Art Mind Beauty
vol 28 no 2
Art/Mind/Beauty tackles one of the questions exercising the minds of philosophers in the age of neuro-science - how does the mind create notions of beauty and why are some artists and audiences drawn to the fragile, the shimmering, the highly decorative and the nature-inspired? Has contemporary art been diminished by the absence of these visual pleasures? Perhaps beauty and a sense of the ineffable have crept back without our noticing. Could this be related to a fear that time is running out for the natural world? Artists who inspired this issue include Imants Tillers, Jon Cattapan, John Mawurndjul, Doreen Reid Nakamarra, Catherine Woo, Stieg Persson, David Keeling and Philip Wolfhagen (painters); Hossein & Angela Valamanesh, Giles Bettison, Kirsten Coelho, Timothy Horn, Ah Xian, Robyn Stacey, Karl Wiebke, Robin Best and Tina Gonsalves (other media). Editor Margot Osborne.
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Some digressions on ornament, abstraction and the stowaway
Wendy Walker, featureAn erudite elaboration of the concept that a certain amount of ornamentalism in art rather than being the opposite to minimalism is present within it as a secret stowaway. Wendy Walker muses on this topic with particular reference to the 2001 exhibition Ornament and Abstraction at the Fondation Beyeler, Basel, and its curator Markus Bruederlin's premise that ornamentation has played a more integral role in the development of abstract art than has previously been supposed. Walker illustrates her thesis with works by Christian Lock, Stieg Persson and Timothy Horn.
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Articles in this issue
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Artrave: Artrave

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Editorial: Editorial

- Feature: Australian Beauty
- Feature: Gatecrashing the sublime
- Feature: On sunsets
- Feature: Shimmering fields
- Feature: Some digressions on ornament, abstraction and the stowaway
- Feature: The romantic spirit
- Feature: Tina Gonsalves: Unleashing emotion
- Feature: Truth and beauty entangled
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Gallery: Contemporary beauty

- Interview: Ellen Dissanyake: homo aestheticus
- Polemic: The realities of power
- Profile: Cobi Cockburn
- Profile: Karl Wiebke
- Profile: Robin Best
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Review: A new global art history: CIHA 2008 (Congress of the International Committee of the History of Art)

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Review: Annie Hogan: A Survey

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Review: Chaos and revelry: Neo-Baroque and camp aesthetics

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Review: Chris Pease

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Review: Handle me gently: Olga Cironis

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Review: Handle with care

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Review: I am a good boy

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Review: In response to conversations with a therapist as a narrative device: Martin Smith

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Review: Insights and a conversation

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Review: Letting Go: Lee Salomone

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Review: Liminal

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Review: Now that I am a man I can go to war: Angela Lynkushka

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Review: One night only project

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Review: Papunya Painting: out of the desert

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Review: The 32nd congress of the international committee of the history of art (CIHA)

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Review: The Ship of fools: recent paintings, Bill Brown

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Review book: Aesthetics and material beauty: aesthetics naturalized, Jennifer A. McMahon

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Review book: Blubberland: the dangers of happiness, Elizabeth Farrelly

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Review book: The Formalesque: a guide to modern art and its history, Bernard Smith

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Review book: Visual Animals, Edited by Ian North

