Pioneering Gallerists: Bruce Pollard

The spirit of Pinacotheca burst forth in 1967 with Bruce Pollards opportunistic purchase of an elaborate seafront mansion at St Kilda, Melbourne. After three years Pollard was prompted and moved into a large raw, multi-level former factory in Richmond where Pinacothecas era erupted with an exhibition of large works by Peter Booth, Mike Brown, Peter Davidson, Bill Gregory, Dale Hickey, Robert Hunter, Kevin Mortensen, Ti Parks, Robert Rooney, Rollin Schlicht and Trevor Vickers. This article goes on to briefly explore the success of Pinacotheca and the many artists who emerged and blossomed here.

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Butcher Cherel Janangoo: Imanara

Butcher Cherel Janangoos birth took place around eighty-five years ago. His mother was a Gooniyandi and Kija woman and he cites this as his heritage. He is first and foremost a markmaker. The lexicon of dots, dashes, strokes, washes, lines and imprints of brush, carving tool and sponge that Butcher employs are played out on canvas and paper as well as on etching and lithography plates and lino blocks. He is happy to work in any of these media yet regardless of the form or content of Butchers works, the subjects are all spectres of the same country, his riwi or home country that he calls Imanara.

Karen Dayman

Joan Kerr: Unfinished Business

Art historian critic, essayist, heritage consultant, the late Joan Kerr was writing of the Irish-Australian women who passed though the Hyde Park Barracks wondering whether their presence was effectively mediated into the Irish Famine sculpture. Furthermore she added we dont want to remember them solely in piety as what has melted away in dismemberment and loss. Ironically Joan could be prophetically setting out the appropriate moodscape for her own memorialising. In the words of her husband who has compiled a partisan and intimate memoir of this distinguished artworld figure, Joan had a natural capacity to prick pretension and kick against the pricks of perceived injustice

Juliette Peers

Clifford Frith: perpetuating the bloodlines

Pat Hoffie talked to Clifford Frith, about his life as an artist and a teacher, about where and how your essential focus is born and shaped and the possibility of passing some of this on to students and others. She has admired and watched his way of working and living for two decades and as Frith continues to outlive in energy and inventiveness so many younger than himself she probes into how this came to happen. He is a prolific artist, moving between painting, sculpture and drawing.

Pat Hoffie

A Man's World

A Man's World John Beard, Gordon Bennett, Jon Campbell, Adam Cullen, Andrew Curtis, Dani Marti, Noel McKenna, Euan McLeod, James Mellon, Glenn Morgan, Ben Morieson, Charles Robb, Gareth Sansom, David Wadelton Curated by Frank McBride Museum of Brisbane 18 July - 19 November 2006

Tim Walsh

Bernard Smith: Reluctant Icon

Generations of art students have been encouraged to read his books on the history of Australian art. He has been revered, rejected, loved and loathed by young and old. Julie Copeland of ABC Radio Nationals Sunday Morning Exhibit A has interviewed Bernard Smith many times over the years, about his books, his art criticism, his autobiography. In the lead up to his new books publication The Formalesque, and on the occasion of his 90th birthday in October 2006 she asked him to recap for Artlink readers, how the varied influences of his early life came together to produce Place, Taste and Tradition in 1945 when he was 29 years old.

Julie Copeland

Art and literature: A chapter in the autobiography of Donald Brook

Growing up in a diffe,ent wo,ld: this chapte, in octogenarian art theorist and philosopher, Donald Brook's autobiographical writings sheds light on the early adulthood of this super-gifted individual. It follows an earlier chapter on his childhood and adolescence. Depravity in Wharfedale published in Artlinlc Vol 25#3 (2005).

Donald Brook

Primavera 06

Primavera 06 Curated by Aaron Seeto Museum of Contemporary Art, Sydney 13 September - 19 November 2006

Joanna Mendelssohn

Udo Sellbach: Harsh Truths and Strong Feelings

Artist, educator and arts administrator Udo Sellbach (1927 2006) has made, and up until his death in September 2006, continued to make a profound contribution to the fine arts in this country. Born in Cologne in 1927, Udo emigrated to Australia in 1955. His experience as a founding member of the Kolner Presse and printmaker at the Kolner Werkschulen (1947-53) equipped him with the expertise to promote the development of printmaking as a studio practice within Australian art schools, particularly in the areas of etching and lithography. Sarah Scott conducted this interview with Udo in his studio in Taroona, Tasmania shortly after his seventy-ninth birthday in July 2006.

Sarah Scott

video/performance nights at Downtown

Local Video & Performance Nights McKay/Siebert & Viv Miller; Shimmeeshok; Emma Northey & Stephen Roedel 6, 20, 27 September 2006 Downtown Artspace, Adelaide

Bridget Currie

Carol Rudyard: Storyboards and Solitude

English-born Carol Rudyard arrived in Perth, Western Australia, in 1950. Her initial studies at the Western Australian Institute of Technology focused on textile design and colour field and op art inspired paintings. In 1977 she began a progressive shift into slide-based installation then installation with video. Recently she has shown digital prints. Carol's reputation derives from early engagement with audiovisual technologies and her social analysis of the complicity of consumerism and the gaze at the time when theorywas often held responsible for a dissipation of critique. This article includes an edited transcript of a conversation held between Carol Rudyard and Jasmin Stephens in August 2006.

Jasmin Stephens

Ray Crooke: The Stillness and the Colour

Though born and educated in Melbourne, Ray Crooke spent most of his career in the tropics away from the metropolis, risking anonymity, at a time when equity funding and regional issues were unheard of. Despite these odds he is recognised as one of Australias visionary artists, his tropical and outback paintings suffused with a contemplative stillness. What are some of the pivotal points that shaped his independent career? What is he involved in at present? These were some of the questions put to him in Cairns where he and his wife June, now in their early eighties, live. Some of Crooke's artistic influences and contemporaries here discussed are Arthur Boyd, Charles Blackman, Russell Drysdale and Sidney Nolan.

Anneke Silver

Pioneering Gallerists: Kym Bonython

While Kym Bonython AC, DFC, AFC is not in the league of the iconic art dealers Joseph Duveen or Ambroise Vollard, he was as important to the Australian art scene in the 60s as Leo Castelli was to New York. Born in Adelaide in 1920, he chronicled his unusual life in autobiography Ladies Legs and Lemonade in 1979 which describes his various careers to that point. When Paul Greenaway talked to him for Artlink recently he began by asking him about his collecting activities in the early days, who he bought art from and whether he followed their lead.

Paul Greenaway

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