Ecology: Everyone's Business
Vol 25 no 4
Art in relation to the environment and ecology engages a distinct subgroup of artists around the world. They deal with waste and obsolescence, water, air and earth, health and toxicity. Eco-warrior artists work with science, technology, farming, water resources, recycling industries, health, to make art which communicates the urgency of action on climate change. This issue includes the recent work of Gregory Pryor, Michael Harkin, Ken Yonetani, Melissa Hirsch, Liz Woods, Lloyd Godman, Ian Hamilton, Bronwyn Wright, John Dahlsen, Ann Wizer, Alice Crawford and Chris Mulhearn. The 'green architecture' sector is critiqued by eco-architects Paul Downton and Emilis Prelgauskas and there is discussion of how the art sector as a whole needs to address the environmental impact of its activities. A social ecology where artists led by Jean Bojko work with the populations of small, neglected villages in France gives another perspective on what art can be and do.
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Advertisement:
Sweet Revenge: An Interview with Ken Yonetani
Julia Yonetani, feature
Ken Yonetani is an artist born and raised in Japan, and now practising in Sydney. Much of his recent work explores the intersections between consumption, desire, and human impact on our environs. He talks here with Julia Yonetani, who, apart from being Ken's partner, is a lecturer, translator and writer on art, history, and 'things Japanese.' This interview was conducted in Japanese and translated into English by Julia.
The full text of this article is only available in the printed version of Artlink Magazine.
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Articles in this issue
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Editorial

- Artist profile: Chris Mulhearn: Stand of Trees
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Artrave: Artrave

- Book review: Keeping the Wanjinas Fresh
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Editorial: Ecology: Everyone's Business

- Feature: A Torn Parchment: The Murray Darling Palimpsest
- Feature: Artists' Footprints
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Feature: Black Death: Species Extinction in WA

- Feature: Bowerbirds and the Art of Ian Hamilton
- Feature: Drawing on the Earth: Bronwyn Wright's 'Running Dog'
- Feature: Drought and Art: 10% and Falling
- Feature: Ecology Network
- Feature: EcoTV: A South Australian Experiment
- Feature: Finsbury Green Printing - The Story of the First Carbon Neutral Printer in Australia
- Feature: Framing The Colour of Infestation: the work of Liz Woods
- Feature: From the River to the Source: Lloyd Godman's Ecological Explorations
- Feature: John Dahlsen: Plastic Arts
- Feature: Overtaken by Glaciers: The State of Eco-Architecture
- Feature: Performance art and Plastic Bags in the Pacific
- Feature: Picturing Climate Change
- Feature: Remediation as art with Gavin Malone
- Feature: Stepping Lightly: The Art of Melissa Hirch
- Feature: Sweet Revenge: An Interview with Ken Yonetani
- Feature: TeATR'ePROUVeTe: Social Ecology in French Villages
- Feature: The Waterhouse Natural History Art Prize Under Scrutiny
- Feature: Wetland (as in Disneyland)
- Feature: XSProject: From the (Dirty) River
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Review: A Silent Walk: The Sculpture of Stephen Hart

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Review: Adam Cullen: Maintaining the Rage

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Review: Alex Spremberg: Paint-Works

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Review: Brook Andrew: Hope & Peace

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Review: David Martin: In Visible Light

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Review: Flux2: New Art from Western Australia

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Review: Mark Siebert: Out of Circulation

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Review: National Sculpture Prize and Exhibition 2005

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Review: Red Shoe Delivery Service

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Review: South Australian School of Art International Drawing Conference: Drawing is Everything

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Review: Space Between Words: A Collection of Subjective Narratives

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Review: Trudi Brinckman: White Plastic Cup

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Review: White Noise

