Demystifying Art Criticism

Art and the Economy

Vol 12 no 3, 1992

What does the recession mean for artworkers? Looks at all the hard issues providing for the art worker a guide to the economy. Includes reflections on people and place, artists exchange with the usual abundance of reviews and points of view. Reviews

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Author: Ms Catherine Speck, book review

Book review Art Connections
Jenny Aland and Max Darby
Heinemann, Melbourne 1991
RRP $29.95

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Article Index

Articles in this issue

Book review: Demystifying Art Criticism
Book review: Incomplete Identities: A Critical Study of the Work of Mike Parr
Book review: The Money, the Means and the Info...
Feature: A Response to 'Incidental Benefits'
Feature: A response to the Article by Nelson English
Feature: Aboriginal Art, the Nation State Suburbia
Feature: Art, Sports Stars and the Depression: Knocking at the Door of the Special World
Feature: Arts and the Economy?
Feature: Culture as Transformation: ARX
Feature: Dialogue with Thailand
Feature: Incidental Benefits: Arts Industry Rhetoric and Policy Objectives
Feature: Managing ARX
Feature: Predicaments of Furniture Design
Feature: Proposals from Invisible Worlds
Feature: The Artist, the Gallery and the Recession
Feature: The Arts- Survival of the BIGGEST?
Feature: The Australia Shop -- EXPO 92 Seville
Feature: The Brush-Off Syndrome: Stage Design, History and Visual Art in Adelaide
Feature: The Business of Art
Feature: The Ham Museum ARCO 1992
Feature: The Recession and the Arts
Feature: The Silence of the Lambs: Before Leaving for a Trip Abroad
Feature: There's Magic in your Hands
Feature: Towards a Legitimate Interest
Feature: Vicious Circles: Women's Exclusion from Contemporary Visual Art
Feature: What is Australian Work?
Review: A Belgian Artist's Work in Tasmania
Review: Between the Clues Lies the Evidence
Review: Give Me a Home Among the Gum Trees...
Review: Metaphors of Mortality: Catherine Truman
Review: Putting in the Boot - Nicely
Review: Sites in Relation to Themselves
Review: The Fourth Side of the Triangle: Bronwyn Oliver
Review: Uncertainly Thinking