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Contributors

Aarna Fitzgerald Hanley
Abigail Moncrieff
Amy Spiers
Aneta Trajkoski
Belle Beasley
Brian Obiri-Asare
Clothilde Bullen
Daniel Mudie Cunningham
David Cross
Dominique Chen
Elspeth Pitt
Erin Vink
Fiona Kelly McGregor
Genevieve Grieves
Gerry Bobsien
Grace Slonim
Ian McLean
Jacqueline Millner
Jessie Boylan
John Mateer
Julianne Pierce
Kit Messham-Muir
Marielle Soni
Max Delany
Michael Newall
N'arweet Carolyn Briggs
Olivia Bennett
Rayleen Forester
Sarah Lynn Rees
Sasha Grbich
Sebastian Goldspink
Una Rey
Ursula Cornelia de Leeuw
Vanessa Berry
Wes Hill
Wesley Enoch

Issues

Issue 42:1 | Parnati–Kudlila / Autumn–Winter 2022 | Art / Write / Read
Art / Write / Read
Issue 42:1 | Parnati–Kudlila / Autumn–Winter 2022
Issue 41:2 | August 2021 | In Public / Inside
In Public / Inside
Issue 41:2 | August 2021

Articles

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Editorial: Art / Write / Read
Una Rey
0.8
The Artlink Archive Project [Preview]: Jacqueline Millner and the art writer’s marathon
Jacqueline Millner
0.8
Christ’s penis in Adelaide: Orazio Samacchini’s The Holy Family, with St Catherine of Alexandria, St Margaret of Antioch and St Francis of Assisi
Michael Newall
0.8
Art & Text: the rise and fall of theory
Kit Messham-Muir
0.8
‘Vicious Ingratitude’ and art writing’s role in artistic dissent
Grace Slonim
0.8
Ghost-writing: on the posthumous invention of Philippa Cullen
Daniel Mudie Cunningham
0.8
Bodies for writing, words for dancing
Belle Beasley
0.8
Trafficking in the unfamiliar: writing black and Pierre Mukeba
Brian Obiri-Asare
0.8
A case for writing contemporary art history
Aneta Trajkoski
0.8
Someone has to be innocent: a reflection on the post-2020 art critic
John Mateer
0.8
Damper is a language word for art
Dominique Chen
0.8
Kings of wishful thinking: internet irony and its illusionary critics
Olivia Bennett
0.8
The museum fell silent
Elspeth Pitt
0.8
In conversation: Sebastian Goldspink and Una Rey
Sebastian Goldspink and Una Rey
0.8
Ethics and aesthetics: D Harding, Luciano Benetton and Terra Incognita: inclusiveness is a good way
Ian McLean
0.8
Gordon Bennett: Selected Writings
Wes Hill
0.8
Art Writing in Crisis
Una Rey
0.8
Language is a River
Marielle Soni
0.708
Ngargee Djeembana: On the materiality of public space and Country
N'arweet Carolyn Briggs, Sarah Lynn Rees and Max Delany
0.8
Editorial: In Public / Inside
Daniel Mudie Cunningham
0.666
Street art aesthetics: Realism’s disruptive effects
Jacqueline Millner
0.666
Tremble thinking: Queer monuments and counter-memory
Sasha Grbich
0.75
Careful darling: Elizabeth Day and Gabriella Hirst
Aarna Fitzgerald Hanley
0.788
Murals in ceramic: The art of Vladimir Tichy
Vanessa Berry
0.8
From little things, big things grow: How the Aboriginal Tent Embassy (1972) inspired Richard Bell’s Embassy (2013–ongoing)
Clothilde Bullen
0.708
Shadow boxing with public statuary: Memorialising Les Darcy and Dave Sands
Wesley Enoch and Gerry Bobsien
0.8
A close-up of Amazon Acres: Helen Grace
Fiona Kelly McGregor
0.666
Blue skies, blood moon
Daniel Mudie Cunningham
0.844
Transformative communities: Curation and care
Rayleen Forester
0.844
Counter-monuments: Challenging distorted colonial histories through public art and memorials
Genevieve Grieves and Amy Spiers
0.686
First Nations museum memorials: Daniel Boyd and Yhonnie Scarce
Erin Vink
0.75
Yours truly, The Department of Homo Affairs
Jessie Boylan
0.87
‘The work that art does’: Kandos School of Cultural Adaptation
Abigail Moncrieff
0.818
Unfettered actions: Sportification, playgrounds and public art
David Cross
0.8
Out of Place
Ursula Cornelia de Leeuw
0.8
FIELD NOTES
Julianne Pierce
0.562
The Artlink Archive Project: Jacqueline Millner and the art writer’s marathon
Jacqueline Millner
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