Unwanted Shadow Man

Cover of Unwanted Shadow Man
1.128
Wardlipari Homeriver: Vulnerable observations
Feature
Uncle Lewis Yarluburka O’Brien and Ali Gumillya Baker

Published 01 March 2019
1.126
Local colour: Dyeing and women's wealth
Feature
Julie Ewington

Published 01 March 2019
1.122
Hi-vis commodities: A body corporate's toxic economy
Feature
Tessa Laird with Debris Facility

Published 01 March 2019
NAVA
1.126
Revisiting colour problems: Emily Vanderpoel, Hilma af Klint, Becca Albee, Clare Milledge
Feature
Amelia Wallin

Published 01 March 2019
1.126
Queer uses of colour: A tinted hermeneutics
Feature
Abbra Kotlarczyk

Published 01 March 2019
1.278
Meet Lisa Walker in her workshop: VR in the museum
Feature
Justine Olsen and Prue Donald

Published 01 December 2018
Japan Foundation
1.126
Eugenie Lee's Seeing is Believing: VR in pain management
Feature
Dylan DeLosAngeles

Published 01 December 2018
1.128
Artificial imagination: Deepfakes from latent space
Feature
Sean Dockray

Published 01 December 2018

Photos and essay by the author on a relationship between men.

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More from this Issue Full Issue Contents

Men and Mettle: Recent Portraits by Rox De Luca
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Paul Allatson

Rox de Luca's exhibition of 19 men portrayed in 'All Meat No Veg' were all of men known to her. What did the portraits reveal about the sitters?

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Soap: A Letter to Sam Schoenbaum on Not Writing an Essay on a Show Called Phallus and its Funtions
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What is the phallus?

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Figures of Elongation
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Daniel Grafton

Using illustrations from a technical manual of the 1940s `the author examines the working male figure in popular iconography focusing on masculine representation in the visual arts and its link to the means of production.

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Sorely Tried Men: The Male Body in World War Two Australia
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Martyn Jolly

During World War Two, the Australian government's Department of Information represented the male body in at least two distinct ways. The photographer Edward Cranstone photographed a heroically active, phallicised body and the cameraman Damien Parer filmed a heroically suffering abject body.

Published March 1996
Symbolic Identities: Masculinity and the Motor Cycle
Feature
John Pigot

Since 1927, the idea that the motor cycle is synonymous with assertive and unmediated masculinity has been enlarged and expanded through a broad range of visual, literal and cinematic imagery to the point where a machine which was once acclaimed as a means of transport has been transformed into a gendered cultural icon, an object of and for masculine display.

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Like a Chant
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Robert Crocker

Exhibition review Recent Work: Hossein Valamanesh
4-29 October 1995,
Greenaway Gallery, Adelaide SA

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Public Objects and Private Parts in Harry Hummerston's Recent Assemblages
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Anna Herriman

Harry's work immediately identifies the object as a site of meaning. It is fair to say that Harry is strongly opposed to any restriction or taboo upon what he may represent, particularly from the arena of representing the female object or gender.

Published March 1996
Fathers and/or Sons
Feature
George Alexander

Musings on the man who was the author's father from a multicultural perspective.

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The Back Yard Shed
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Helen Moyes

In 1992, Helen Moyes made a documentary 'The Back Yard Shed' which set out to look at the lives of a cross-section of Australian households through the phenomenon of the back-yard shed.

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Men
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Robert Nelson

What boys give up to become men is all contained in this photograph...

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The Many Tongues of Textiles
Review
Llewellyn Negrin

Exhibition review Tradition, Cloth, Meaning: Contemporary Textiles Curated by Sara Lindsay
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Long Gallery Salamanca Arts Centre, Hobart, Tasmania

Published March 1996
Obsession
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Allison Archer

Exhibition review Emergence: Arthur Russell
15 October - 12 November 1995
Greenhill Galleries, Perth, WA

Published March 1996
 
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