Reflections on an exhibition of abstract art at Linden Gallery St Kilda, Melbourne March 1991. An emigrant artists once said to me "I can never abandon the figure and make purely abstract art, after all I am Greek".
The way that I want to convey that meaning [racism] here is to use a small number of relatively random examples of current art/race = art/power debates from around the world. They give a flavour of the issues. They have obvious relevance to Australia's relationship to the rest of the world, as well as to relationships within Australia.
The Fairfield Community Arts Network is a community - based organisation which aims to develop cultural awareness in Fairfield with particular emphasis on the multicultural nature of the area.
With the exception of some programming on SBS and the ABC, artists receive very little exposure on television. The limitations of television, the need to maintain a wide audience reach, the difficult question of what is 'good art' in a televisual sense, all may help to explain the absence of living artists from this, the most powerful of all media.
Exhibition Review: Josie Starrs, Margaret Worth, Fay Poole and Barbara Zerbini
Experimental Art Foundation
Adelaide South Australia
June 1990 and touring to regional galleries.
Hossein Valamanesh writes from Berlin hoping that this issue of Artlink will help in the understanding of the multicultural nature of Australian Culture and not assist in any way in making pigeon holes to safely classify the issue.
Tang Qizhong is a painter and Fine Arts educator from China. He writes about his art practice and the relationship between art practices and institutions in China and Australia.
One of the leading debates in Cultural Studies around the world deals with the issues of cultural difference or ethnicity in relation to concepts of a national culture.