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Contributors

The Unbound Collective

Ali Cobby Eckermann

Ali Gumillya Baker

Angela Valamanesh

Angelina Hurley

Antoanetta Ivanovna

Barbie Greenshields

Bartholomew Rose

Beverley Mitchell

Brendan Kennedy

Bronwyn Bancroft

Bronwyn Carlson

Carol Schwarzman

Caroline Durré

Caroline Phillips

Chantelle Woods

Charmaine Green

Chika Okeke Agulu

Chris Wallace-Crabbe

Chrischona Schmidt

Christian Thompson

Christina Balcombe Davidson

Christina Davidson

Christina Djorlom

Christine Delany

Christine Morrow

Christine Nicholls

Christine Olsen

Claire Eltringham

Claire Krouzecky

Clothilde Bullen

Clotilde Bullen

Dan Taulapapa McMullin

Daniel Browning

Darlene Johnson

Darren Jorgensen

Darryl Pfitzner Millika

Denise Tiavouane

Djambawa Marawili

Domenico de Clario

Dominic Guerrera

Dominique Angeloro

Issues

Issue 43:3 | Warltati / Summer 2023 | INDIGENOUS_Working Voices

INDIGENOUS_Working Voices

Issue 43:3 | Warltati / Summer 2023

Issue 42:3 | Warltati / Summer 2022 | INDIGENOUS__

Issue 42:3 | Warltati / Summer 2022

Issue 41:3 | December 2021 | INDIGENOUS_Visualising Sovereignty

INDIGENOUS_Visualising Sovereignty

Issue 41:3 | December 2021

Issue 40:2 | June 2020 | INDIGENOUS_Kin Constellations

INDIGENOUS_Kin Constellations

Issue 40:2 | June 2020

Issue 39:2 | June 2019 | Indigenous: Storytelling in a Digital World

Indigenous: Storytelling in a Digital World

Issue 39:2 | June 2019

Issue 38:2 | June 2018 | Indigenous_Kanarn Wangkiny/Wanggandi Karlto

Indigenous_Kanarn Wangkiny/Wanggandi Karlto

Issue 38:2 | June 2018

Issue 37:2 | June 2017 | Indigenous_Trans Cultural

Indigenous_Trans Cultural

Issue 37:2 | June 2017

Issue 36:2 | June 2016 | Indigenous Northern

Indigenous Northern

Issue 36:2 | June 2016

Issue 35:2 | June 2015 | Indigenous Global

Indigenous Global

Issue 35:2 | June 2015

Issue 34:2 | June 2014 | Indigenous: Blackground

Indigenous: Blackground

Issue 34:2 | June 2014

Issue 33:2 | June 2013 | Indigenous: Re-visions

Indigenous: Re-visions

Issue 33:2 | June 2013

Issue 32:2 | June 2012 | Indigenous: Indignation

Indigenous: Indignation

Issue 32:2 | June 2012

Issue 31:2 | June 2011 | Indigenous: Beauty & Terror

Indigenous: Beauty & Terror

Issue 31:2 | June 2011

Issue 30:1 | March 2010 | Blak on Blak

Issue 30:1 | March 2010

Issue 26:3 | September 2006 | Currents II

Issue 26:3 | September 2006

Issue 20:1 | March 2000 | Reconciliation: Indigenous art for the 21st Century

Reconciliation: Indigenous art for the 21st Century

Issue 20:1 | March 2000

Issue 16:4 | December 1996 | Indigenous Arts of the Pacific

Indigenous Arts of the Pacific

Issue 16:4 | December 1996

Articles

Ever Present: First Peoples Art of Australia

Christine Han

Editorial: Artlink_Indigenous 2022

Tristen Harwood

silent/salient images

Dean Cross

The Artlink Archive Project: Tracking Indigenous voices

Djon Mundine and Una Rey

Curtis Taylor: On the cusp

Curtis Taylor

Conversations and utterances: MONA and beyond

Robert Andrew and Dean Cross

From Palestine to Country: transcultural exchange beyond the settler-colony

Micaela Sahhar

Maumau tangata, maumau whenua: Waste the land and you waste the man: On the work of Emily Karaka

Hana Pera Aoake

The Tennant Creek Brio: Taking care of business

Lévi McLean and Paris Lettau

Ngukurr Artists: A history of refusing the rules

Tristen Harwood

Perentie Kungka and Aṉangu Jazz: Ninuku now

Eila Vinwynn

Kunkurra: The spiral wind, on Country speaking with Kenan Namunjdja

Kenan Namunjdja and Tristen Harwood

Karen Mills’ landscapes: Abstract, remembered, political

Tristen Harwood

STUDIO presents: In your house

Tamsen Hopkinson and Archie Moore

YARN: The art of conversation

Coby Edgar interviews Warren Roberts, CEO of YARN Australia

Coby Edgar

Reclaiming the Rock in Project Banaba: Creativity, survival and agricultural colonialism in the Pacific

Katerina Teaiwa

Lipstick and Land Rights: matriarchal sovereign history and the cyber frontier

Lorna Munro

Editorial: Artlink at 40

Una Rey

Editorial: Ali Gumillya Baker and Paola Balla

Ali Gumillya Baker and Paola Balla

Nothing if not uncritical: Revisiting re-visions and Indigenous art criticism

Daniel Browning

Lin Onus: The Land Within: A curatorial conversation crossing Yorta Yorta Country

Paola Balla, Belinda Briggs and Shelley McSpedden

The colours of sovereignty and Ron Hurley’s gold

Angelina Hurley

Sovereign Sight: Intersections of the historical archive and artistic practice—a curatorial perspective

Kimberley Moulton

My Sovereign Mind: A practice in two parts

Hayley Millar Baker

Miyurr Mi:wi: Working from home in the spirit of Country

Tracey Rigney

Sovereign city, sovereign self and Warrior Woman Lane

Timmah Ball

Woven Selves, Entangled Countries: Weaving across borders

Dameeli Coates

Lipstick and Land Rights: A poetic response

Lorna Munro

We Don’t Fabricate, We Weave: Kumarangk (Hindmarsh Island) and Ngarrindjeri women’s resistance

Dominic Guerrera

Tribute: B. Marika (1954–2021)

Terri Janke

WILAM BIIK

Bryan Andy

WATER RITES

Lady Shania Richards

Mandy Martin (1952-2021)

Jason Smith

Editorial: Kin Constellations: Languages, waters, futures

Léuli Eshraghi and Kimberley Moulton

Everything, together: Partisan ecologies and painting

Clothilde Bullen

Knowledge positions in Aotearoa and Turtle Island art museums

Interview with First Nations curators Kathleen Ash-Milby, Maia Nuku and Nigel Borell.

Léuli Eshraghi

Yuki Kihara: New guises

Ioana Gordon-Smith

Brendan Kennedy: Dindi Thangi Wudungi

Brendan Kennedy

Punāʻoa Resources

Léuli Eshraghi

Jeremy Dutcher: Wolastoqiyik futurities

rudi aker

Weaving memory, living embodiment

Freja Carmichael

Notes from Kahoʻolawe, Ka Paeʻāina o Hawaiʻi, Moananuiākea

Drew Kahuaina Broderick and Josh Tengan

Making Inuit art in the moment

qšiqšimuʔ, many stars, many olivella

Sarah Biscarra Dilley

Jack Anselmi and Cynthia Hardie: Midden

Belinda Briggs

Kin‑dling and other radical relationalities

Emily Johnson and Karyn Recollet

Looking for murnong

Lou Bennett and Romaine Moreton

A conversation with Perisak Juuso

Irene Snarby

Reconnecting the Yaghan community to cultural belongings 90 years on

Rebecca Carland

palawa kani: Expressing the power of language in art and the museum context

Zoe Rimmer and Theresa Sainty

Sovereign Acts: In the wake

Ali Gumillya Baker, Faye Rosas Blanch, Natalie Harkin, Simone Ulalka Tur, Uncle Lewis Yarluburka O’Brien and The Unbound Collective

Editorial: Indigenous storytelling in a digital world

Larissa Behrendt and Pauline Clague

A personal reflection on self-determining documentary filmmaking practice

Larissa Behrendt

Indigenous storytelling: Deconstructing the archetype

Pauline Clague

Deaths in custody: We've got to give it everything

Lorena Allam

Dark Emu: Thank the Earth

Bruce Pascoe

Unravelling the past: Barbed wire and campfire learnings

Ali Cobby Eckermann

Speaking back to colonial collections: Building living into Aboriginal archives

Kirsten Thorpe

Sydney Elders: Continuing Aboriginal Stories

Jonathan Jones

imagineNATIVE at 20

Pauline Clague and Jason Ryle

Amala Groom: Cosmic body of remembrance

Hannah Donnelly

Network sovereignty: The internet is blak

Amrita Hepi and Enoch Mailangi

Camping in the shadow of the racist text

Ali Gumillya Baker

Walking in deadly blak women's footprints

Paola Balla

Songlines, museology and contemporary Aboriginal art

Matt Poll

Surfacing histories: Memorials and public art in Perth

Stephen Gilchrist

Don't scare me, coloniser: Empowerment through digital innovation

Susie Anderson

Creation art from Yamatji Country

Charmaine Green

Four thousand fish: Our language of memory

Emily McDaniel

Colony: A two-part exhibition bridging both sides of the divide

Myles Russell-Cook

Archie Moore: Daze of our lives

Archie Moore

Brad Darkson: Ritual Space

Marie Falcinella

Katie West: Living well

Katie West

Editorial: Kanarn Wangkiny/Wanggandi Karlto (Speaking from Inside)

Clothilde Bullen and James Tylor

Tasmania's Black War: Undermining the foundations of terra nullius

Greg Lehman

Nawurapu Wunuŋmurra

Will Stubbs

Editorial, Trans Cultural

Margo Neale

The Masque Ball of Tracey Moffatt

Djon Mundine

Lisa Reihana: Encounters in Oceania

Nicholas Thomas

Into the Transpocene: The future of Indigenous art

Ian McLean

Introducing the Multiple Modernisms project

Elizabeth Harney and Ruth B. Phillips

Emily Kame Kngwarreye: The impossible modernist

Margo Neale

Tradition and postcolonial modernism in the work of Obiora Udechukwu

Chika Okeke Agulu

Annie Pootoogook: Depicting Arctic modernity in contemporary Inuit art

Heather Igloliorte

Sonabai Rajwar: The museum effect

Jyotindra Jain

Collisions: The Martu respond to Maralinga

On the cross‑cultural collaborations of filmmaker Lynette Wallworth working with Nyarri Nyarri Morgan and Curtis Taylor

Nici Cumpston and Una Rey

The Acti.VA.tions of Rosanna Raymond

Dan Taulapapa McMullin

Becoming‑with and together: Indigenous transgender and transcultural practices

Maddee Clark

Down Under World: Christian Thompson at the Pitt Rivers Museum

Jessyca Hutchens

Indigenous perspectives on museum collections

Jilda Andrews

Editorial

Christina Davidson

Revealed: We are a sovereign people

Keynote address presented on 17 April 2015 in Perth as part of the annual Revealed program supporting emerging Aboriginal artists from Western Australia.

Franchesca Cubillo

A short history of Yolngu activist art

Will Stubbs

Tiwi now

On recent Tiwi art-related news

Maurice O'Riordan

Kabimbebme: It really pops!

On some Kunwinjku art terminology

Dan Kennedy

Ngarralja Tommy May: Jila Kurtal

Ngarralja Tommy May

Mobile phone remix: Miyarrka Media

On a Yolngu art of digital connection

Paul Gurrumuruwuy and Jennifer Deger

The Mulka Project

On the digital archive connecting Yolngu people of north-east Arnhem Land

Wukun Wanambi and Ishmael Marika

Design on country

On printing textiles in Indigenous art centres

Raylene Bonson, Maxine Charlie, Gracie Kumbi, Isaiah Nagurrgurrba, Vivian Warlapinni and Frances Grant

Two laws protecting Kimberley rock art

On the role of law in preserving sacred sites in the Kimberley

Rosita Holmes and Rona Charles

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