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Stirring

Stirring

Vol 25 no 3


Polemical essays in Stirring address the 'white thing' of Indigenous art, the track record of AbaF (Australian Business and the Arts Foundation), the challenge to traditional printmaking from the new giclee (inkjet) technology, the Australia Council and Howardism. We also take a look at the international biennials of the world, complete with a map documenting all the biennials still running, a list of the artists most frequently included and a star chart showing the curators who are most in demand around the globe. We document the untimely demise of a public art icon in Brisbane by Wendy Mills and Catherine de Lorenzo profiles public sculptor Richard Goodwin. Lu Jie writes on the Miniature Long March of Qin Ga. Artists' pages by Deborah Kelly, Stuart Ringholt, Stephanie Radok, Sarah Jane Pell, and Kim Guthrie.


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NAVA - National Association for the Visual Arts

New Internationalist









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You are here » Artlink » Vol 25 no 3 » New Museum Creates Cafe Society in Shenzhen

New Museum Creates Cafe Society in Shenzhen

Binghui Huangfu, feature

At the end of January 2005 in the He Xingning Art Museum in Shenzhen, a conference was held to coincide with the opening of the first dedicated Contemporary Art Museum in China named OCTA Contemporary Art Centre. The conference was essentially looking at the major issues confronting contemporary art in China as it goes through yet another dramatic evolution.



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