Aleksi Vellis

Cover of Aleksi Vellis
1.278
Meet Lisa Walker in her workshop: VR in the museum
Feature
Justine Olsen and Prue Donald

Published 01 December 2018
1.126
Eugenie Lee's Seeing is Believing: VR in pain management
Feature
Dylan DeLosAngeles

Published 01 December 2018
1.126
Artificial imagination: Deepfakes from latent space
Feature
Sean Dockray

Published 01 December 2018
Artlink Subs Promo
1.196
Brenda Laurel's Placeholder: In dreams everybody flies their own way
Feature
Claire L. Evans

Published 01 December 2018
1.128
The distributed virtual: Jill Scott's Eskin4 and other electronic environments
Feature
Rob La Frenais

Published 01 December 2018
1.126
Against realism: The badly rendered potential of VR
Feature
Ian Haig

Published 01 December 2018
Hazelhurst
1.094
The virtuous politics of Alejandro Iñárritu's Carne y Arena
Feature
Vince Dziekan

Published 01 December 2018
1.126
Metascape, memory and spacetime: The museum in VR
Feature
Andrew Yip

Published 01 December 2018

Aleksi Vellis announced his arrival in the turmoil of early 90s Australian cinema with his debut feature 'Nirvana Street Murder' a restlessly energetic film with cavalier camera moves that are almost as swish as the director himself.

Buy Now   or   Subscribe
Artlink App in iTunes
Share on Facebook Share on Twitter
Support independent writing on the visual arts. Subscribe or donate here.

More from this Issue Full Issue Contents

Domestic Noir Night Out
Feature
Peter Kemp

Surely one of the powers of cinema is the aesthetic redemption of everyday reality, a poetics in motion that can distill and energise mundane objects, be they tiles on a kitchen wall, the fluorescent facade of an airport terminal, a luminously white T-shirt being twisted and tugged or the compact shapeliness of Y-fronts on a young body emerging from bed.

Published March 1993
Film and Video
Editorial
Annette Blonski

The emphasis in this collection has been on the films and videos themselves rather than the structures which support their production and circulation but they have not been overlooked....

Published March 1993
"Just Trust The Text, Don't Colour It"
Feature
Deb Verhoeven

Tracey Moffatt offers her personal insights on the making of 'Bedevil' made in 1992 with Film Finance Corporation Trust funds. Due for release in 1993.

Published March 1993
Lesbian Independent Cinema and Queer Theory
Feature
Barbara Creed

Lesbians do not exist in mainstream Australian cinema. Apart from a brief sequence representing youthful lesbian desire in 'The Getting of Wisdom (1977)' and the undercurrent of adolescent homoeroticism in 'Picnic at Hanging Rock (1975)' Australian cinema has remained mute - perhaps dumbstruck might be a more appropriate term - in relation to the issue of desire between women.

Published March 1993
"I Am Not A TV Show"
Feature
Marion Benjamin

"I am not a TV show, this is not a TV show." These are the oft-spoken words of Tony Tjamu, Chairperson of the Mutitjulu Community at Uluru (Ayers Rock) in the Pitjantjatjara Lands of Central Australia. Their repetition reveals something of the exasperation born of the visibility of being Aboriginal in a predominantly white Australia.

Published March 1993
The Pure and The Impure: Shaun Kirby
Review
Ken Bolton

Exhibition review Cultic Gloss: Shaun Kirby
Contemporary Art Centre
Adelaide, South Australia
October 23 - November 24 1992

Published March 1993
Digital Art
Feature
John Conomos

The Third International symposium on Electronic Art (TISEA) which took place in 16 venues in Sydney from 9 -13 November 1992 converted the whole city into a massive hologram event.

Published March 1993
Pretty as a Picture: Women Artists and the Heidelberg Era
Review
Louise Dauth

Exhibition review Completing the Picture: Women artists and the Heidelberg era
Carrick Hill, South Australia
8 November - 6 December 1992

Published March 1993
Come Again: Aldo Lacobelli
Review
John Neylon

Exhibition review Souvenirs Aldo Iacobelli
Experimental Art Foundation
South Australia
22 October - 15 November 1992

Published March 1993
Delayed Voyage: George Popperwell
Review
Richard Grayson

Exhibition review George Popperwell: Recent Works
Contemporary Art Centre, Adelaide, South Australia
September 25 - October 8 1992

Published March 1993
Museum Screen Dreams
Feature
Gordon Du Rich

Sydney's new Museum of Contemporary Art has actively integrated film, TV and videos into its programs since opening in 1991.

Published March 1993
More Bangs for Bucks: Male Sexuality and Violence in Australian Film
Feature
Chris Berry

Looks at 3 Australian films: Romper Stomper Night Out and Resonance each of which brings masculinity, sexuality and violence together.

Published March 1993
 
ACMI
Axolotl
NAVA