors
Review
Jane Deeth

Exhibition review Home: Body
Pat Brassington, Kathryn Faludi, Mary Scott, Heather B Swann, Jennifer Spinks
21 September - 13 October 1995
Carnegie Room Town Hall Hobart, Tasmania

Published March 1996
Symbolic Identities: Masculinity and the Motor Cycle
Feature
John Pigot

Since 1927, the idea that the motor cycle is synonymous with assertive and unmediated masculinity has been enlarged and expanded through a broad range of visual, literal and cinematic imagery to the point where a machine which was once acclaimed as a means of transport has been transformed into a gendered cultural icon, an object of and for masculine display.

Published March 1996
Demystifying Masculinity: The Photography of Krystyna Petryk
Feature
Allison Archer

Polish born Krystyna Petryk has long been fascinated with portraiture and representations of the nude in photography. Her own investigations began in Warsaw by photographing her pregnant friends and continued after her arrival in Western Australia in 1982. Once here she broadened her explorations to include both male and female subjects before shifting to photograph and research representations of men exclusively.

Published March 1996
Observing Father's Day in a Good Weekend
Feature
John Tebbutt

Analysis of maleness from a semiotic approach in the context of the lifestyle magazine 'Good Weekend' published as a supplement to both The Age in Melbourne and The Sydney Morning Herald.

Published March 1996
Sorely Tried Men: The Male Body in World War Two Australia
Feature
Martyn Jolly

During World War Two, the Australian government's Department of Information represented the male body in at least two distinct ways. The photographer Edward Cranstone photographed a heroically active, phallicised body and the cameraman Damien Parer filmed a heroically suffering abject body.

Published March 1996
The Many Tongues of Textiles
Review
Llewellyn Negrin

Exhibition review Tradition, Cloth, Meaning: Contemporary Textiles Curated by Sara Lindsay
17 September - 7 October 1995
Long Gallery Salamanca Arts Centre, Hobart, Tasmania

Published March 1996
 
UNSW
The Torch
City of Melville
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