A very personal view. And finally there is a need for us to allow art and artists to develop from their own roots, regardless of their country or culture of origin.
The artist writes about her art practice, in particular her preoccupation with the Australian landscape and how people perceive it. Two images are included: 'Secret Self' and 'Blanket' both from 1990.
The tendency to pigeon hole 'ethnic' art as a second class art practised by minority groups is common in Australia too... Dihedron is a group of artists and supporters operating in Brisbane who share the common goal of helping artists in socio-cultural isolation.
Cultural diversity is crucial. Film makers may be unlike (in terms of cultural background) but they are also alike (in terms of their value.) In the area of independent film, there are a number of films which deal with multicultural themes and/or give non Anglo film-makers the opportunity to express themselves. One hopes that mainstream film can take up on this lead, because, from all apparent evidence, it remains sorely imbalanced.
Making a TV documentary about indigenous people's television in Australia. Photographs on location at Ernabella in the Pitjantjatjara lands of far north west South Australia.
Looks at the dance practice of the Bharatam Dance Company from Melbourne and at that stage in its 5th year of operation. Photos of the dancers in production included.
It is the responsibility of Australian Collections to preserve this material - correspondence and manuscripts as well as printed texts - in many languages, not as exotic flowers of 'accented' literature, but as integral parts of the history and literature of multicultural Australia.
The Network links NESB, ethnic and arts organisations, sets up cross cultural and other training programs for artists, arts organisations and the media and lobbies governments and other funding bodies to reassess their policies and practices.