Fuel for Thought: oil, energy, conflict and art
Vol 28 no 1, 2008
How are artists responding to peak oil, the search for alternative energy sources and conflict over resources? Artlink goes global in search of answers. The issue includes artists who have used alternative energy or whose work reflects the negative effects of an oil-based economy, with some powerful imagery by artists from the Middle East, East Timor, Iraq, the Philippines, Australia, California and Chicago. Burnt out petrol bowsers share the space with artwork which looks forward to a post-oil energy scenario. A video animation by Chinese artist Qiu Anxiong offers a profoundly moving experience on mankind's disastrous love affair with industrialisation. Australian artists include Charles Green and Lyndell Brown as official war artists in Iraq, as well as Alison Clouston, Zina Kaye, Madeleine Kelly, Carmel Wallace, Pamela Kouwenhoven and more. Editor Ian Hamilton.
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Conducting Mobility
Claude Willey, featureArtists thinking and making work about fuel span the globe and delve into a wide range of ramifications. UK-based PLATFORM have done a multi-pronged report called Unraveling the Carbon Web on four oil-producing hot spots, Iraq, Nigeria, Russia and the Caucasus. Chicago-based Laurie Palmer's Notions of Expenditure solicits renderings of exercise equipment and gyms redesigned for the production of electricity. Brian Collier wanders the edges of Illinois highways to locate thriving non-human life forms. kanarinka documented her running of the official evacuation route out of Boston while collaborators Kim Stringfellow, Amy Balkin, Tim Halbur, Pond and Greenaction made an audio guide for a Californian highway drawing its military, residential and agricultural stories together.
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Articles in this issue
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Artrave: Artrave

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Editorial: Editorial

- Featue: Writing images with words: an inheritance of ambiguous faces
- Feature: A rusty sign at the end of a bloody empire
- Feature: Chance encounters: Pamela Kouwenhoven and Peter McKay
- Feature: Conducting Mobility
- Feature: Hyperlexic, desalinated but not scary
- Feature: Obscure dimensions of conflict
- Feature: Power and art in East Timor
- Feature: Rabih MrouƩ and Lina Saneh interview
- Feature: The error of our ways: Madeleine Kelly
- Feature: The revolution will not be televised: the changing landscape of film and video production in the Arab world
- Feature: The whistleblower of Discovery Bay
- Feature: The winding way
- Feature: Watching as the enchanted land meets its end: Qiu Anxiong
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Feature: World tree: sounds of a bigger picture. Alison Clouston and Boyd

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Preview: Biennale of Sydney 2008: Carolyn Christov-Bakargiev

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Preview: Handling the Adelaide Biennial

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Review: Economy

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Review: Fierce or Friendly: Humans in the Animal World

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Review: from time to time one talks to the moon: Aldo Iacobelli

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Review: Making it Modern The Watercolours of Kenneth McQueen

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Review: Migratory Projects: The Drive Out Cinema

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Review: Of

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Review: ON' n 'ON

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Review: Our Lucky Country - (Still Different)

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Review: Replay: Christian Marclay

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Review: Robert MacPherson, Vernon Ah Kee and Jeremy Hynes

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Review: The Road to Here

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Review: Wonderful World

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Review: [the space in between] Book project

