Curating : Creating

Curating : Creating

vol 28 no 4, 2008


The creativity in curating. Are curators really artists in disguise? and how far does the way in which they conceive and execute big shows, in particular biennales, influence the direction of art practice? What makes one curatorial program worthy but dull and another sparkling and engaging? Artists and curators share their expert knowledge on new attitudes and perceptions of visual culture, ingenuity, innovation, global exchange, curating in Asia, place and site, career trajectories from artist to curator to museum director and training options for wannabe curators. The Berlin, Singapore, Taipei, Shanghai, Sydney Biennales and Manifesta are examined. New rules of engagement with the public via private and state sponsored enterprises and visionary futures. Writers include Felicity Fenner, Adam Jasper, Nada Prlja, Reuben Keehan, Alison Carroll, Kevin Wilson and Marcus Westbury. Plus book and exhibition reviews and more. Editor Stephanie Britton.


Subscribe to Artlink - from $55. Subscriptions available for readers anywhere in the world.













NAVA - National Association for the Visual Arts



You are here » Artlink » vol 28 no 4, 2008 » Curatorial Asia a twenty year perspective

Curatorial Asia a twenty year perspective

Author: Ms Alison Carroll, feature

As Director of Asialink Arts Alison Carroll has had twenty years of experience curating and facilitating the curation of exhibitions in or connected to Asia. Her analysis emphasises the complexity and cultural differences experienced by Asian curators in their home countries and looks forward to a more glocal future as they increase their international presence.



The full text of this article is only available in the printed version of Artlink Magazine.
» Subscribe or order a back issue


Article Index

Articles in this issue