Desultory Remarks from a NESB Museologist
It is evident we are trying to redress an imbalance in the cultural representation of our heritage and arts.
More from this Issue
Collaborative Impressions
Exhibition review: Works by Nola Routoulas, Helen Karpathakis, Nora Mantzioris and Alexandra Akritidis.
Artzone Gallery, Adelaide South Australia April 1991
The Studio in Deer Park
Paul Borg, an artist of Maltese origin, speaks of his unusual working arrangements.
People's Cultural Action in Australia: The PACIN Experience
Looks at workshops organised by PACIN - the Philippines-Australia Cultural Interaction Network for Asian and Pacific communities in Sydney.
Australian Contemporary Design in Jewish Ceremony
Ritual and ceremony enrich all aspects of Jewish life, its life cycle events and daily life. Jews give constant thanks for God's munificence - for the first fruits of the season, for the food on the daily table, for new clothing donned. Everything is inbued with significance and for all events there are rituals.
Festival of Perth Exhibitions
Ehibition Review: Galerie Dusseldorf
Douglas Chambers and The Glick International Collection
Held February - March 1991
Janusz Kozak
Looks at the art practice of Januzs Kozak, a painter who was born in Poland and who now works and lives in Wollongong.
Artists of Malaysian Origin in Melbourne
Survey of five Malaysian artists living and working in Melbourne Australia. Great colour photos of their works.
Srecko Radman "... In the 'Start' Position"
Discussion of the artist's practice as an artist from Croatia in Melbourne since 1971 - how is it affected by linguistic and ethnic differences.
Images from the Esperanto Suite
During the process of producing his artworks, George looks for ways of translating different philosophical ideas into marks and images.
Realising Our Land of Promise
Looks at a number of community arts residencies undertaken in South Australia and the art practices of Andrew Hill and Eugenia Hill.
Performing in Tongues
...Underlying this linguistic fertility is a migrant intuition of the relativity of language, of the lightness and mutability of its phonology, inflections and syntax. Less portentously there is no migrant to this country who has not experienced those punning co-incidences, echoic repetitions, mutual misunderstandings and mishearings which are the basis of my scripts. It may be no accident that in 1992 Australian voices evoke first contact with the New World.