Explores the nature of censorship, how it is applied and the consequences of repression in artistic expression. Analyses the issues from a feminist perspective. "Censorship is about as effective as prohibition". Examines the censorship applied to the exhibition by Jasmine Hirst.
Explores the 'pornographic' in the public domain. Art isn't an excuse for pornography, because pornography simpy exists. Art has remained a realm within which a vast range of ideas can be explored and tested. There are no questions of ethics or morality in art. This starts to get more exciting as art gets closer to life.
From the perspective of one who has worked on the SA Classification of Publications Board. Argues that censorship is becoming increasingly unmanageable due to two trends which are detailed in the article. Also argues that public debate (with the exception of child pornography) in the media has declined. In contrast there is rising debate about sacrilege.
Dennis Del Favero's 'Parting Embrace' is a series of 10 Type C prints which attempt to investigate the subjectivity of sexual abuse in a way that not only engages with its inherent pornographic content but which refuses neat moral resolution.
Explores the difficult issues surrounding artistic expression and censorship (both self censorship and public) with the associated threat of legal action.
Gone from Carrick Hill before it became a public collection are three Stanley Spencer erotic paintings and William Dobell's 'The Duchess Disrobes' (two versions). Smith examines the nature of the collection of works by Sir Edward and Lady Ursula Haywood.