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Contributors
Jenna McKenzie
Penelope Trotter
Artlink
Adrian Martin
Aileen Burns
Alexandra Heller-Nicholas
Ali Cobby Eckermann
Ali Gumillya Baker
Alison Bechdel
Alison Carroll
Alison Groves
Amita KIrpalani
Amrita Hepi
Amy Griffiths
Amy Weng
Andrea Bell
Andrew Frost
Andrew Varano
Andrew Yip
Ann Finegan
Anna Munster
Anna Zagala
Anne Kirker
Anne Marsh
Anne O'Hehir
Annemarie Kohn
Annika Evans
Ashley Crawford
Astrid Lorange
Bec Dean
Bec Tudor
Ben Eltham
Brendan Lee
Briony Downes
Bruce Pascoe
Caren Florance
Carol Schwarzman
Caterina Albano
Cath Bowdler
Cath Kenneally
Catherine De Lorenzo
Chris Fleming
Christopher Heathcote
Claire Capel-Stanley
Claire G. Coleman
Clive Parkinson
Craig Judd
D L Hume
Daniel Thomas
Danni Zuvela
Danny Butt
Darren Jorgensen
Darren Tofts
David Broker
David Hansen
Dawn-joy Leong
DeeDee Noon
Derek Sargent
Donald Brook
Dylan Rainforth
Ella Barclay
Elly Kent
Enoch Mailangi
Eve Sullivan
Eve Vincent
Faye Neilson
Fee Plumley
Francesca Da Rimini
Francis Russell
Geert Lovink
Geoffrey Legge
George Petelin
Glenn Barkley
Gregory Pryor
Hannah Donnelly
Helen Hughes
Helen Vivian
Heman Chong
Ian Milliss
Ianto Ware
Jacqueline Millner
Jacqui Durrant
Jacqui Shelton
James Bennett
Jane Button
Janet Maughan
Janice Peacock
Jasmin Stephens
Jason Ryle
Jean Poole
Jennifer Deger
Jenny McFarlane
Jessie Lumb
Jessie Lymn
Jessyca Hutchens
Jill Bennett
Jo Higgins
Joanna Mendelssohn
Johan Lundh
John Conomos
Issues
Biopic
Issue 40:4 | December 2020
Indigenous: Storytelling in a Digital World
Issue 39:2 | June 2019
Anxiety: Art and mental health
Issue 37:3 | September 2017
Parallel Universe
Issue 36:4, December 2016
Performative
Issue 35:3 | September 2015
Pattern & Complexity
Issue 32:1 | March 2012
Art in the Public Arena
Issue 30:3 | September 2010
The Underground
Issue 30:2 | June 2010
Screen Deep
Issue 27:3 | September 2007
E-volution of New Media
Issue 21:3 | September 2001
Articles
Choreography of the elements: Janet Echelman
American artist Janet Echelman reshapes urban airspace with monumental, fluidly moving sculpture that responds to environmental forces including wind, water, and sunlight. The artist’s ongoing series of aerial net sculptures started in 1997 when she was in India as a Fulbright Scholar and became fascinated with the beauty and movement of traditional fishing nets. In 2011 her installation 'Tsunami 1.26' hung over the Town Hall traffic intersection in Sydney as a joint initiative of the Powerhouse Museum and Art and About Sydney.
Performing panic. How does your data glow?
Virginia Barratt on the researcher‑body as site for the creation and collection of emic data
Video and performance: Many chronic returns
Robert Nelson on the death and rebirth of performance in the video loop
Alicia Frankovich: Toward a republic of the post-human multitude
Toward a republic of the post-human multitude
Fly In Fly Out artists of Western Australia
On artist residencies and site-specific projects that don’t always go as planned
Perspectives on contemporary dance
Julianne Pierce on multidisciplinary approaches to working across contemporary dance and visual arts
Bound and Unbound: Sovereign Acts (Act 1)
Ali Gumillya Baker with Faye Rosas Blanch, Natalie Harkin and Simone Ulalka Tur on decolonising methodologies of the lived and spoken
The inchworm revisited
Artist, writer and honorary visiting Professor at the Centre for Computational Neuroscience and Robotics at the University of Sussex in England Paul Brown sketches out the long intertwining history of the relationship between C.P. Snow's two cultures - art and science, design and mathematics, beauty and computation, and extrapolates upon Lady Ada Lovelace's famous words: "We may say most aptly that the Analytical Engine weaves algebraical patterns just as the Jacquard-loom weaves flowers and leaves."
Fractal food
John Walker is the founder of Autodesk, Inc. and co-author of AutoCAD. In Fractal Food he discusses the marvel of fractal forms (complex shapes which look more or less the same at a wide variety of scale factors) as they are seen in a rather wonderful vegetable - the chou Romanesco.
Openwork patterns: Love Lace
Powerhouse Museum Curator of Textiles Lindie Ward discusses the groundbreaking 'Love Lace' exhibition on show at the Powerhouse until April 2013. A globally sourced series of works it showcases 130 designs for openwork structures from 20 countries.
A Meme is born
Adelaide writer and artist Peter Drew looks at various examples of recent street art and the many ways it is circulated and reproduced as a meme in a wired and globally connected world. "As it turns out," he says, "memetics can be very useful in understanding the patterns of street art."
Not just black and white
Scholar and inaugural director of the new Godinymayin Yijard Rivers Arts and Culture Centre in Katherine Cath Bowdler discusses the work of two indigenous artists Brook Andrew and Gunybi Ganambarr and suggests that they are both operating at a conceptual level as bricoleurs in a globalised world, inventing new juxtapositions of materials and revealing new ways of seeing the world through the prism of local histories and traditions.
Caroline Durré: Reforming the earth
Drawing Studio and Program Co-ordinator at Monash University Stephen Garrett examines the optically challenging artworks of Caroline Durré which blend patterns and perspectives.
The Poliness wall drawings: not quite right
Artist Kerrie Poliness writes about her wall drawing projects, one of which appears in the exhibition 'Art, Pattern and Complexity' at RiAus, Adelaide from 16 February to 16 May 2012. The wall drawings begin with the artist's instructions but are produced with intuition rather than rulers.
Mesne: Stitches in the Air: computational craft
Media artist, techno-evangelist and digital nomad Fee Plumley responds to Mesne Design Studio's lacemaking environment 'Pricking Version 2.0' which is their answer to the question “what happens if you apply computational processes to the historical notion of craft?”.