More from this Issue
Film Makers Davor Dirlic and Laszlo Dudas
Fortunately the artists are capable of overturning all the newly acceptable conceits about them, and they might deny most of the assumptions that multicultural academics make about them, whilst still giving a new window on our world, as indeed, all good art from anywhere will.
Heritage Revealed
The Australian National Gallery's library has just completed a project which documented ethnic and immigrant objects in about 750 photographs. The bulk of these photographs show textile and ceramic craft brought with immigrants to Australia or made in Australia following traditional methods and designs. Nearly 20 ethnic groups from Europe, the Middle East and Asia are represented. Photos of textiles included.
Multicultural Arts: Development and Change in Brisbane
It is fair to say that the development of multicultural arts and the recognition of cultural diversity in Queensland is still in its early stages. Photos (6) of an event at the Cafe Folkloric.
Janusz Kozak
Looks at the art practice of Januzs Kozak, a painter who was born in Poland and who now works and lives in Wollongong.
List of Resource Material for the Arts in Multicultural Australia
A great starting point for more research in this area. List prepared by Dr Helen Andreoni, of the School of Aboriginal and Multicultural Studies, University of New England.
Ngura Kujara - Two Homes
Exhibition Review: Tandanya Adelaide South Australia January - June 1991. Interviews with curators Kerry Giles Kurwingie and John Kean. Images of inma at Ernabella included in the article.
Collaborative Impressions
Exhibition review: Works by Nola Routoulas, Helen Karpathakis, Nora Mantzioris and Alexandra Akritidis.
Artzone Gallery, Adelaide South Australia April 1991
Performing in Tongues
...Underlying this linguistic fertility is a migrant intuition of the relativity of language, of the lightness and mutability of its phonology, inflections and syntax. Less portentously there is no migrant to this country who has not experienced those punning co-incidences, echoic repetitions, mutual misunderstandings and mishearings which are the basis of my scripts. It may be no accident that in 1992 Australian voices evoke first contact with the New World.
Luk Luk Gen!
Exhibition Review: Tandanya National Aboriginal Cultural Institute Adelaide South Australia
November 1990 - June 1991
Theatre Oneiron Crosses Cultural Bridges
Theatro Oneiron (Theatre of Dreams) a Greek Australian performance ensemble established in Adelaide in the mid 1980s is the result of dedication and vision. Photo from production of 'The Courtyard of Miracles' 1991 included in the article.
National Multicultural Arts Network
The Network links NESB, ethnic and arts organisations, sets up cross cultural and other training programs for artists, arts organisations and the media and lobbies governments and other funding bodies to reassess their policies and practices.