In July 1997, the Queensland Government launched its youth arts policy 'Your Culture-- Your Move' which targets the development of cultural activities and artistic practice for young people and emerging artists.
The work of Justene Williams and Tony Schwensen. William's photographs are taken spontaneously, and sometimes surreptitiously, with disposable cameras. Schwensen's installations combine paintings and sculptures to embody an idea of suburbia.
Watt Space, the University of Newcastle Students' Art Gallery is a student initiative gallery whose role is to provide successive students with opportunities and experience in exhibiting, curating and gallery management.
Opening in April 1994, Ist floor is an artists and writers run gallery space in Fitzroy Victoria. Lists the constituency, administration, funding, programming, documentation, influences and objectives.
Exhibiting or working in the public space provides opportunities and challenges for emerging artists not available in the gallery system. This article outlines Malone's personal understandings of the three distinct aspects of public space art activity: I Exhibiting in the Public Space, II Public Artwork and III Design of the Public Space. Public art and design contribute to making art more visible in the community and broaden the definition of art practice.
Platform Spencer St Subway Platform2 Degraves St Sydney. Using such an extremely public venue is only one of the challenges which faces artists using the Platform spaces. The whole dynamic for viewing the work: an audience which is often on the move....
Expression through technology creates another art world. Art which exists uniquely in bits and bytes in virtual space. Lists various web addresses www.
Gallery Dunce in Tasmania was born out of a group of ex-art school students' unanimous frustration with the lack of facilities for emerging/experimental artists. Looks at the work of Kim Kerze.
Ann Newmarch Retrospective 'The Personal is Political' curated by Julie Robinson was shown at the Art Gallery of SA in 1997. Lippard puts Newmarch's work into a global context.