Best Practice: Export Quality
Vol 21 no 4
What does an artist need to establish his/her name in the competitive international art world? Gordon Bennett, Fiona Hall, Fiona Foley, Rosemary Laing, Patricia Piccinini, Roslynd Piggott, Ginger Riley Munduwalawala, Imants Tillers, and William Robinson are all becoming recognised internationally while working from an Australian base, both physically and conceptually. It seems it is no longer necessary for an artist to leave Australia to become known overseas. Also, Pt I of Donald Brook's radical new 'The Undoing of Art History'; exhibition and book reviews.
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Fiona Foley: Knowing Where to Look
Pat Hoffie, featureFiona Foley's career as an artist has resulted in a diverse practice united by a dedication to indigenous issues that are of relevance to all Australians. Her presence as an artist, advocate, activist and identity in the Australian cultural scene has remained poised and proud for over two decades. From her involvement in the formation of the Boomalli Ko-operative to her often hard-hitting presence as a public speaker and the lyrical and enchanting nature of her images, Foley has continued to disturb assumptions and challenge clichés about the way Australians think of themselves and the place we inhabit. Ephemeral Landscapes (1990), Ya Kari - speak for (2001), Kunm'arin - wooden shield (2001) and other works are here discussed.
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Articles in this issue
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Artrave: Artrave

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Book review: KaltjaNOW

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Editorial: Export Quality

- Feature: Fiona Foley: Knowing Where to Look
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Feature: Ginger Riley Munduwalawala: A Seeing Artist

- Feature: Gordon Bennett's Art: The Aura of Origin
- Feature: Imants Tillers and Positive Value
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Feature: Light Years: William Robinson and the Creation Story

- Feature: Polemic: The Undoing of Art History (Part I)
- Feature: Post Natural Nature: Rosemary Laing
- Feature: Rosslynd Piggott: Perfect/Sense
- Feature: Trade: Fiona Hall
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Review: 18th National Aboriginal Torres Strait Islander Art Award

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Review: Blighted Paradise: Colonial Visions of Northern Australia

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Review: Compulsion: Stewart MacFarlane

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Review: Green Line: Pip McManus

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Review: Home is where the heart is

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Review: Jeffrey Smart Drawings and Studies 1942-2001

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Review: LOUNGE - Daniel Gottin & Jurek Wybraniec

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Review: Melbourne International Festival of the Arts, Visual Arts Program

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Review: Nicholas Folland

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Review: NO MUTTERING

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Review: Paul Hoban

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Review: swallowswenson

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Review: Too Strange, Matt Calvert

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Review: Wide Open

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Review: Yokohama 2001 International Triennale of Contemporary Art, Japan

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Vis.arts.online: Vis.Arts.Online

