The Faulding Collection

Cover of The Faulding Collection
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Reading the entrails: Digesting posthuman entanglement
Feature
Sasha Grbich

Published 01 December 2019
1.088
Eating together online: The ambivalent conviviality of ASMR videos
Feature
Francis Russell

Published 01 December 2019
1.126
Shared food conversations: Jason Phu and Nagesh Seethiah
Feature
In conversation with Sabrina Baker

Published 01 December 2019
Artlink Promo
1.126
A good dinner party: Food as a medium for social change
Feature
Courtney Coombs

Published 01 December 2019
1.126
Eat the problem: MONA's carnivalesque of cuisine
Feature
Ashley Crawford

Published 01 December 2019
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Fair Share Fare
Feature
Jen Rae

Published 01 December 2019
NAVA
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Violent dreams of development: A food bowl in the north‑west of Australia?
Feature
Alana Hunt

Published 01 December 2019
1
Mai Contemporary Kaurna Food
Feature
James Tylor

Published 01 December 2019

Looks at the art collecting practice of international pharmaceutical and healthcare company F.H.Faulding & Co.

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More from this Issue Full Issue Contents

Compelling Viewing
Review
Annette Pederson

Exhibition review In focus: Rover Thomas
Stories: Works from the Holmes a Court Collection
Lawrence Wilson Art Gallery
The University of Western Australia
Part of the 1997 Festival of Perth

Published June 1997
The Visible Human Project: Life and Death in Cyberspace
Feature
Catherine Waldby

The Visible Human Project, which first made its public appearance in 1994, is an innovation in medicine's ability to picture bodily interiors, and its iconography has commanded an extraordinary degree of interest. It is an extraordinary visual text.

Published June 1997
Introspecting
Feature
Donald Brook

"The belief system that makes the artworld so unlike - let us say - the builder's hardware world is distinguished primarily by the doctrines that there are no truths and that nothing is real.... To put the point with moderation: artists would not be inconvenienced in the least by a general theory of representation that brought the trustworthiness of their critic somewhere within powerful cooee of the trustworthiness of their radiologist. And Theory owes it to them."

Published June 1997
The Irrepressible Imprecision of Emotion
Feature
Pat Hoffie

One of the general aims of internationally focussed survey exhibitions is to reflect the art of a particular time....However there is also a sense in which exhibitions of this nature can tend to operate as a form of cultural engineering, where the very status of inclusion in such exhibitions influences the kind of work made.

Published June 1997
An Elliptical Traverse
Review
Virginia Rigney

Exhibition review Inside the visible - Alternative views of 20th Century Art through Women's Eyes
Art Gallery of Western Australia
13 February - 6 April 1997

Published June 1997
Post-mortem: Farrell and Parkin
Feature
Robert Nelson

For a number of years the collaboration of Farrell and Parkin has produced photographic imagery dealing with medical history. Their photographic work involves the almost archaeological reconstruction of medical contraptions together with bandaging and stirrups and so on which are described in medical texts.

Published June 1997
Getting a Glimpse of the San
Review
Lavinia S Ryan

Exhibition review Eland and Moon: Contemporary San Art of Southern Africa
Museum and Art Gallery of the Northern Territory
29 November - 31 March 1997

Published June 1997
Artworks in the New Children's Hospital Westmead NSW
Feature
Joanna Capon

The new building was conceived with the idea that artworks would be included throughout the new hospital as part of the desire to create a total healing environment. Since 1995 when the first patients were admitted the collection has continued to grow. An illustrated catalogue of the collection has also been published.

Published June 1997
Art Therapy: The New Frontier
Feature
Fred Rost

Looks at the program in the College of Fine Art at the University of New South Wales.

Published June 1997
Linking Art, Science and Technology through the body
Feature
Elizabeth Ashburn

Looks at the conference 'inter sections 1996' hosted by the College of Fine Arts at the University of New South Wales. The theme for the conference was Imag(in)ing Bodies; Issues of art, design, technolgy, health, medicine and science.

Published June 1997
Salome's Dance
Review
Stephanie Radok

Exhibition review Blind: Annette Bezor
Greenaway Art Gallery,
Adelaide, South Australia
March 26 - April 20 1997

Published June 1997
Hand and Eye: The Art of Michael Esson
Feature
Christopher Allen

Michael Esson is fascinated by medical science. His work is not simply a satire of the medical profession or a reflection of the limitations of modern science. The surgeon is a metaphor for the mind facing the limits of its own ability to look into the darkness of nature.

Published June 1997