The Faulding Collection

Cover of The Faulding Collection
1.126
Amala Groom: Cosmic Body of remembrance
Feature
Hannah Donnelly

Published 01 June 2019
1.128
imagineNATIVE at 20
Feature
Pauline Clague in conversation with Jason Ryle

Published 01 June 2019
1.128
Sydney Elders: Continuing Aboriginal Stories

State Library of NSW

Feature
Jonathan Jones

Published 01 June 2019
UTS
1.126
Speaking back to colonial collections: Building living to Aboriginal archives
Feature
Kirsten Thorpe

Published 01 June 2019
1.122
Unravelling the past: Barbed wire and campfire learnings
Feature
Ali Cobby Eckermann

Published 01 June 2019
1.108
Dark Emu: Thank the Earth
Feature
Bruce Pascoe

Published 01 June 2019
Artlink Subs Promo
1.126
Deaths in custody: We've got to give it everything
Feature
Lorena Allum

Published 01 June 2019
1.12
Indigenous storytelling: Deconstructing the archetype
Feature
Pauline Clague

Published 01 June 2019

Looks at the art collecting practice of international pharmaceutical and healthcare company F.H.Faulding & Co.

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More from this Issue Full Issue Contents

Introspecting
Feature
Donald Brook

"The belief system that makes the artworld so unlike - let us say - the builder's hardware world is distinguished primarily by the doctrines that there are no truths and that nothing is real.... To put the point with moderation: artists would not be inconvenienced in the least by a general theory of representation that brought the trustworthiness of their critic somewhere within powerful cooee of the trustworthiness of their radiologist. And Theory owes it to them."

Published June 1997
Hello Sailor
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Catherine Speck

Exhibition review Sculpture Bert Flugelman
Greenaway Art Gallery,
Adelaide, South Australia
23 April - 18 May 1997

Published June 1997
Salome's Dance
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Stephanie Radok

Exhibition review Blind: Annette Bezor
Greenaway Art Gallery,
Adelaide, South Australia
March 26 - April 20 1997

Published June 1997
Means to an Endoscope: Art, Medicine and the Body
Feature
Michele Theunissen

Art medicine and the body was a project spanning 18 months. There were 28 participating artists. The exhibition opened at the Perth Institute of Contemporary Art in August 1996 followed by the performance and forum.

Published June 1997
Compelling Viewing
Review
Annette Pederson

Exhibition review In focus: Rover Thomas
Stories: Works from the Holmes a Court Collection
Lawrence Wilson Art Gallery
The University of Western Australia
Part of the 1997 Festival of Perth

Published June 1997
Hand and Eye: The Art of Michael Esson
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Christopher Allen

Michael Esson is fascinated by medical science. His work is not simply a satire of the medical profession or a reflection of the limitations of modern science. The surgeon is a metaphor for the mind facing the limits of its own ability to look into the darkness of nature.

Published June 1997
Historical Incisions
Review
Mary Knights

Exhibition Review Intervention 4: Michael Schlitz
Tasmanian Museum and Art Gallery
3 February - 2 March 1997

Published June 1997
A Manifesto of Arrival and Understanding
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James Moss

Exhibition review Paintings: Zhong Chen
Adelaide Central Gallery,
South Australia
7 March - 20 April 1997

Published June 1997
Linking Art, Science and Technology through the body
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Elizabeth Ashburn

Looks at the conference 'inter sections 1996' hosted by the College of Fine Arts at the University of New South Wales. The theme for the conference was Imag(in)ing Bodies; Issues of art, design, technolgy, health, medicine and science.

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The Visible Human Project: Life and Death in Cyberspace
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Catherine Waldby

The Visible Human Project, which first made its public appearance in 1994, is an innovation in medicine's ability to picture bodily interiors, and its iconography has commanded an extraordinary degree of interest. It is an extraordinary visual text.

Published June 1997
Search and You Shall Find
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Book review Max Germaine's Artists and Galleries on CD Rom
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RRP $199
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Published June 1997
Liar, Liar, Pants on Fire
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Book review Letters and Liars: Norman Lindsay and the Lindsay Family by Joanna Mendelssohn
Angus and Robertson
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