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Contributors
Angela Valamanesh
Barry Barclay
Barry Craig
Brenda Goggs
Chris Koziel
Christine Delany
Deidre Brown
Denise Tiavouane
Doreen Mellor
Fotis Kapetopoulos
Gillian Rainer
Hugh Stevenson
Jane Deeth
Jim Vivieaere
John Neylon
Judy Watson
Karen Stevenson
Katrina Power
Lawrence Foanaota
Lissant Bolton
Liz Thompson
Makerita Urale
Margaret Way
Margo Neale
Mark Amery
Mary Knights
Megan Tamati-Quennell
Mere Boynton
Mereana Hutchinson
Michael A. Mel
Nelson Salesi
Nicholas Jose
Ralph Regenvanu
Ray Spiteri
Robert Cook
Ross Searle
Stephanie Britton
Stephanie Radok
Susan Cochrane
Tom Byra Mixie Mosby
Wendy Choulai
Issues
Indigenous Arts of the Pacific
Issue 16:4 | December 1996
Articles
The Land made Visible: Native Title Now
Written with Vincent Megaw. Looks at land claims and the role of artworks in these claims in the context of the exhibition 'Native Titled Now' shown as part of the Telstra Festival of Arts 1996. Good overview of indigenous art practice and talks about artists such as Raymond Arone Meeks, Lin Onus, Gordon Bennett, Alice Hinton-Bateup, Avril Quaill, Kerry Giles, Daphne Naden, Mick Namarari, Turkey Tolson, Danie Mellor, Jonathan Kumintjara Brown, Clifford Possum, Ellen Jose, Lindsay Bird Mpetyane, Heather Shearer and Kathleen Wallace.
Indigenous Arts of the Pacific
An Alternative to the Art Market
The market must acknowledge its role in the commidification of indigenous cultures through cultural objects....What the market must acknowledge is the relationship of interdependency which exists between itself and the artists that it promotes and as such, the market must ensure that its actions do not prove detrimental to the artist and the community in the long run.
Indigenous Arts of the Pacific
Tandanya - Captivating Culture
Brief overview of the current focus of Tandanya the National Aboriginal Cultural Institute in Adelaide, South Australia.
Indigenous Arts of the Pacific
New Developments for the Papua New Guinea National Museum
Brief article outlining the current directions and focus for the PNG Museum and Art Gallery in Port Moresby.
Indigenous Arts of the Pacific
Art is Land: Land is Art - Talks with Banduk Marika
Discussion with the artist Banduk Marika about the issues facing her community of Yirrkala in Arnhem Land, Northern Territory. Indigenous art practice and land rights, cultural heritage, education and knowledge, environmental protection and mining intrusions are discussed.
Indigenous Arts of the Pacific
The Waka and the Cattle Truck
What do a traditional Maori canoe (waka) and a cattle truck have in common?...In both these cases these vehicles were conveyors of culture. These images are central to two collaborative works at the second Asia Pacific Triennial of Pacific Art at the Queensland Art Gallery.
Indigenous Arts of the Pacific
Pacific Wave: A Festival of Pacific Arts
Brief article outlining Pacific Wave, a celebration and investigation of contemporary trends in art and cultural life of the Pacific taking place across Sydney November 2-17 1996.
Indigenous Arts of the Pacific
Nucleus: Feeling Compromised
As Judy Watson was about the commence her residency in France, the French Government announced they would be conducting nuclear tests in the Pacific. As an Australian, an Aboriginal, a conservationist, a woman and an artist, she felt compromised. Discusses her work in this context.
Indigenous Arts of the Pacific
Maori Film Images and Intellectual Property Rights - A Breakthrough?
For those depositing films with a significant Maori content, the New Zealand Film Archive has developed a Deposit Agreement which acknowledges that named Maori guardians have spiritual guardianship authority over their image treasures in perpetuity. This goes way beyond white copyright regimes.
Indigenous Arts of the Pacific
Contemporary Maori Architecture - The Case for the Untraditional
One of the most insidious myths about contemporary Maori architecture is that it does not exist, since 'traditional' Maori building design has been influenced by colonial architecture. Looks at contemporary issues in Maori architecture.
Indigenous Arts of the Pacific
Taki Rua: Bi-cultural Theatre in Aotearoa
Taki Rua Theatre has been at the cutting edge of indigenous theatre since its inception in 1983. It has now produced a season of Maori plays in te reo Maori (Maori language).
Indigenous Arts of the Pacific
Telling it How it is: Pacific Islands Theatre in Aotearoa New Zealand
Pacific Islands Theatre is at an exciting phase in New Zealand. Although relatively young compared to Maori and Pakeha theatre, the debut of key successful plays has placed it in the spotlight of New Zealand's national stage in recent years as it continues to gain strength.
Indigenous Arts of the Pacific
The Art of Survival: The Importance of Contemporary Theatre in Papua New Guinea
In many developing countries where indigenous communities are faced with the rapid process of development, theatre has become an extremely important educational tool. With escalating resource exploitation, rising numbers of sexually transmitted diseases and AIDS and increases in violent crimes by an unemployed and disillusioned youth, the importance of this form of communication cannot be underestimated.
Indigenous Arts of the Pacific
Polynesian Tattoo: A Shift in Meaning
Tattoo played a significant role as a marker of status, wealth, and pride in Polynesian societies. A more fluid, creative tattoo tradition is being practised today.
Indigenous Arts of the Pacific
Creativity in the Forest
In 1994, the small Balai community of Malaita Province, Solomon Islands, commenced paper making which led to the development of printmaking. Small enterprises and ecotourism may well be the future of these small island communities.
Indigenous Arts of the Pacific
Spirit Blong Bubu I Kam Bak [The Return of the Spirits of the Ancestors]
Reflections on an exhibition in Vanuatu of old pieces of ni Vanuatu art held in European collections. Touring Exhibition 'Arts of Vanuatu' 29 June - 10 August 1996 at the National Museum of Vanuatu in the national capital of Port Vila.
Indigenous Arts of the Pacific
The Contemporary Highland Shield: Hybrid Forms in Papua New Guinea
The author examines shield collected in 1995 to discuss issues fundamental to the introduction of the art of emergent societies in an international art context. Issues such as the definition of art and aesthetics, art versus craft, function of art in the various contexts etc...
Indigenous Arts of the Pacific
Oceanic Arts Society of Sydney
Describes the establishment and membership of this new society.
Indigenous Arts of the Pacific
Acting Out the Culture: The Making of Culturally Relevant Theatre, Papua New Guinea
Culturally relevant theatre in education in Papua New Guinea challenges, questions, asserts, transgresses, subverts, opposes, resists and negotiates with the demands of political and cultural relations. It offers new forms of representation and contributes to the process of destabilising and decentering the domination of Western processes of teaching, learning and performance.
Indigenous Arts of the Pacific
Art and Ritual: Aina Asi A Mavaru Kavamu
The artist writes of the issues facing her as a citizen of Papua New Guinea, a descendant of the Motu Koita people, being female and an artist/textile designer. Her traditional grass skirts were included in the Asia-Pacific Triennial.
Indigenous Arts of the Pacific
Weaving the Old with the New: Textile Art Forms in Niugini
Women artists were conspicuously absent from the important exhibition 'Luk Luk Gen'. The exhibition 'Pacific Dreams' included textile works by the artist Agatha Waramin who works with bilums and the exhibition 'Weaving the Old with the New' will extend women's exposure in an artistic context.
Indigenous Arts of the Pacific
Dancing the Society: Performing Arts in the Solomon Islands
Performing arts in the Solomon Islands Since the common determining facts in whether to keep, add changes, or reject aspects of the performing arts are based on the dollar, Solomon Islanders will continue to adopt new styles of dances, music, songs and forms of acting in the same way as some Church groups have done.
Indigenous Arts of the Pacific
Educating Public Taste
The National Museum's role in the development of contemporary art in the Solomon Islands. Artists Dick Taumata, Kuai Maueha, Frank Haikiu, Rex Mahuta, Jack Saemala and Billy Vina are discussed.
Indigenous Arts of the Pacific
Pacific Stories from New Caledonia
Collecting Pacific Art is not a straight forward endeavour. There are really no set criteria of what 'contemporary Pacific art' might be, little interpretive literature on the subject and very few precedents for forming even small collections for cultural institutions. There is a new cultural centre 'the Jean-Marie Cultural Centre' being built in Noumea, New Caledonia.
Indigenous Arts of the Pacific
Soapstone Workshop
April 1996 at the Pouebo Town Hall northern New Caledonia. A sculptural tradition has always been alive in this area so a workshop was held to explore the use of soapstone sculpture.
Indigenous Arts of the Pacific
The Island Race in Aotearoa
Today the art of the Pacific Islanders is still trapped within its category. The display cases of the institutions have not been shattered. Yet the very act of exhibiting demonstrates that the making and the appreciation of art is a dynamic process. Institutions are caught by a need to both legitimise themselves and acknowledge (and perhaps attempt to control) the art of the migrant communities.
Indigenous Arts of the Pacific
Vaka - Only the Brave
Looks at the contemporary art and the cultural and economic pressures faced by the people of the Cook Islands.
Indigenous Arts of the Pacific
Fiji: Artists Carve Out Their Own Future
Looks at issues in contemporary art practice in Fiji anticipating the construction of the new Fiji National Art School.
Indigenous Arts of the Pacific
Asia and Oceania Influences - Sydney
Exhibition review Asian and Oceania Influence
Curated by Nick Waterlow
Ivan Dougherty Gallery, Sydney
2-30 September 1995
Indigenous Arts of the Pacific
The World Over - Wellington
Exhibition review The World Over
City Gallery Wellington, New Zealand
June 8 - August 11, 1995
Indigenous Arts of the Pacific
Australia Goes to Samoa: 7th Pacific Festival of the Arts
Overview of the 7th Pacific Festival of Arts which is held in a different country every 4 years. 1996 the festival was held in Apia in Western Samoa. Previous hosts 1992 Raratonga, Cook Islands 1988 Townsville Queensland Australia Lists the communities of Aboriginal Australians who were in attendance at the festival.
Indigenous Arts of the Pacific
Alternative Festival in Samoa
An alternative festival celebrating the people of the Pacific was held on one of the outer islands (Manono) in Western Samoa at the same time as the official Pacific Festival of the Arts in Apia. The festival was conducted from 8-23 September 1996.
Indigenous Arts of the Pacific
Collaboration - Zhou Xiaoping and Jimmy Pike
Chinese Australian artist Zhou Xiaoping and Aboriginal artist Jimmy Pike exhibit collaborative works in China later in 1996. The author discusses Zhou's new work and his collaboration with Jimmy Pike.
Indigenous Arts of the Pacific
The Necessity of Craft ed Lorna Kaino
Book review The Necessity of Craft: Development and Women's Craft Practice in the Asian Pacific Region
Edited by Lorna Kaino
University of Western Australia Press 1995
RRP $24.95
Indigenous Arts of the Pacific
Encyclopaedia of Aboriginal Australia ed David Horton
Book review Encyclopaedia of Aboriginal Australia with companion CD Rom
Edited by David Horton
Aboriginal Studies Press for AIATSIS
RRP $150
Indigenous Arts of the Pacific
Doin' the Limbo
Exhibition review White Hysteria
Curated by Susan Treister
Contemporary Art Centre, Adelaide South Australia
7 - 30 June 1996
Indigenous Arts of the Pacific
Whetting the Appetite
Exhibition review State of the Art 4 Biennial survey exhibition
curated by Stephanie Radok
New Land Gallery, Port Adelaide South Australia
21 April - 12 May 1996
Indigenous Arts of the Pacific
The Silence which Howls
Exhibition review Second Look: Prospect Textile Biennial
Prospect Gallery
14 April - 5 May 1996
Indigenous Arts of the Pacific
Funk Junk
Exhibition review Junk Bonds
New Land Gallery, Port Adelaide South Australia
Touring South Australia and interstate with Visions of Australia
28 June - 28 July 1996.
Indigenous Arts of the Pacific
Truth, Whose Truth?
Exhibition review Peter Dailey: Prime Time
Lawrence Wilson Art Gallery
University of Western Australia
17 May - 30 June 1996
Indigenous Arts of the Pacific
Memories - Macabre and Magic
Exhibition review Aadje Bruce: Domestic Bliss
Artplace Claremont Western Australia
9 May -1 June 1996
Indigenous Arts of the Pacific
Resilient Modernism
Exhibition review Miriam Stannage and Tom Gibbons
Goddard de Fiddes
Contemporary Art Perth, Western Australia
2- 22 June 1996
Indigenous Arts of the Pacific
From the Back Shed
Exhibition review House and Home
Anne Neil and Steve Tepper
Fremantle Art Centre galleries,
grounds and craft shop
25 May - 16 June 1996
Indigenous Arts of the Pacific
Neo-colonialist Precipice
Exhibition review Secret Places
Sieglinde Karl, Hazel Smith, Kate Hamilton, Ron Nagorka
Queen Victoria Museum and Art Gallery,
Touring regional Australia through Contemporary Art Services Tasmania and the national Exhibitions Touring Scheme.
Indigenous Arts of the Pacific
Touch Don't Touch
Exhibition review Tangibility
Claire Barclay, John R Neeson, Stephen Bush & Jan Nelson Plimsoll Gallery and Powder Magazine, Hobart
10 - 31 May 1996
Indigenous Arts of the Pacific
Darwin Festival - A Glimpse
Overview of the Festival of Darwin with its temporary visual art installations 'art head land' by 18 artists. For the summer of 1996.
Indigenous Arts of the Pacific