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Exquisite Corpses

We collage, genderbend, cross dress and polymorph exquisite corpses out of media and advertising personalities, then use them as fantasy aids in the cause of our mundane desires.

Author: Kurt Brereton | Feature

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More from this Issue Full Issue Contents

Masculinities Reflected
Editorial
Noel Sanders

Guest editors of 'Masculinities Reflected' Noel Sanders and Kurt Brereton reflect on the nature of masculinity.

Published March 1996
Everchanging Vindication
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Petrina Moore

Exhibition review I won't wish I will: Pippin Drysdale
28 September - 8 October 1995
The Door Exhibition Space Fremantle, WA

Published March 1996
They Are Not Photographs: Natalie Lowrie
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Jad McAdam

The images are selections from a body of work called flamingharlots@trashed, created by Sydney based photographer Natalie Lowrie. The images, digitally retouched photos of Natalie's circle of friends and acquaintances were exhibited at the Polymorph Gallery at Newtown.

Published March 1996
Blokes and Sheds
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Mark Thomson

Images and text by Mark Thomson from his recent book 'Blokes and Sheds'.

Published March 1996
Symbolic Identities: Masculinity and the Motor Cycle
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John Pigot

Since 1927, the idea that the motor cycle is synonymous with assertive and unmediated masculinity has been enlarged and expanded through a broad range of visual, literal and cinematic imagery to the point where a machine which was once acclaimed as a means of transport has been transformed into a gendered cultural icon, an object of and for masculine display.

Published March 1996
The Many Tongues of Textiles
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Llewellyn Negrin

Exhibition review Tradition, Cloth, Meaning: Contemporary Textiles Curated by Sara Lindsay
17 September - 7 October 1995
Long Gallery Salamanca Arts Centre, Hobart, Tasmania

Published March 1996
Men and Mettle: Recent Portraits by Rox De Luca
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Paul Allatson

Rox de Luca's exhibition of 19 men portrayed in 'All Meat No Veg' were all of men known to her. What did the portraits reveal about the sitters?

Published March 1996
Art and Masculinity after Auschwitz after Bosnia: The work of Dennis Del Favero, 1995
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Adam Geczy

Masculinity continues its argument with itself, quizzical at its self-propelled self-assertion. But in asserting aggression the pain is not just experienced in the victim. For even in the crudest acts of coitus, for a moment, the raper becomes the raped, he is tied by his penis and his balls into an abomination.

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Light Works
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Exhibition review Some Pictures from a Somniloquist's Diary
Tony Trembath
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Greenaway Gallery Adelaide SA

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Like a Chant
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Robert Crocker

Exhibition review Recent Work: Hossein Valamanesh
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Greenaway Gallery, Adelaide SA

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I've Written a Letter to Daddy
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Dominic Chang

Social documenter Maxx Image is obsessed with the colour purple. Black leather is the costume of rebellion and the thrill and valour expounded by such an ideal could be seen as enticing accessories to the passion and zeal of leather sexuality.

Published March 1996
Saviour and Sportsman
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Tony McGowan

Vigilantly looking out to sea, the two manifestations of the life saver, the saviour and the sportsman, are combined in this 'gay greeting card' in such a way as to draw on the history of surf club masculinity and create an erotic pose.

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