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Contributors

Artlink

Araya Rasdjarmrearnsook

Christopher Heathcote

Daniel Mudie Cunningham

Flaudette May V. Datuin

Genevieve O'Callaghan

Glenice Lesley Mathews

Glenn Barry

Glenn Iseger-Pilkington

Glenn R Cooke

Gregory Kwok-Keung Leong

Issues

Fashion. Performance. Industry.

Issue 41:1 | April 2021

Positioning Feminism

Issue 37:4 | December 2017

Performative

Issue 35:3 | September 2015

Indigenous: Blackground

Issue 34:2 | June 2014

E-volution of New Media

Issue 21:3 | September 2001

The Long Stare: Seeing Contemporary Asian art Now

Issue 20:2 | June 2000

Taste Meets Kitsch

Issue 15:4 | December 1995

Arts in a Multicultural Australia

Issue 11:1&2 | June 1991

Articles

Know My Name: Australian Women Artists 1900 to Now: An Historical Context

Anne Marsh

Editorial: Fashion. Performance. Industry.

Ann Finegan

What is Transorientalism?

Adam Geczy

Walkabout style: Dreams and visions of Indigenous fashion

Tristen Harwood

#IMadeMyClothes: The Ethics and Practices of Home Dressmaking

Madeleine C. Seys

Green Plastics – Blue Ocean: The future of biopolymer plastics and textiles

Niki Sperou

The Mangkaja x Gorman Collection: A new wave of Indigenous art and fashion collaboration

Belinda Cook

Sarah Rodigari: Redressing the vernacular

Abigail Moncrieff

From the clothes rack to the body of the wearer: Circumnavigate Kandos in our clothes

Ann Finegan

On art, fashion, purpose and more: Peggy Griffiths-Madij and Jan Griffiths in conversation with Alana Hunt

Jan Griffiths, Peggy Griffiths and Alana Hunt

Cigdem Ayedemir

Sumaiya Muyeen

Michaela Stark: On Control and Beauty

Alison Kubler

Michaela Gleave's Cosmic Time | Apprehending the Multiverse: A Costumed Allegory for Four Percussionists

Ann Finegan

Melanie Jame Wolf’s Pop-Cultural Drag: The Chronopolitics of Labour, Libido and Image

Daniel Mudie Cunningham

Site & Sound: Sonic art as ecological practice

Saskia Beudel

Editorial: Positioning Feminism

Eve Sullivan

Art and feminism: Generations and practice

Anne Marsh

Performance and role-play in recent feminist video

Ann Finegan

Jenny Watson's right to look

Wes Hill

Thronging Bluff Face: Jemima Wyman's many masks

Chari Larsson

Radical care: Personhood and the river

Sasha Grbich

Sera Waters: Domestic arts

Miriam Kelly

Queer feminism, intersectionality and awkward conversations

Courtney Coombs

Gender equality in the museum: The Cruthers Collection of Women's Art

Gemma Weston

The Maternal Line: Justine Varga

Shaune Lakin

Cyberfeminist bedsheet

Linda Dement

Video and performance: Many chronic returns

Robert Nelson on the death and rebirth of performance in the video loop

Robert Nelson

Some questions to Stephanie Rosenthal Artistic Director 20th Biennale of Sydney

Eve Sullivan

Alicia Frankovich: Toward a republic of the post-human multitude

Toward a republic of the post-human multitude

Tom Rigby

Brian Fuata: Never alone

Amita KIrpalani

Editorial

Eve Sullivan

Fly In Fly Out artists of Western Australia

On artist residencies and site-specific projects that don’t always go as planned

Darren Jorgensen and Jessyca Hutchens

Heath Franco: Visceral video

“I believe that whatever doesn’t kill you makes you stranger.“

Ashley Crawford

Making Gaps: David Rosetzky’s collaborators

David Rosetzky’s collaborators in conversation

Anna Zagala

Marina Abramović: Mindful immateriality

Anne Marsh

Pat Hoffie been there and back again

William Platz

Perspectives on contemporary dance

Julianne Pierce on multidisciplinary approaches to working across contemporary dance and visual arts

Julianne Pierce

Wild Side: The Animal In Art

Jo Higgins

The Homesickness Project

Carol Schwarzman

Tamsin Green: Covers

Helen Hughes

Post-hybrid: Reimagining the Australian Self

Darren Jorgensen

24 Frames Per Second

Carriageworks, Sydney 18 June – 2 August 2015

Astrid Lorange

Turn, Turn, Turn: The Studio Ceramics Tradition at the National Art School

Craig Judd

Matt Huppatz: Work!

Derek Sargent

Lost and Profound

Liang Luscombe

Liminal

Elly Kent

La Biennale di Venezia

Eve Sullivan

Julia Robinson: One to rot and one to grow

Kirsty Darlaston

Innerspace

Canberra Contemporary Art Space 10 July – 15 August 2015

Claire Capel-Stanley

Imaginary Accord

Sebastian Moody

Garnkiny to Ganyu: Artists who capture the night

Maurice O'Riordan

Energies: Haines & Hinterding

John Conomos

Cecile Williams: Trapped

Nien Schwarz

Bungaree’s Farm

Paloma Ramos

The Wretched of the Screen

Francesca Da Rimini

Nganampa Kampatjangka unngu / Beneath the Canvas: The Lives and Stories of the Tjala Artists

Stephanie Radok

Painting is a Critical Form

Mary-Jean Richardson

No Future for You: Salvos from The Baffler

Andrew Varano

Bound and Unbound: Sovereign Acts (Act 1)

Ali Gumillya Baker with Faye Rosas Blanch, Natalie Harkin and Simone Ulalka Tur on decolonising methodologies of the lived and spoken

Ali Gumillya Baker

19th Biennale of Sydney: You Imagine What You Desire

Cockatoo Island, Museum of Contemporary Art, Art Gallery of New South Wales, Carriageworks, Artspace.
21 March – 9 June 2014

Joanna Mendelssohn

Beautiful Vermin

Perdita Phillips

Dark Heart: The 2014 Adelaide Biennial of Australian Art

Polly Dance

Exotic Lies Sacred Ties: Danie Mellor

Glenn Barry

Ghostscapes: Sera Waters

Sara White

Grid Festival

Caitlin Eyre

No Place (Like Home)

Blair Coffey

Old Masters: Australia’s Great Bark Artists

National Museum of Australia, Canberra 6 December - 20 July 2014

Sarah Scott

Picasso’s Women

Juliette Peers

Pixels+Fibre

Northern Territory Centre for Contemporary Art, Darwin 21 March – 19 April 2014

Margaret West

safARI 2014

Alaska Projects, Kings Cross Cross Art Projects, Kings Cross Wellington St Projects, Chippendale The Corner Cooperative, Chippendale DNA Projects, Chippendale Museum and St James Stations, CBD 14 March – 4 April 2014

Jo Higgins

Sculpture by the Sea

Cottesloe, Western Australia 7 – 24 March 2014

Laetitia Wilson

The Skullbone Experiment: A Paradigm of Art and Nature

Queen Victoria Museum and Art Gallery, Inveresk, Launceston 15 March – 18 May 2014 Galleries UNSW/COFA, Sydney 18 July – 30 August 2014

Jane Deeth

Stuart Ringholt: Kraft

Monash University Museum of Art Curators: Charlotte Day and Robert Leonard 14 February – 17 April 2014

Sophie Knezic

Editorial: Truth is better than fiction

Carly Lane

Editorial: Memory, identity and habit

Glenn Iseger-Pilkington

Aboriginal performance art: How bizarre!

Djon Mundine

Cultural apartheid and the Superhighway across the Sky

Jenny Fraser

Douglas Watkin: Alternative blackfella

Bruce McLean

Yhonnie Scarce: A lens and a mirror

Daniel Browning

All that swagger and not a sorry in sight

Dianne Jones

Yinimala Gumana: It comes from the spirit of the land

Will Stubbs

Culture is present in everything we do

Kimberley Moulton

Reason and fancy in the art of Brian Robinson

Clotilde Bullen

Reflecting times: The art of the precursors

Wally Caruana

Moments of intersection: James Tylor

Eleanor Scicchitano

Sharyn Egan: The hidden past

Thelma John

The everyday through my eyes: Christine Multa

Chrischona Schmidt

Tjungu (together): Derek Thompson and Tjimpuna Williams in China

Genevieve O'Callaghan

Yuwa walkumunu telephonepa-lampatju yarlarringu (hello, I’ve got a mobile phone)

Emilia Galatis

Kinship: Exhibition, symposium, marketplace

George Dann

Pathways to art in Aboriginal Tasmania

Lola Greeno

Fair exchange: The rise of the Aboriginal and Torres Strait Islander art fairs

Tod Jones and Tim Acker

The Dealer is The Devil : An Insider's History of the Aboriginal Art Trade

Stephanie Radok

The Flash of Recognition: Photography and the Emergence of Indigenous Rights

Artist and curator Troy-Anthony Baylis reviews Jane Lydon's book The Flash of Recognition: and regards it as a "crucial text for visual communication, media, film, and photography scholars, who will learn to be more analytical of how images, particularly images of Aboriginal people, have been constructed through journalism, activism, and art."

Troy-Anthony Baylis

The new Indigenous galleries at the NGA: four years on

Kelli Cole

Poetics and politics

On the First Peoples exhibition in the Bunjilaka Gallery at Museum Victoria

Andrea Witcomb

A life between two worlds: Woollarawarre Bennelong of the Wangal

Tahjee Moar

Aboriginal art at the Royal Academy in 2013

Ian McLean

Our Mob: Art by South Australian Aboriginal artists

Maggie Fletcher

Territory style: Salon des Refusés

Yanuwa/Larrakia/Bardi/Wardaman woman Franchesca Cubillo, Senior Curator/Advisor National Gallery of Australia, writes about the first Salon des Refusés (conceived and brought to fruition by gallerists Matt Ward and Paul Johnstone) held in Darwin in 2013 as a pendant to the National Aboriginal and Torres Strait Islander Art Awards.

Franchesca Cubillo

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