The Face
Vol 15 no 2&3, 1995
Double issue. Major discussion of the artist and the industry - a provocative article with responses as well as an examination of issues in portraiture-- in your face, looking for meaning, looking at faces, ghosts from the past-- the portraits of today tell a different story.
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You are here » Artlink » Vol 15 no 2&3, 1995 » Art of the Other
Art of the Other
Author: Mr Barry Craig, book reviewBook review
Oceanic Art by Nicholas Thomas 1995
London Thames and Hudson's World of Art Series 216 pp 182 illustrations, 26 in colour
RRP $22.95
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Articles in this issue
- Artrave: Artrave
- Book review: 5 New Publications on South East Asia
- Book review: 500 Women - Why Stop?
- Book review: Art of the Other
- Book review: That's History
- Book review: Waltzing Through a Post-modernist Minefield
- Feature: C(r)ook Brook: Ian North has the Last Word
- Feature: Careful They Might Hear You: A Response to Donald Brook
- Feature: Closer Up: Into the Sunset
- Feature: Donald Brook in the role of Dean Swift: A Response
- Feature: Facets of the Self
- Feature: Image Bank: Portraiture
- Feature: In the Company of Women
- Feature: Julie Dowling - Cultural Communication
- Feature: Narrating a Life: Mary Moore and the Self-Portrait
- Feature: National Portrait Gallery
- Feature: Portraiture and Faciality
- Feature: Portraiture and Technology
- Feature: Professional or Pretending?: A Response to Donald Brook
- Feature: Snake/Skin
- Feature: Talk, Torque and the Garden Knot
- Feature: The Artist and the Industry
- Feature: The Fated Gathering
- Feature: The Fortunes of Anatomy: 1895 - 1995 Venice Biennale
- Feature: The Mask Behind the Mask
- Review: Artifice and the Eye
- Review: Building with Bits
- Review: Contemporary Arts of the South Pacific
- Review: Festival Neglects Visual Arts
- Review: I'm not a Charlatan
- Review: Image Scavenging
- Review: Memory Staccato
- Review: Nikolaus Lang: Evolution
- Review: Pretty and Witty and Bright
- Review: The Continuing March of Western Australian Sculpture
- Review: The Realness of Veneer