Stirring II

Stirring II

vol 30 no 4, 2010


Substantial essays asking questions about: the effect of the 'art as research' model in our universities, design and art for climate change, art and sport - odd bedfellows?, Australia's 'moat complex', identifying secret sacred Indigenous material, colour, sense impressions and 'theory', and welcoming a new museum of Chinese art in Sydney. Other content: image based profiles of Shen Shaomin, Ariel Hassan, Fiona MacDonald, twelve new art books reviewed, thirty years in the business of contemporary Australian publishing - where it has been and where it is going, 'Exposed' at the Tate Gallery and the Liverpool Biennial reviewed. Authors include: Jane Goodall, Kevin Murray, Alison Carroll, Jo Higgins, Wu Hung, Felicity Fenner, Djon Mundine, Catriona Moore, Peter Hill, Donald Brook.


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You are here » Artlink » vol 30 no 4, 2010 » Indigenous art in front: National Gallery changes focus

Indigenous art in front: National Gallery changes focus

Sarah Scott, Feature

Sarah Scott is the Convenor of the Museums and Collections Graduate coursework at the Research School of Humanities and the Arts, ANU. Her take on the new indigenous galleries at the NGA is that they work but could be more subtle in their categorical divisions and more background information could be provided in wall texts.



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