Qin Ga: 'Miniature Long March'

The Long March A Walking Visual Display is an international collaboration involving over 250 Chinese and international artists taking place along 20 sites of the historical Long March. Each site was chosen for its symbolic import; the Long March was tatooed onto Qin Ga's back transforming his body into both an artwork and a Long March object.

More from this Issue

Here Come the Jets

Current trends in image reproduction, addressed through the introduction of giclee technology and industry. Neylon deals with issues of prints authenticity and some of the controversial debates surfacing within Australias art community.

John Neylon

Hossein Valamanesh

Greenaway Art Gallery, Adelaide 29 June - 24 July 2005

Ian Hamilton

The Dreaming Festival

The Dreaming Festival, director Rhoda Roberts, Bush Galleries, Woodford, Queensland, 10 13 June 2005

Jenny Fraser

Depravity-in-Wharfedale

Founded as recently as 1888 the West Riding Pauper Lunatic Asylum in Wharfedale was by reputation the biggest madhouse in Western Europe, and Brooks small village lay huddled beside it. Brook tells the story of living in sin, celebacy and the wall that proposed a division between madness and sanity.

Donald Brook

Degenerates and Perverts

Degenerates and Perverts: The 1939 Herald Exhibition of French and British Contemporary Art by Eileen Chanin and Steven Miller, with an introduction by Judith Pugh Miegunyah Press, 2005, RRP $69.95 Reviewed by Paula Furby

Paula Furby

Pitch Your Own Tent

Curated by Max Delany Monash University Museum of Art, Melbourne 23 June - 27 August 2005

Juliette Peers

Philanthropy, Sponsorship, or Dinner?

On July 29 2005 the Prime Minister, John Howard, was guest of honour at the annual Australian Business Foundation for the Arts (AbaF) Awards Dinner. Joanna Mendelssohn reports on the event.

Joanna Mendelssohn

22nd Telstra NATSI Art Award

Museum and Art Gallery of the Northern Territory (MAGNT) 13 August - 23 October 2005

Stephanie Radok

Gleaning Relational Aesthetics

The term Relational Aesthetics was first coined by Nicolas Bourriard, French curator and, since 1999, co-director with Jerome Sans of the Contemporary art centre Palais de Tokyo in Paris. Relational art doesn't produce a product but focuses on relations between audience members, events and ideas.

Stephanie Radok

Sculpture by the Sea

Artists and the public converge on Cottesloe Beach, Perth for the WA incarnation of the famous Bondi Beach event, 17 - 28 March 2005

Maggie Baxter

The Sheila's Biennale

Venice 2005

Pat Hoffie

Artrave

Comment, upcoming events, people, news and views

Artlink

View all articles in this issue