Stephanie Britton
Contributor
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Ms Stephanie Britton
Author
Stephanie Britton founded Artlink in 1981 as a bi-monthly 20-page black and white magazine with the initial aim of providing a national profile for South Australian art, and linking the various contemporary art organisations which existed in Adelaide.
She continues as Executive Editor, writing, editing and mentoring new editors and writers for the quarterly themed national and international journal. As CEO and a Director of Artlink Australia she is responsible for the overall operation of the magazine. She was trained as an artist in South Africa and London, and did postgraduate studies at Flinders University. She has worked as a curator and an organiser of events such as Artists Week of the Adelaide Festival. She was a co-founder of the Australian Network for Art & Technology.
Location: Adelaide, South Australia
http://www.artlink.com.au/
Articles from this contributor
- Editorial: The Future of Art
- Feature: Seven Little Australians
- Feature: Aldo Iacobelli in Valencia
- Feature: Anne Pincus in Munich
- Feature: Who's Selling What to Whom: Australian Dealers Taking Australian Art Overseas
- Feature: The Prying Game
- Feature: Fire Rituals for Multicultural Times
- Feature: An Australian Head of State - Eureka!
- Feature: Festival of the Dreaming
- Feature: Image Bank for Art and the Body - Medical Imaging
- Feature: Tandanya - Captivating Culture
- Feature: Art is Land: Land is Art - Talks with Banduk Marika
- Feature: Pacific Wave: A Festival of Pacific Arts
- Feature: Darwin Festival - A Glimpse
- Feature: Australia Goes to Samoa: 7th Pacific Festival of the Arts
- Electronic Media Collections
- The Virtual Museum
- Arts Queensland
- Feature: Image Bank: Portraiture
- Editorial: Culture/Agriculture
- Feature: Guide to...Image Bank
- Review: Still Looking at the Billboard
- Feature: Surviving the Recession
- Feature: Drawing Wages
- Feature: Furniture, Ceramics: What the Hell, Let's Do It
- Feature: Non-Metro Spaces
- Feature: Roads, Rates and Renaissance
- Feature: Liverpool Links: Industry and Art
- Feature: Artists' Park Blooms Again
- Feature: Tickling the Senses in Brunswick St
- Feature: Focusing on the River
- Feature: Good Spot for a Pot Shot
- Feature: Sophistication in the Country
- Feature: Noarlunga: Backwater No Longer
- Feature: Pav Offers Sweet Success
- Feature: Bonanza for Creators in Ipswich
- Feature: Update: Projects of Women and Art
- Feature: Image Bank: The Feminist Project
- Review: Memorial to the Survivors
- Feature: Naive Archive
- Feature: Power Institute Program on Aboriginal Art in Australian Society
- Feature: Art After the Controversy
- Feature: Bangarra
- Feature: Looking Back: A decade of Artlink 1981 -1991
- Editorial: It's on Disc! Magazine Production on the Desktop
- Feature: 4 Jewellery Co-operatives: On Staying in the Black: Fluxus
- Feature: 4 Jewellery Co-operatives: On Staying in the Black: Fingers
- Feature: Government Help Available
- Book review: A Selected Book List
- Reflections on Experience
- Curbin the Urban
- Teenage Roadshows Journeys of Discovery
- State of the Arts in Community Arts - a special 16 page directory to national resources.
- Challenge for a new force
- Editorial: Editor's Note: Sculpture
- Feature: The Plan
- Feature: Crossing Cultures in Dance
- Feature: Cultural Iconographies
- Feature: A New Multiculturalism-in-the-Arts Program for South Australia
- Editorial: Art, Architecture and the Environment
- Feature: Eco-design Conference at RMIT
- Feature: Community Architecture: High on People Power, Low on Fossil Fuels
- Feature: Restored to Life with a Bypass
- Feature: Reading the Land
- Editorial: Contemporary Arts of the Region: South East Asia and Australia
- Feature: Australia Asia: Striking Up Conversations
- Feature: Friends of Hanoi
- Feature: New Models for Survival
- Review: Testing the Waters
- Feature: The Tate goes modern
- Feature: Exchange Value # 2. Keeping up the Momentum
- Editorial: The 'Improved' Body: Animals and Humans
- Editorial: Export Quality
- Feature: Biennials of the World: Myths, Facts and Questions
- Editorial: On Being Fair
- Editorial: Ecology: Everyone's Business
- Artist profile: Chris Mulhearn: Stand of Trees
- Feature: Finsbury Green Printing - The Story of the First Carbon Neutral Printer in Australia
- Editorial: Hybrid World
- News: Artlink on the Road: a China Diary
- Editorial: Rich and Strange
- Review: Artists' Week
- Editorial: The Coalition of the Unwilling
- Review: Ten Days on the Island
- Review: Designing Minds
- Book review: Tree Stories
- Editorial: A New Catch-Up - Report of the Contemporary Visual Arts and Craft Inquiry
- Feature: Artlink - The Second Decade 1991-2000
- Focus review: Feast to Feast: PACifika
- Editorial: Currents II
- Editorial: Success, Excellence and Iconoclasm
- Image bank: Image Bank
- Editorial
- Editorial: Eldertorial
- Feature: Gwangju Biennale, South Korea
- Feature: The Obsessive Compulsive Worker
- Editorial: Editorial
- Preview: Handling the Adelaide Biennial
- Editorial: Editorial
- Feature: Video loops and VIP dinners: 2008 Beijing and Hong Kong Art Fairs
- Editorial: Editorial
- Editorial: Editorial
- Review: 4th Fukuoka Asian Art Triennale, Japan
- Editorial: The Meandering River: Slowing Down and Keeping Going
- Editorial: Editorial
- Feature: Patronage of the Passionate
- Artlink's Third Decade: The Push Pull Decade
- Feature: Traditional Skills: Refugees
- Editorial: Editorial: Vibrating, buzzing, swarming
- Artrave: Artrave
- Artrave: Artrave
- Artrave: Artrave
- Artrave
- Editorial: Editorial
- Artrave