The Faulding Collection

Cover of The Faulding Collection
1.128
Wardlipari Homeriver: Vulnerable observations
Feature
Uncle Lewis Yarluburka O’Brien and Ali Gumillya Baker

Published 01 March 2019
1.126
Local colour: Dyeing and women's wealth
Feature
Julie Ewington

Published 01 March 2019
1.122
Hi-vis commodities: A body corporate's toxic economy
Feature
Tessa Laird with Debris Facility

Published 01 March 2019
Artlink Subs Promo
1.126
Revisiting colour problems: Emily Vanderpoel, Hilma af Klint, Becca Albee, Clare Milledge
Feature
Amelia Wallin

Published 01 March 2019
1.126
Queer uses of colour: A tinted hermeneutics
Feature
Abbra Kotlarczyk

Published 01 March 2019
1.278
Meet Lisa Walker in her workshop: VR in the museum
Feature
Justine Olsen and Prue Donald

Published 01 December 2018
ACE Open
1.126
Eugenie Lee's Seeing is Believing: VR in pain management
Feature
Dylan DeLosAngeles

Published 01 December 2018
1.128
Artificial imagination: Deepfakes from latent space
Feature
Sean Dockray

Published 01 December 2018

Looks at the art collecting practice of international pharmaceutical and healthcare company F.H.Faulding & Co.

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More from this Issue Full Issue Contents

An Elliptical Traverse
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Virginia Rigney

Exhibition review Inside the visible - Alternative views of 20th Century Art through Women's Eyes
Art Gallery of Western Australia
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Getting Better all the Time: Austin and Repatriation Medical Centre Arts Program
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The Austin and Repatriation Medical Centre (Victoria) has an innovative arts program. Commenced in 1989 and now holds an annual exhibition of sculpture.

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Youth Arts in Hospital
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Kristen Sabiel

The Youth Arts program at the Department of Adolescent Medicine at the New Children's Hospital Sydney commenced in 1984. In 1994 the project 'Art Injection' took place resulting in a book.

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The Visible Human Project: Life and Death in Cyberspace
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Catherine Waldby

The Visible Human Project, which first made its public appearance in 1994, is an innovation in medicine's ability to picture bodily interiors, and its iconography has commanded an extraordinary degree of interest. It is an extraordinary visual text.

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Artworks in the New Children's Hospital Westmead NSW
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Joanna Capon

The new building was conceived with the idea that artworks would be included throughout the new hospital as part of the desire to create a total healing environment. Since 1995 when the first patients were admitted the collection has continued to grow. An illustrated catalogue of the collection has also been published.

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Post-mortem: Farrell and Parkin
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Robert Nelson

For a number of years the collaboration of Farrell and Parkin has produced photographic imagery dealing with medical history. Their photographic work involves the almost archaeological reconstruction of medical contraptions together with bandaging and stirrups and so on which are described in medical texts.

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Historical Incisions
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Mary Knights

Exhibition Review Intervention 4: Michael Schlitz
Tasmanian Museum and Art Gallery
3 February - 2 March 1997

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Means to an Endoscope: Art, Medicine and the Body
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Michele Theunissen

Art medicine and the body was a project spanning 18 months. There were 28 participating artists. The exhibition opened at the Perth Institute of Contemporary Art in August 1996 followed by the performance and forum.

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Hello Sailor
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Catherine Speck

Exhibition review Sculpture Bert Flugelman
Greenaway Art Gallery,
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23 April - 18 May 1997

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Linking Art, Science and Technology through the body
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Elizabeth Ashburn

Looks at the conference 'inter sections 1996' hosted by the College of Fine Arts at the University of New South Wales. The theme for the conference was Imag(in)ing Bodies; Issues of art, design, technolgy, health, medicine and science.

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Compelling Viewing
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Annette Pederson

Exhibition review In focus: Rover Thomas
Stories: Works from the Holmes a Court Collection
Lawrence Wilson Art Gallery
The University of Western Australia
Part of the 1997 Festival of Perth

Published June 1997
Introspecting
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Donald Brook

"The belief system that makes the artworld so unlike - let us say - the builder's hardware world is distinguished primarily by the doctrines that there are no truths and that nothing is real.... To put the point with moderation: artists would not be inconvenienced in the least by a general theory of representation that brought the trustworthiness of their critic somewhere within powerful cooee of the trustworthiness of their radiologist. And Theory owes it to them."

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