The Faulding Collection

Cover of The Faulding Collection
1.278
Meet Lisa Walker in her workshop: VR in the museum
Feature
Justine Olsen and Prue Donald

Published 01 December 2018
1.126
Eugenie Lee's Seeing is Believing: VR in pain management
Feature
Dylan DeLosAngeles

Published 01 December 2018
1.128
Artificial imagination: Deepfakes from latent space
Feature
Sean Dockray

Published 01 December 2018
Axolotl
1.196
Brenda Laurel's Placeholder: In dreams everybody flies their own way
Feature
Claire L. Evans

Published 01 December 2018
1.128
The distributed virtual: Jill Scott's Eskin4 and other electronic environments
Feature
Rob La Frenais

Published 01 December 2018
1.126
Against realism: The badly rendered potential of VR
Feature
Ian Haig

Published 01 December 2018
Hazelhurst
1.094
The virtuous politics of Alejandro Iñárritu's Carne y Arena
Feature
Vince Dziekan

Published 01 December 2018
1.126
Metascape, memory and spacetime: The museum in VR
Feature
Andrew Yip

Published 01 December 2018

Looks at the art collecting practice of international pharmaceutical and healthcare company F.H.Faulding & Co.

Buy Now   or   Subscribe
Artlink App in iTunes
Share on Facebook Share on Twitter
Support independent writing on the visual arts. Subscribe or donate here.

More from this Issue Full Issue Contents

Hand and Eye: The Art of Michael Esson
Feature
Christopher Allen

Michael Esson is fascinated by medical science. His work is not simply a satire of the medical profession or a reflection of the limitations of modern science. The surgeon is a metaphor for the mind facing the limits of its own ability to look into the darkness of nature.

Published June 1997
Compelling Viewing
Review
Annette Pederson

Exhibition review In focus: Rover Thomas
Stories: Works from the Holmes a Court Collection
Lawrence Wilson Art Gallery
The University of Western Australia
Part of the 1997 Festival of Perth

Published June 1997
Liar, Liar, Pants on Fire
Book Review
Juliette Peers

Book review Letters and Liars: Norman Lindsay and the Lindsay Family by Joanna Mendelssohn
Angus and Robertson
RRP $19.95

Published June 1997
Drugs 'n' Art
Feature
Stephanie Radok

The role of drugs and art making is examined in the works of particular artists. Historically drugs have been used for enlightenment as well as for healing or endurance....

Published June 1997
Hello Sailor
Review
Catherine Speck

Exhibition review Sculpture Bert Flugelman
Greenaway Art Gallery,
Adelaide, South Australia
23 April - 18 May 1997

Published June 1997
Means to an Endoscope: Art, Medicine and the Body
Feature
Michele Theunissen

Art medicine and the body was a project spanning 18 months. There were 28 participating artists. The exhibition opened at the Perth Institute of Contemporary Art in August 1996 followed by the performance and forum.

Published June 1997
Post-mortem: Farrell and Parkin
Feature
Robert Nelson

For a number of years the collaboration of Farrell and Parkin has produced photographic imagery dealing with medical history. Their photographic work involves the almost archaeological reconstruction of medical contraptions together with bandaging and stirrups and so on which are described in medical texts.

Published June 1997
The Irrepressible Imprecision of Emotion
Feature
Pat Hoffie

One of the general aims of internationally focussed survey exhibitions is to reflect the art of a particular time....However there is also a sense in which exhibitions of this nature can tend to operate as a form of cultural engineering, where the very status of inclusion in such exhibitions influences the kind of work made.

Published June 1997
Body Suits
Feature
Cath Kenneally

Body suits, conceived by Jane Trengove of Arts Access Victoria, proposes the body as a site for investigation with the contributing artists being mostly people who experience 'bodily difference due to disability'. Touring show in 1997.

Published June 1997
An Elliptical Traverse
Review
Virginia Rigney

Exhibition review Inside the visible - Alternative views of 20th Century Art through Women's Eyes
Art Gallery of Western Australia
13 February - 6 April 1997

Published June 1997
A Manifesto of Arrival and Understanding
Review
James Moss

Exhibition review Paintings: Zhong Chen
Adelaide Central Gallery,
South Australia
7 March - 20 April 1997

Published June 1997
The Visible Human Project: Life and Death in Cyberspace
Feature
Catherine Waldby

The Visible Human Project, which first made its public appearance in 1994, is an innovation in medicine's ability to picture bodily interiors, and its iconography has commanded an extraordinary degree of interest. It is an extraordinary visual text.

Published June 1997
 
ACMI
Artlink Subs Promo
NAVA