Before and after: the haunted image in a post 9/11 era

From September 11, 2011 to January 8, 2012 an exhibition called September 11 curated by Peter Eleey was held at MoMA PS1 in New York. Charity Bramwell describes key works in this "shocking and intriguing" exhibition which commemorated the tenth anniversary of the historic attacks on the World Trade Centre Twin Towers.

More from this Issue

Beata Batorowicz – Tales within Historical Spaces

QUT Art Museum, Brisbane 1 September – 28 October 2012

Rainer Doecke

In a silent way

Curator: Matt Warren Laura Altman, Monica Brooks, Nicolas Bullen, Darren Cook, Gail Priest, Lawrence English, Samaan Fieck, Joel Stern Contemporary Art Spaces, Hobart 28 July – 26 August 2012

Claire Krouzecky

Cambodia and youth arts

Life is tough in Cambodia if you are not a tourist. Dragonfly Tours is run by a unique partnership model which results in terrific holidays as well as contributing to the betterment of life in Cambodia for its residents.

Felicity Wright

Bungaree: the First Australian

Curator: Djon Mundine Mosman Art Gallery, Sydney 1 September – 25 November 2012 then touring

Joanna Mendelssohn

Inflight ARI in partnership with Queenstown Heritage Festival

Queenstown 12 - 14 October 2012

Lucy Hawthorne

Evidence of a catastrophe: The weather reports of James Guppy

The cloud/explosion paintings of James Guppy's The Weather Report series of 2006 were made as a response to 9/11.

Megan Fizell

Merilyn Fairskye: Precarious

Gina Fairley

New Orleans': Resilience goes way back before Katrina

The Big Easy is a nickname for New Orleans, USA, referring to the easy-going, laid back attitude to life that jazz musicians and local residents indulge in there. Carol Schwarzman, with the aid of her brother, reviews some resilient responses to the Big Hurricane Katrina's path through it on 25 August 2005. In the words of US writer Tom Piazza: "The ‘underprivileged’ people of New Orleans “spun a culture out of their lives – a music, a cuisine, a sense of life – that has been recognised around the world as a transforming spiritual force.”

Carol Schwarzman

Somewhere: Manuwangku life with a nuclear waste dump

The current touring exhibition by Jagath Dheerasekara, Manuwangku: Under the Nuclear Cloud (2012) is a salutary reminder that the struggle for self-determination by Aboriginal people continues unabated. Jagath’s project dates back to July 2010 when Beyond Nuclear Initiative (BNI) organised a forum in Sydney to inform people of the impact of a decision made in mid 2005 by the Howard government to dump nuclear waste at Manuwangku, or Muckaty as it is popularly known, 120 km north of Tennant Creek.

Catherine De Lorenzo

Colour by number

!Metro Arts, Brisbane 19 September – 6 October 2012

Angelita Howell

Contact lenses: Lloyd Godman's ecological art

New Zealand-born ecological artist, Lloyd Godman, who now lives in Australia, has in his own determined way for over thirty years, pondered and acted upon questions of how aesthetics might be involved in creating sustainable solutions to environmental problems. Historian Helen McDonald uses eco-critic Timothy Morton's notion of ambient aesthetics to examine three of Godman's multimedia projects.

Helen McDonald

Roads cross: contemporary directions in Australian art

Curators: Vivonne Thwaites, Fiona Salmon, Anita Angel Flinders University City Gallery 29 June – 26 August 2012

Margo Neale

View all articles in this issue