600,000 HOURS (Mortality) Conference Day 21 October 2, 1994
Examination of the issues addressed at the conference which accompanied the exhibition 600,000 hours (mortality).
More from this Issue
Chris Hopewell
Exhibition review Chris Hopewell: New works
Lawrence Wilson Art Gallery at the University of Western Australia
2 September - 16 October 1994
A Cemetery for the Community: Enfield Memorial Park, South Australia
Thus we come full circle to view the cemetery not as a necessary inconvenience to be isolated on the edge of town and visited once every few years but as a resource that can make a positive contribution to the community.
Death in Excess: Nuclear Imagery
Nuclear conflagration - whether real or imagined - captivated the post war psyche. Endist images of one form or another were developed in response to what many foresaw as the likely outcome of a third world war.
Cinema, Death and the Abject
Cinema is both dead and deathless. Cinema like this can take us to the great chasm in our lives and hold us over the edge.
Images of Death 600,000 HOURS (Mortality) Experimental Art Foundation
Images of death explored in the context of the exhibition 600,000 hours (mortality) held at the Experimental Art Foundation, Adelaide South Australia October 1994.
Guide to...Image Bank
Exploration of images and statements by artists on the theme of death. Artists include William Kelly, Ross Moore, Bette Mifsud and Dennis Del Favero.
No Drop City: Contemporary Australian Architecture
Book review Contemporary Australian Architecture
Graham Jahn
Photography by Scott Frances
Basel/East Roseville: Gordon and Breach International/Craftsman House 1994 241 pp
19th Fremantle Print Award
Exhibition review The Nineteenth Fremantle Print Award
Fremantle Arts Centre, Western Australia
9 September - 23 October 1994
Grief and the Gay Community
While AIDS does indeed affect everyone in our society, at the moment in Australia we are seeing predominantly a gay and lesbian artistic response to the epidemic.
Death, Pleasure and Gender in Film
The cinema's ability to represent death - the act of dying, bodily transformations, decay, the corpse - in astonishing realistic terms helps to explain why film, the moving rather than the static image, has become the central depository of death narratives (ancient and modern) in contemporary culture.