Artlink Indigenous: Indignation
Vol 32 no 2, 2012
Guest co-editors Stephanie Radok and Daniel Browning
Second in annual mega-issue series, survey of new developments in the field. Artists and writers speak out on injustice past and present, Blak queer, lateral damage and forgiveness, new art, debates, exhibitions, projects, publications and the need for a new national Indigenous art museum. Authors include Djon Mundine, John Kean, Hetti Perkins, Garry Jones, Maurice O'Riordan, Dianne Jones, Gay McDonald, Brenda Croft, Una Rey, Sam Cook. Features on Archie Moore, Alick Tipoti, Troy Anthony Baylis, Nici Cumpston, Bindi Cole. Ghostnets, early Papunya boards, cultural diplomacy in The 2nd National Indigenous Art Triennial, and exhibitions in China of Jason Wing, John Bulun Bulun and Zhou Xiaoping, plus Tu Di - Shen Ti/Our Land Our Body from Warburton Art Centre are featured.
- Artists and Authors
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Restless - Adelaide International 2012
Author & Artist: Ms Stephanie Radok, ReviewCurator: Victoria Lynn
Flinders University City Gallery
Samstag Museum of Art
Contemporary Art Centre of South Australia
Australian Experimental Art Foundation
March 2012
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Articles in this issue
- On the ground with Our Mob in 2011
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Trepang: crossing cultures / creating connections

- Artist profile: Archie Moore: drilling deep
- Artist profile: Presences in the land: Nici Cumpston
- Artist profile: Queerly speaking
- Artist profile: The performative print: Alick Tipoti's Girelal
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Artrave: Artrave

- Book review: How did Aborigines invent the idea of contemporary art?
- Book review: Indigenous Art Code: cracking the code
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Editorial: Making History

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Editorial: ®ECLAIMED Closing the gap of radical apathy

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Exhibitions to Watch: Exhibitions to Watch

- Feature: A place of our own
- Feature: Ancestral memory: out of the shadows
- Feature: Artefacts of Authenticity
- Feature: Big wave: Desert Country
- Feature: Culture Warriors as cultural diplomacy
- Feature: For architecture and country
- Feature: I Forgive You: Bindi Cole's seventy times seven
- Feature: Lateral Violence is an Indigenous arts thing
- Feature: Long Way Home: A celebration of 21 years of Yunggorendi First Nations Centre
- Feature: No Place without Other Places: Spinifex Arts Project at fifteen years
- Feature: Postcards from China
- Feature: Reviewing Our Mob: A state-wide celebration of South Australian Indigenous art
- Feature: Sitting & connecting: Goulburn Art Class 2-0-1-1
- Feature: Tandanya: the case for home
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Feature: The Ballad of Jimmy Governor

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Feature: The elephant in the room: public art in Brisbane

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Feature: The Ghost Net art project

- Feature: Trepang: Crossing cultures, creating connections
- Feature: Tu Di Shen Ti, Our Land Our Body: the Ngaanyatjarra poetic goes to China
- Feature: What lies buried on my land rises
- Review: Andrew McQualter: A partial index
- Review: Chiharu Shiota: State of Being Sue Saxon and Jane Becker: All that is solid melts into air
- Review: FotoFreo 2012: The City of Fremantle Festival of Photography
- Review: Glen Skien: MYTHO-POETIC
- Review: Into Cosmos: Adelaide Festival Artists' Week 2012
- Review: Marco Fusinato: There Is No Authority
- Review: Obscured by Light: Pamela Lofts and Kim Mahood
- Review: Panorama: are we there yet?
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Review: Parallel Collisions: 2012 Adelaide Biennial of Australian Art

- Review: PROMISE PROGRAM !Metro Arts, Brisbane
- Review: Restless - Adelaide International 2012
- Review: Science Fictions: Tricky Walsh
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Review: Spaced: Art out of place

- Review: You'll always be my #1: Sarah Jones
