A short guide to modern and contemporary art in Korea

Cover of A short guide to modern and contemporary art in Korea
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We Don't Fabricate, We Weave: Kumarangk (Hindmarsh Island) and Ngarrindjeri women’s resistance
Feature
Dominic Guerrera

Published 15 December 2021
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Reclaiming the Rock in Project Banaba: Creativity, survival and agricultural colonialism in the Pacific
Feature
Katerina Teaiwa

Published 15 December 2021
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Lipstick and Land Rights: A poetic response
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Lorna Munro

Published 15 December 2021
NAVA
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Woven Selves, Entangled Countries: Weaving across borders
Feature
Dameeli Coates

Published 15 December 2021
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Sovereign city, sovereign self and Warrior Woman Lane
Feature
Timmah Ball

Published 15 December 2021
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Miyurr Mi:wi: Working from home in the spirit of Country
Feature
Tracey Rigney

Published 15 December 2021
Guildhouse
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My Sovereign Mind: A practice in two parts
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Hayley Millar Baker

Published 15 December 2021
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Sovereign Sight: Intersections of the historical archive and artistic practice—a curatorial perspective
Feature
Kimberley Moulton

Published 15 December 2021

Kim Yi-soon on Korean art of the 20th century

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Kim Yi-soon is Professor of Art History at Hongik University.

This is an edited version of the essay in The Guide to Contemporary Korean Art published by the Korea Arts Management Service and TheArtro Platform for Korean contemporary art, 2014.

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