Subscriber login:
Forgotten password?


Best Practice: Export Quality

Best Practice: Export Quality

Vol 21 no 4


What does an artist need to establish his/her name in the competitive international art world? Gordon Bennett, Fiona Hall, Fiona Foley, Rosemary Laing, Patricia Piccinini, Roslynd Piggott, Ginger Riley Munduwalawala, Imants Tillers, and William Robinson are all becoming recognised internationally while working from an Australian base, both physically and conceptually. It seems it is no longer necessary for an artist to leave Australia to become known overseas. Also, Pt I of Donald Brook's radical new 'The Undoing of Art History'; exhibition and book reviews.


Subscribe to Artlink - from $52. Subscriptions available for readers anywhere in the world.



NAVA - National Association for the Visual Arts

New Internationalist













Advertisement:



You are here » Artlink » Vol 21 no 4 » Fiona Foley: Knowing Where to Look

Fiona Foley: Knowing Where to Look

Pat Hoffie, feature

Fiona Foley's career as an artist has resulted in a diverse practice united by a dedication to indigenous issues that are of relevance to all Australians. Her presence as an artist, advocate, activist and identity in the Australian cultural scene has remained poised and proud for over two decades. From her involvement in the formation of the Boomalli Ko-operative to her often hard-hitting presence as a public speaker and the lyrical and enchanting nature of her images, Foley has continued to disturb assumptions and challenge clichés about the way Australians think of themselves and the place we inhabit. Ephemeral Landscapes (1990), Ya Kari - speak for (2001), Kunm'arin - wooden shield (2001) and other works are here discussed.



The full text of this article is only available in the printed version of Artlink Magazine.
» Subscribe or order a back issue


Article Index