More from this Issue
Museums on the Edge
Guest editor for Vol 12 No 1 Museums on the Edge. This edition was founded on a perception of a lack of any quantity of readily available material on the Australian and New Zealand experience of museums.
CAMA Conference: An Overview
Conference review CAMA Something for Everyone: Access to Museums held at the University of Adelaide October 1991.
Towards the Light: The story of One New Age Gallery's Quest for Purpose and Relevance in a Changing World
On 23 October 2002, yet another Council of Australian Museums Associations (CAMA) ran down. Conferees were already half deep in thought about melting credit cards and distant work site desks stacked high with urgent files. Well Not exactly CAMA...
Independent Curators
Book review A guide for the Employment of Independent Curators
by Alison Carroll
Published by the Art Museums Association of Australia 1991
Background to the Project: Heritage Curricula and Multiculturalism (HC&M)
Background to the National Agenda for a Multicultural Australia with the final report to be released by the Office of Multicultural Affairs OMA in mid 1992. See also the article by Helen Andreoni in this issue.
Testing the Meaning of Heritage
Exhibition review The Heritage of Namatjira
Tandanya National Aboriginal Cultural Institute
Adelaide South Australia
November - December 1991
Curated by Angela Tidmarsh and JVS Megaw on behalf of the Flinders University of South Australia
Catalogue edited by Ruth Megaw.
Ordinary Otherness
Exhibition review Unfamiliar territory: Second Adelaide Biennial of Australian Art 1992
Art Gallery of South Australia
28 February - 19 April 1992
Sources of Synergy: Museums for Design
The Zandra Rhodes costume in Sydney's Powerhouse Museum holds unique significance within the design collection.
Te Papa Tongarewa: Museum of New Zealand
Looks at recent issues for the National Art Gallery of New Zealand from the boardroom dismissals and judgments as well as the operations.
A Dialogue with Richard Grayson
Exhibition review An Interrupted Dialogue. One of the first international experimental art exhibitions to be shown outside Hungary since the end of World War 2. Grayson worked with Suzy Meszoly of the Soros Fine Art Documentation Centre of Budapest in 1988 during the time when changes were sweeping through Central Europe.