Why photograph people? Sousveillance from Hippolyte Bayard to Sue Ford

Cover of Why photograph people? Sousveillance from Hippolyte Bayard to Sue Ford
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The Artlink Archive Project: Inside the 'Outsider' issue
Feature
Juliette Peers

Published 01 August 2022
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The SubMerge Project: Autistic embodiment and the extended bodymind
Feature
Alison Bennett and Dean Walsh

Published 01 August 2022
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Arts Project Australia: Raising the bar through collaborative partnerships
Feature
Sim Luttin

Published 01 August 2022
SALA
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Staying the distance, closing the distance: Graeae Theatre UK and DADAA, WA
Feature
Jenny Sealey

Published 01 August 2022
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Exquisite interplay: Accessible art workshops for emerging artists
Feature
M. Sunflower

Published 01 August 2022
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Other Body Knowledge: Sophie Cassar, Lara Chamas, Fayen d'Evie, Sam Petersen, Jane Trengove
Feature
Olga Bennett and Jane Trengove

Published 01 August 2022
Goulburn Regional Art Gallery
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What do you do at Studio A?
Feature
Emily Crockford, Guy Fredericks, Emma Johnston, Daniel Kim, Jaycee Kim, Adam Mandarano, Catherine McGuiness, Gabrielle Mordy, Meagan Pelham, Skye Saxon, Lisa Scott, Damian Showyin, Philip Sidney, Thom Roberts and Chloe Watfern

Published 01 August 2022
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Thinking without fear: Ruark Lewis
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Marielle Soni

Published 01 August 2022
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Judy Annear is Senior Curator Photographs at the Art Gallery of New South Wales, Sydney.

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Surreptitious Pictures
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Professor of Art History at Victoria University, Wellington, NZ and author of 'Photography Degree Zero' Geoffrey Batchen writes about the secret history of secret cameras.

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Bad Angle
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