Mirror in Mirror
Standing between the mirrors of East and West, my art always gets an inverted image and a double interpretation. This is me.....
More from this Issue
Unpacking My Cultural Bundle
I migrated to Australia from China in March 1983 with nothing but 60 kg of books and manuscripts plus a big cultural bundle - all the things; the Classical Literature, the History and the Philosophy that I had been taught over the last 24 years....
BulaBula: New High Tech Arts Centre, Ramingining
The three storey facility looks incongruous in the ramshackle Aboriginal settlement of Ramingining which crouches along a dirt road in an Arnhem Land eucalypt forest 550 km east of Darwin in the Northern Territory. Photos of people in Ramingining.
Metaphors of Multiculturalism
Palimpsest...Vision of a multicultural Australia. An exhibition co-ordinated by the Multicultural Arts Trust of South Australia, December 1990 Chesser Gallery Adelaide. Great colour photos.
Srecko Radman "... In the 'Start' Position"
Discussion of the artist's practice as an artist from Croatia in Melbourne since 1971 - how is it affected by linguistic and ethnic differences.
Beginning in the Middle
Reflections on an exhibition of abstract art at Linden Gallery St Kilda, Melbourne March 1991. An emigrant artists once said to me "I can never abandon the figure and make purely abstract art, after all I am Greek".
Bring Your Own and After...Migrant Publishing
It is the responsibility of Australian Collections to preserve this material - correspondence and manuscripts as well as printed texts - in many languages, not as exotic flowers of 'accented' literature, but as integral parts of the history and literature of multicultural Australia.
Emoh Ruo: Homage to the Art of the Home
Exhibition Review: Paula Hart, Paul O'Connor, Sarah Toohey and friends Crafts Council Gallery
Perth Western Australia
February - March 1991
The Studio in Deer Park
Paul Borg, an artist of Maltese origin, speaks of his unusual working arrangements.
Performing in Tongues
...Underlying this linguistic fertility is a migrant intuition of the relativity of language, of the lightness and mutability of its phonology, inflections and syntax. Less portentously there is no migrant to this country who has not experienced those punning co-incidences, echoic repetitions, mutual misunderstandings and mishearings which are the basis of my scripts. It may be no accident that in 1992 Australian voices evoke first contact with the New World.
Visions in the South Pacific: The Immigrant Artist: A Twice Told Tale
Colonial Ghettoes: the possibilities and limitations of new identity as vision.
Theatre Oneiron Crosses Cultural Bridges
Theatro Oneiron (Theatre of Dreams) a Greek Australian performance ensemble established in Adelaide in the mid 1980s is the result of dedication and vision. Photo from production of 'The Courtyard of Miracles' 1991 included in the article.