Artrave

From the NAVA desk in early October to the media: 'We the undersigned organisations, representing the vast majority of artists, writers, filmmakers, journalists and others in Australia whose work depends on freedom of speech and expression and the free exchange of information and opinion, are appalled by Federal Attorney General Philip Ruddock's casual rejection of the Australian Law Reform Commission’s recommendation to drop the term Sedition and make substantial changes to these provisions of the Anti-Terror legislation passed by parliament in late 2005. We repeat now what we said when this legislation was first proposed, and that is that it represents one of the most dangerous threats to freedom of expression in this country’s history, and is an intolerable curtailment of a fundamental human right.’ This is the opening of a longer declaration which was signed by over 100 arts organisations nationwide including your very own Artlink. NAVA pledges to fight it up to and beyond the next federal election. For more info see ttp://www.visualarts.net.au/campaigns and http://ozsedition.blogspot.com.

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Milton Moon: Approaching the Intangible

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Margot Osborne

Joan Kerr: Unfinished Business

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Primavera 06

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City of Perth PhotoMedia Award

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Inge King: Playing Seriously

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Richard Larter: The Seasons of Art

For Richard Larter the material act of making paintings is an essential part of his daily life. He has written that my first mature paintings were pointillist abstracts done in house paints and enamels on lilac coloured masonite (Larter, 1998). Larter is an artist well aware of the visceral qualities of paint. Larters syringe paintings, made by forcing paint in raised lines onto hardboard, became the signature works for his initial Australian success. His role as assistant to the ceramicist Zora Merabek who was restoring the Marabout Tombs in Algiers led to a continuing interest in the visual forms of Islamic culture and a love of strong pure light. This article follows Larters prominent career and a lifetime of travel throughout Australia, New Zealand and abroad.

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Roger Ballen

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Arthur Pambegan Jr: Not to Die Away

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Peter Denham

Gwen Leitch Harris 1931 - 2006

Gwen Leitch Harris, born 1931 in Burnie, Tasmania, was raised in a matriarchal household where her artistic gift was sensitively realised. She studied painting at Hobart Technical College under Jack Carrington Smith who recognised her talent. Gwen described herself being like Adelaide& a well-kept secret and in her gentle unassuming manner, revealed aspects of her remarkable life. Hellen Fuller here pays homage to the life and career of a remarkable woman and artist.

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