Looks at the art practice of Ginger Riley Munduwalawala, born in 1937 at Ngukurr in the Northern Territory. Good colour photos of the artist and some works.
In December 1990 the South Australian Government announced a new 'Multiculturalism-in-the-Arts' Program to encourage major arts organisations in receipt of government funding to increase their activities for people from linguistic and culturally diverse backgrounds.
Above all we need new myths to suit the new Australian culture which is part of the Asia Pacific region. We can't live by Aboriginal myths alone, as some have suggested, in a land so changed by our coming. The unpacking of cultural baggage by writers of all cultural groups, old and new, has to continue until it gives rise to a myth which we all recognise as fitting the Australia to which we have contributed. Wrote David Malouf.
The three storey facility looks incongruous in the ramshackle Aboriginal settlement of Ramingining which crouches along a dirt road in an Arnhem Land eucalypt forest 550 km east of Darwin in the Northern Territory. Photos of people in Ramingining.
The Australian National Gallery's library has just completed a project which documented ethnic and immigrant objects in about 750 photographs. The bulk of these photographs show textile and ceramic craft brought with immigrants to Australia or made in Australia following traditional methods and designs. Nearly 20 ethnic groups from Europe, the Middle East and Asia are represented. Photos of textiles included.
The tendency to pigeon hole 'ethnic' art as a second class art practised by minority groups is common in Australia too... Dihedron is a group of artists and supporters operating in Brisbane who share the common goal of helping artists in socio-cultural isolation.
Theatro Oneiron (Theatre of Dreams) a Greek Australian performance ensemble established in Adelaide in the mid 1980s is the result of dedication and vision. Photo from production of 'The Courtyard of Miracles' 1991 included in the article.
Looks at the 'National Agenda for a Multicultural Australia' launched by the Prime Minister in 1989 which included provision for the development of a plan for collecting institutions such as museums, art museums, libraries and archives to reflect Australia's cultural diversity in their activities and practices.
If mainstream television is not our main source of accurate images, how do people gain access to programs which reflect our society in realistic and creative ways?
Looks at the art practice of Fiona Foley (Thoorgine Country), Terry Ganadilla (Mewenbi Country) and Dale Yowingbala (Gamerdi Country), three aboriginal artists who worked together on an unusual project in Maningrida during 1991.