Fay Brauer

Cover of Fay Brauer
1.126
Foreign returned: Between expatriate and repatriate in Mumbai
Feature
Balamohan Shingade

Published 01 September 2018
1.126
Human flow in Melanesia: Taloi Havini's artefacts and habitats
Feature
Nicholas Thomas

Published 01 September 2018
1.122
Living and dying under surveillance: Xu Bing's Dragonfly Eyes
Feature
Sasha Grbich

Published 01 September 2018
Hazelhurst
1.122
Inhuman flow: Censorship and art in the two Chinas
Feature
Darren Jorgensen and Tami Xiang

Published 01 September 2018
1.126
Sublime Plight: Richard Mosse, Ai Weiwei and the social turn
Feature
Wes Hill

Published 01 September 2018
1.3
YARN: The art of conversation
Feature

Coby Edgar interviews Warren Roberts, CEO of YARN Australia

Published June 2018
Joondalup
1.126
Editorial: Kanarn Wangkiny/Wanggandi Karlto (Speaking from Inside)
Feature
Clothilde Bullen with James Tylor

Published 01 June 2018
1.276
Katie West: Living well
Feature
Katie West

Published 01 June 2018

Response to the article by Jacques Delaruelle (article no 664) on the nature of art education - a debate which has raged in Sydney in recent years.

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More from this Issue Full Issue Contents

Absence of Evidence - Fremantle Art Centre
Review
Nikki Miller

Exhibition review Absence of Evidence
Fremantle Arts Centre
Western Australia
15 May - 26 June 1994

Published September 1994
Jacques Delaruelle
Feature
Jacques Delaruelle

In recent years there has been a major debate in Sydney on the nature of art education. Both Jacques Delaruelle and Fay Brauer have been active participants. Plants grow in silence but we (in the art world) vegetate noisily. see also article by Fay Brauer (no 665).

Published September 1994
Contemporary Aboriginal Art - Flinders University Art Museum
Review
John Neylon

Exhibition review Looking Towards the Future: Contemporary Aboriginal Art
Flinders University Art Museum
South Australia
13 May - 24 June 1994

Published September 1994
Sydney in Focus: Reflections on Marketing in the Visual Arts
Feature
Belinda Hanrahan

Since their inception, galleries and museums around the world have entertained the principles of marketing, but perhaps never so consciously as now. Of all Australian arts institutions, the Art Gallery of New South Wales has been most aware of the need to market its image.

Published September 1994
Constructing Space - Plimsoll Gallery
Review
Leigh Woolley

Exhibition review Constructing space
Plimsoll Gallery
Tasmanian School of Art Hobart, Tasmania
13 March - 6 June

Published September 1994
Here, There Be Dragons
Feature
Christine Burton

Western Sydney can be seen as another city with another culture. This is not quite accurate, but it is the fasted growing region where the bulk of the younger population of the city live. And it has art.

Published September 1994
Tim Storrier: Sydney Artist
Feature
Anne Loxley

Interview with Tim Storrier.

Published September 1994
Frank Watters: Sydney Art Gallery Owner
Feature
Bronwyn Watson

Interview with Frank Watters (photographed in article).

Published September 1994
Suzanne Treister
Review
Steve Wigg

Exhibition review Q. Would you recognise a Virtual Paradise? and other paintings
Suzanne Treister
Contemporary Art Centre
South Australia
29 March - 24 April 1994

Published September 1994
Breaking the Boundaries - 'Art-elites": Are They an Inevitability?
Feature
Liz Gibson

Not all public institutions are devoted to blockbusters and cultural elitism. Regrettably, contempt for the masses is not anachronistic.

Published September 1994
My Sydney
Editorial
Joanna Mendelssohn

Editorial by guest editor Joanna Mendelssohn. What after all is different about Sydney? I have tried to give some idea of the debates which are not always expressed in writing - the incestuous nature of the mighty arts organisations; the way that words influence or corrupt understandings of art; and the limits on public debate because of fear of the consequences.

Published September 1994
Joan Kerr: Sydney Scholar
Feature
Melissa Cater

Joan Kerr rewrites Australian art history to gain a better understanding of the present. Her ambitious projects question who wrote what, how and about whom. Discussion of 'Heritage: The National Women's Art Book'. Photograph of Joan Kerr in the article.

Published September 1994
 
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