Why photograph people? Sousveillance from Hippolyte Bayard to Sue Ford

Cover of Why photograph people? Sousveillance from Hippolyte Bayard to Sue Ford
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Foreign returned: Between expatriate and repatriate in Mumbai
Feature
Balamohan Shingade

Published 01 September 2018
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Human flow in Melanesia: Taloi Havini's artefacts and habitats
Feature
Nicholas Thomas

Published 01 September 2018
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Living and dying under surveillance: Xu Bing's Dragonfly Eyes
Feature
Sasha Grbich

Published 01 September 2018
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Inhuman flow: Censorship and art in the two Chinas
Feature
Darren Jorgensen and Tami Xiang

Published 01 September 2018
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Sublime Plight: Richard Mosse, Ai Weiwei and the social turn
Feature
Wes Hill

Published 01 September 2018
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YARN: The art of conversation
Feature

Coby Edgar interviews Warren Roberts, CEO of YARN Australia

Published June 2018
UTS
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Editorial: Kanarn Wangkiny/Wanggandi Karlto (Speaking from Inside)
Feature
Clothilde Bullen with James Tylor

Published 01 June 2018
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Katie West: Living well
Feature
Katie West

Published 01 June 2018

Senior Curator of Photography at the Art Gallery of New South Wales Judy Annear looks at artists who photograph themselves.

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More from this Issue Full Issue Contents

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Visibility: a survey of major recent exhibitions and publications on surveillance art
Feature
Jane Button

Dr Jane Button provides a rich viewing of recent exhibitions and texts concerned with self-scrutiny, the scrutiny of others and strategies of control from 'Proof: The Act of Seeing with One's Own Eyes' curated by Mike Stubbs at ACMI to 'against the grain/tim burns/survey' at the AEAF.

Published September 2011
Enrique Martínez Celaya: The Cliff
Review
Naomi Gall

Liverpool Street Gallery
23 April – 19 May 2011

Published September 2011
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Treading the fault-line of inter-cultural relations in Alice Springs
Feature
Kieran Finnane

Alice Springs-based writer Kieran Finnane explicates the long roots of the project 'Pmere Arntarntareme / Watching This Place' and how it points towards a different kind of future where 'there is no us and them' for the residents of Mparntwe (Alice Springs).

Published September 2011
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Batesian mimicry and Urban scarecrows
Feature
Kate Fulton

An Australian artist based in Berlin Kate Fulton is the Site Manager of HomeBase LAB. In 2006-7 she made a series of bogus surveillance cameras commenting on the false construct of authority.

Published September 2011
Imaging Interiors
Review
Lisa Harms

Curator: Wendy Walker
JamFactory Gallery
21 May – 10 July 2011

Crazy Fingers

Curators: Brigid Noone and Mary-Jean Richardson
SASA Gallery
17 May – 24 June 2011

Published September 2011
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People love to watch: From Mr Rumbold to Julian Assange
Editorial
Natalie King Virginia Fraser

The editors of 'Surveillance' Natalie King and Virginia Fraser describe how they put this issue together - from surreptitious encounters to self-exploitation.

Published September 2011
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Three secrets
Feature
Djon Mundine

Bandjalung curator and writer Djon Mundine says there are three kinds of secrets – the secrets you keep from others, the secrets you share with others and the secrets others keep from you.

Published September 2011
Photosynthetic: Carolyn Lewens, Same River: Peter Annand, glacies lux: Peter Charuk, Breath: Vivian McLatchie, Submerge: Carolyn Lewens, Asmund Heimark and Tim Catlin and Voicing Concerns
Review
Eva Franzidis

Queensland Centre for Photography (QCP)
16 July – 14 August 2011

Published September 2011
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Surveillance art: Genre and Political Action
Feature
Anne Marsh

Professor of Art History at Monash University and author of Look: Contemporay Australian Photography Dr Anne Marsh reviews art about surveillance that is often lens-based and/or performative from Jane Burton to Catherine Bell, Paul Batt to Denis Beaubois.

Published September 2011
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Inside the museum: surveilled
Feature
Regan Forrest

PhD candidate on museum visitor experience Regan Forrest describes the fascinating field of museum surveillance where spectators are unknowingly being watched in old and new ways - from paper and pencil to MONA's 'O'.

Published September 2011
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Contemporary Chinese Art
Feature
Christen Cornell

Christen Cornell manages Local Consumption Publications and 'Artspace China' a blog on contemporary Chinese culture. Currently undertaking a PhD at the University of Sydney on China's contemporary art districts her article outlines the very latest developments in this volatile field.

Published September 2011
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It's rude to stare: Bill Henson revisited
Feature
Helen McDonald

Art historian and author of the book Erotic Ambiguities: the Female Nude in Art (2001) Helen McDonald examines 'The Henson affair' of 2008.

Published September 2011
 
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