Fay Brauer

Cover of Fay Brauer
1.128
Wardlipari Homeriver: Vulnerable observations
Feature
Uncle Lewis Yarluburka O’Brien and Ali Gumillya Baker

Published 01 March 2019
1.126
Local colour: Dyeing and women's wealth
Feature
Julie Ewington

Published 01 March 2019
1.122
Hi-vis commodities: A body corporate's toxic economy
Feature
Tessa Laird with Debris Facility

Published 01 March 2019
Crown Resorts
1.126
Revisiting colour problems: Emily Vanderpoel, Hilma af Klint, Becca Albee, Clare Milledge
Feature
Amelia Wallin

Published 01 March 2019
1.126
Queer uses of colour: A tinted hermeneutics
Feature
Abbra Kotlarczyk

Published 01 March 2019
1.278
Meet Lisa Walker in her workshop: VR in the museum
Feature
Justine Olsen and Prue Donald

Published 01 December 2018
Riddoch
1.126
Eugenie Lee's Seeing is Believing: VR in pain management
Feature
Dylan DeLosAngeles

Published 01 December 2018
1.128
Artificial imagination: Deepfakes from latent space
Feature
Sean Dockray

Published 01 December 2018

Response to the article by Jacques Delaruelle (article no 664) on the nature of art education - a debate which has raged in Sydney in recent years.

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More from this Issue Full Issue Contents

Sydney from Afar
Feature
Daniel Thomas

For 20 years Daniel Thomas lived and worked in Sydney. In the 2 decades since he has left he has remained a frequent visitor, but he still sees Sydney from afar.

Published September 1994
Why Criticism?
Feature
Bronwyn Mckean

The most incisive commentary on the visual arts in Sydney usually occurs in private conversations that are not repeated in print for fear of the NSW defamation laws. But there is a great deal published on the visual arts....

Published September 1994
Still Looking at the Billboard
Review
Stephanie Britton

Exhibition review Aroha Terrace, Forestville
June 1994
In the last issue of Artlink 9Vol 14 No 2 - the art of survival) we looked at an innovative art program being run in Adelaide. The 1994 bilboard project at Aroha Terrace Forestville continued until the end of the year, with different artists represented each month.

Published September 1994
Suzanne Treister
Review
Steve Wigg

Exhibition review Q. Would you recognise a Virtual Paradise? and other paintings
Suzanne Treister
Contemporary Art Centre
South Australia
29 March - 24 April 1994

Published September 1994
Youth Art and Mobile Galleries
Feature
Frances Butler

Nowhere is the art of Sydney's youth more obvious than in the public sphere. Discussion with Linda Forrester a researcher of the creative culture of graffiti, street machining and skate boarding.

Published September 1994
My Sydney
Editorial
Joanna Mendelssohn

Editorial by guest editor Joanna Mendelssohn. What after all is different about Sydney? I have tried to give some idea of the debates which are not always expressed in writing - the incestuous nature of the mighty arts organisations; the way that words influence or corrupt understandings of art; and the limits on public debate because of fear of the consequences.

Published September 1994
Jacques Delaruelle
Feature
Jacques Delaruelle

In recent years there has been a major debate in Sydney on the nature of art education. Both Jacques Delaruelle and Fay Brauer have been active participants. Plants grow in silence but we (in the art world) vegetate noisily. see also article by Fay Brauer (no 665).

Published September 1994
Breaking the Boundaries - 'Art-elites": Are They an Inevitability?
Feature
Liz Gibson

Not all public institutions are devoted to blockbusters and cultural elitism. Regrettably, contempt for the masses is not anachronistic.

Published September 1994
Frank Watters: Sydney Art Gallery Owner
Feature
Bronwyn Watson

Interview with Frank Watters (photographed in article).

Published September 1994
Visualising Masculinities - Claremont School of Art
Review
Robyn Taylor

Exhibition review Visualising Masculinities
Claremont School of Art Perth
Western Australia
20 May - 15 June 1994

Published September 1994
In the Air, on the Ground (and Water too) - Public Art in Sydney
Feature
Sally Couacaud

In the air, on the ground ( and water too). Sydney is undergoing an unprecedented interest in public art. Artists, curators, academics, contemporary art spaces, museums. commercial galleries, architects, urban designers, town planners, local government, arts councils and ministries - all are involved in varying degrees in making, discussing, supporting or promoting public art. Major fold out of William Yang's photographs.

Published September 1994
Where Would Sydney be Without its Art Prizes?
Feature
Anne Loxley

The hype, the hysteria, the media and the money. Of all Sydney's art prizes it is the Archibald which arouses the greatest public interest...

Published September 1994
 
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