Art & Enterprise
Vol 22 no 3, 2002
Guest editor Dorothy Erickson. How important are entrepreneurial skills in advancing an artist's career, and can the patronage of big business be a make or break factor? Artlink travels to the boom city of Perth in Western Australia, founded on private enterprise and gold mining, to see how artists have made a virtue of necessity and become some of Australia's most enterprising and well-travelled practitioners with strong connections with international galleries well before their eastern states colleagues. Philanthropy and patronage are also well developed in the west with big corporate collections a very direct way of supporting living artists. Aboriginal artists of the famous Kimberley region are also enjoying success in the international marketplace thanks to skilled coordinators and energetic dealers. Around the nation we look at dealers and individuals who have dedicated themselves to promoting new art - at ARCO in Spain, in new media in the Asia-Pacific, in remote Aboriginal communities. Lavishly illustrated in full colour.
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Make Art Will Travel: Hans Arkeveld, Tanija & Grahan Carr, Wendy Lugg, Angela Mellor
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Articles in this issue
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On Reflection by Noel Sheridan

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Artrave: Artrave

- Book Review: Balgo Art: New Directions
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Editorial: Art and Enterprise

- Feature: Backing Winners
- Feature: Business and the Arts
- Feature: Deep Pockets: Patronage and Philanthropy in the West
- Feature: Gomboc: Pastrol Care
- Feature: Kim Machan: Screening the Asia Pacfic
- Feature: Land, Poetry, Power: Selling Art from the Kimberley and Western Desert
- Feature: Love Your Work: Fremantle Arts Centre 30th Birthday
- Feature: Matthew Collings Comes to Town
- Feature: Moulding the City to the Desires of Artists
- Feature: Patronage and Corporate Collections in Western Australia
- Feature: Paul Greenaway: Energy Synergy
- Feature: Public Art Gets Serious
- Feature: The Commercial Dealer as Patron
- Feature: The Fork in the Road: Art for Profit or not for Profit?
- Feature: The Ideal Gallery: If Pigs Could Fly
- Feature: The Lockhart River Gang
- Feature: The New Artplace
- Feature: Turning Artists into Subcontractors: The Artworkers Alliance
- Profile: Artists in Landscape: The South West
- Profile: Building Bridge (or Sand Castles)
- Profile: Jurek Wybraniec: Connections
- Profile: Lorrean Grant: High Performance
- Profile: Make Art Will Travel: Hans Arkeveld, Tanija & Grahan Carr, Wendy Lugg, Angela Mellor
- Profile: Max Pam: International Photographer
- Profile: Rodney Glick: Working Smart
- Profile: Tony Nathan: On a Cool Winter Mourning
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Review: (The World May Be)Fantastic 2002 Biennale of Sydney

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Review: Art On A String

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Review: Bill Brandt: A Retrospective

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Review: Brian Blanchflower From the Generative Eye: Paintings 1990-2001

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Review: Deeper Places

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Review: Hatched 02: Healthway National Graduate Show

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Review: Landscape and Nocturne Images of Night and Darkness from Colonial to Contemporary

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Review: Malewitsch [A Political Arm] Mike Parr

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Review: Matthew Ngui

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Review: Mutable Spaces

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Review: New Art Spaces in South Australia

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Review: The Oval Window: Ian Friend

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Review: The Shape of Air

