Weaving the Old with the New: Textile Art Forms in Niugini

Women artists were conspicuously absent from the important exhibition 'Luk Luk Gen'. The exhibition 'Pacific Dreams' included textile works by the artist Agatha Waramin who works with bilums and the exhibition 'Weaving the Old with the New' will extend women's exposure in an artistic context.

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Encyclopaedia of Aboriginal Australia ed David Horton

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From the Back Shed

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Gillian Rainer

Taki Rua: Bi-cultural Theatre in Aotearoa

Taki Rua Theatre has been at the cutting edge of indigenous theatre since its inception in 1983. It has now produced a season of Maori plays in te reo Maori (Maori language).

Mere Boynton

Pacific Stories from New Caledonia

Collecting Pacific Art is not a straight forward endeavour. There are really no set criteria of what 'contemporary Pacific art' might be, little interpretive literature on the subject and very few precedents for forming even small collections for cultural institutions. There is a new cultural centre 'the Jean-Marie Cultural Centre' being built in Noumea, New Caledonia.

Susan Cochrane

Pacific Wave: A Festival of Pacific Arts

Brief article outlining Pacific Wave, a celebration and investigation of contemporary trends in art and cultural life of the Pacific taking place across Sydney November 2-17 1996.

Stephanie Britton

Maori Film Images and Intellectual Property Rights - A Breakthrough?

For those depositing films with a significant Maori content, the New Zealand Film Archive has developed a Deposit Agreement which acknowledges that named Maori guardians have spiritual guardianship authority over their image treasures in perpetuity. This goes way beyond white copyright regimes.

Barry Barclay

Spirit Blong Bubu I Kam Bak [The Return of the Spirits of the Ancestors]

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Ralph Regenvanu

An Alternative to the Art Market

The market must acknowledge its role in the commidification of indigenous cultures through cultural objects....What the market must acknowledge is the relationship of interdependency which exists between itself and the artists that it promotes and as such, the market must ensure that its actions do not prove detrimental to the artist and the community in the long run.

Tom Byra Mixie Mosby

Creativity in the Forest

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Christine Delany

Touch Don't Touch

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Mary Knights

Nucleus: Feeling Compromised

As Judy Watson was about the commence her residency in France, the French Government announced they would be conducting nuclear tests in the Pacific. As an Australian, an Aboriginal, a conservationist, a woman and an artist, she felt compromised. Discusses her work in this context.

Judy Watson

The Island Race in Aotearoa

Today the art of the Pacific Islanders is still trapped within its category. The display cases of the institutions have not been shattered. Yet the very act of exhibiting demonstrates that the making and the appreciation of art is a dynamic process. Institutions are caught by a need to both legitimise themselves and acknowledge (and perhaps attempt to control) the art of the migrant communities.

Jim Vivieaere

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