Curating : Creating
vol 28 no 4
The creativity in curating. Are curators really artists in disguise? and how far does the way in which they conceive and execute big shows, in particular biennales, influence the direction of art practice? What makes one curatorial program worthy but dull and another sparkling and engaging? Artists and curators share their expert knowledge on new attitudes and perceptions of visual culture, ingenuity, innovation, global exchange, curating in Asia, place and site, career trajectories from artist to curator to museum director and training options for wannabe curators. The Berlin, Singapore, Taipei, Shanghai, Sydney Biennales and Manifesta are examined. New rules of engagement with the public via private and state sponsored enterprises and visionary futures. Writers include Felicity Fenner, Adam Jasper, Nada Prlja, Reuben Keehan, Alison Carroll, Kevin Wilson and Marcus Westbury. Plus book and exhibition reviews and more. Editor Stephanie Britton.
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Places and contexts in two Singapore Biennales: curating courtrooms, containers and camps
Felicity Fenner, featureCurator of the 2008 Adelaide Biennale Felicity Fenner discriminates between site-specific and site-responsive art practices in an analysis of the last two Singapore Biennales. She suggests that responding to the site may be the best way for a biennale to become more than an expo.
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Articles in this issue
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Artrave: Artrave
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Editorial: Editorial
- Feature: Back from the brink: culture in Timor-Leste
- Feature: Beyond the temples: the way of idiosyncracy
- Feature: Curating a psycho-geography Campbelltown Arts Centre and the genius of Lisa Havilah
- Feature: Curating Chinese themes: cheap labour, migration and capital, Shanghai Biennale and Guangzhou Triennial
- Feature: Curating paths, musical chairs
- Feature: Curatorial Asia a twenty year perspective
- Feature: Curators, creators and catalysts
- Feature: Emerging, educating and unruly: Vivonne Thwaites
- Feature: Firing across the gaps
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Feature: Hello Tokyo! Flagging it
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Feature: Hello Tokyo! Ghostings
- Feature: Hello Tokyo! Good to see you again
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Feature: Hello Tokyo! Process is all
- Feature: I've looked at love from both sides now: reflections on freelance / independent / guest curating
- Feature: Manray Hsu taking a political position
- Feature: Places and contexts in two Singapore Biennales: curating courtrooms, containers and camps
- Feature: Right now I am unravelling: notes on the 2008 Next Wave Festival
- Feature: So you want to be a curator?
- Feature: Species enhancement by international gene pool
- Feature: Throwing voices
- Feature: To curate or not to curate, 2008 in Europe: urban BB5 and post-industrial Manifesta 7
- Feature: Video loops and VIP dinners: 2008 Beijing and Hong Kong Art Fairs
- Feature: What would it mean to win? a film by Zanny Begg and Oliver Ressler
- Interview: Catherine David's Transmission
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Review: 25th National and Torres Strait Islander Art Award (NATSIAA)
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Review: Errant Abstractions
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Review: Exit music: a lake and a stand of trees: George Popperwell
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Review: Fremantle Print Award 2008
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Review: It's time: Emily Floyd
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Review: Katherine Moline
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Review: Neo Goth: black in black
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Review: New social commentary 08
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Review: Ornament: Anne MacDonald
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Review: Shards: Judy Watson, Yhonnie Scarce, Nici Cumpston
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Review: Spatsville: Memoirs of a failed painter: Alasdair Macintyre
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Review: Warburtonta-latju Warntu Palyaranytja (We are doing Warntu work in Warburton)
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Review: Without Borders: Outsider Art in an antipodean context