Published 01 September 2020
Published September 2020
History of the trials and triumphs of Artlink over its first decade - a wonderful achievement for a small regional arts magazine.
As artists strive to turn outer space iinto a new canvas for creative expression, some of their proposals have provoked controversy.
Published December 1990
Over 100 individuals, companies and institutions contributed to the success of teh Ausgraph 90 Art and Video Program.
A case study in the problematics of software art. The author test drives Fred Truck's ArtEngine a robot artwork that makes art. (sic). The work is in the form of a sizable piece of software written for the Mac2 computer.
The last 10 years has seen a noticeable empowerment of the visual art institutions in Australia. As recently as the late seventies the Sydney Biennale still sometimes happened every three years. In 1980 the Adelaide Festival was as yet innocent of Artist's Week and the Adelaide Biennial.
A festival for schools initiated by the Key Centre for Design at RMIT aims to encourage young people to explore aspects of their human made environment.
There's no climate of criticism which takes the media themselves seriously as art, so it's hardly surprising if the media return that compliment to art.
The Melbourne Festival and the Fourth Australian Sculpture Triennial reflections, projections, prognosis....
Exhibition review Nicole Page-Smith
Tony Oliver Gallery
How can one describe contemporary Soviet fine art? How is it connected with the heritage of the avant garde of the revolutionary years? How are they related to the urgent problems of international art?
Held Melbourne Royal Exhibition Building Melbourne 21- 24 June 1990, the success of the second Contemporary Art Fair surprised just about everyone.
Advanced Technology Artworks by Paula Dawson and Jill Scott.
Photographs of Fiona Hall's work The route you take... installation shot and details, aluminium soft drink cans
Contemporary Art Centre
Australian Centre for Photography
November - December 1990