The Faulding Collection

Cover of The Faulding Collection
1.124
Risky business: Engaging adolescents at the Art Gallery of South Australia
Feature
Kylie Neagle

Published 01 September 2019
1.126
MCAD Manila: Learning, sharing and conversation
Feature
Joselina Cruz and Paula Acuin

Published 01 September 2019
1.124
Museum MACAN: Critical conversations through art
Feature
Aaron Seeto

Published 01 September 2019
Riddoch
1.126
Falling in love (Or is the curatorial a methodology?)
Feature
Tara McDowell

Published 01 September 2019
1.126
Being an artist and an art teacher
Feature
Henry Ward

Published 01 September 2019
1.126
Trying to be at home in the world: New parameters for art education
Feature
Gert Biesta

Published 01 September 2019
PICA
1.126
Choose your own immersion: Art schools as a site of creative becoming
Feature
Una Rey

Published 01 September 2019
1.126
Vanishing into action: Art beyond the contemporary
Feature
Alasdair Foster

Published 01 September 2019

Looks at the art collecting practice of international pharmaceutical and healthcare company F.H.Faulding & Co.

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More from this Issue Full Issue Contents

The Visible Human Project: Life and Death in Cyberspace
Feature
Catherine Waldby

The Visible Human Project, which first made its public appearance in 1994, is an innovation in medicine's ability to picture bodily interiors, and its iconography has commanded an extraordinary degree of interest. It is an extraordinary visual text.

Published June 1997
The Irrepressible Imprecision of Emotion
Feature
Pat Hoffie

One of the general aims of internationally focussed survey exhibitions is to reflect the art of a particular time....However there is also a sense in which exhibitions of this nature can tend to operate as a form of cultural engineering, where the very status of inclusion in such exhibitions influences the kind of work made.

Published June 1997
Linking Art, Science and Technology through the body
Feature
Elizabeth Ashburn

Looks at the conference 'inter sections 1996' hosted by the College of Fine Arts at the University of New South Wales. The theme for the conference was Imag(in)ing Bodies; Issues of art, design, technolgy, health, medicine and science.

Published June 1997
Healing Places: The Art of Placemaking in Health Facilities
Feature
Merily Oppermann

Examines ideas of place in medical/health facilities from different perspectives. What role does art play in these places? To promote wellness, designers need to create environments that help in reducing stress. Art has an important role to play in helping people to heal.

Published June 1997
Getting a Glimpse of the San
Review
Lavinia S Ryan

Exhibition review Eland and Moon: Contemporary San Art of Southern Africa
Museum and Art Gallery of the Northern Territory
29 November - 31 March 1997

Published June 1997
Manifesto of Carnal Art
Feature
Orlan

Carnal art is self portraiture in the classical sense, but realised through the possibility of technology. It swings between defiguration and refiguration. Its inscription in the flesh is a function of our age. The body has become a 'modified ready-made', no longer seen as the ideal it once represented.

Published June 1997
An Elliptical Traverse
Review
Virginia Rigney

Exhibition review Inside the visible - Alternative views of 20th Century Art through Women's Eyes
Art Gallery of Western Australia
13 February - 6 April 1997

Published June 1997
Hand and Eye: The Art of Michael Esson
Feature
Christopher Allen

Michael Esson is fascinated by medical science. His work is not simply a satire of the medical profession or a reflection of the limitations of modern science. The surgeon is a metaphor for the mind facing the limits of its own ability to look into the darkness of nature.

Published June 1997
Hello Sailor
Review
Catherine Speck

Exhibition review Sculpture Bert Flugelman
Greenaway Art Gallery,
Adelaide, South Australia
23 April - 18 May 1997

Published June 1997
Historical Incisions
Review
Mary Knights

Exhibition Review Intervention 4: Michael Schlitz
Tasmanian Museum and Art Gallery
3 February - 2 March 1997

Published June 1997
Whose Body? Ethics and Experiment in Art
Feature
Jane Goodall

How does the notion of experiment translate from the realms of scientific medicine to the realms of art? We are forced to examine how legal and ethical liabilities of behaviour are encoded. Looks at the work of Stelarc and Orlan.

Published June 1997
Search and You Shall Find
Book Review
Anna Ward

Book review Max Germaine's Artists and Galleries on CD Rom
Published by Macquarie Multimedia
RRP $199
(reviewed by Anna Ward with Julia Farrow vi$copy@wr.com.au)

Published June 1997
 
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