Fay Brauer

Cover of Fay Brauer
1.278
Meet Lisa Walker in her workshop: VR in the museum
Feature
Justine Olsen and Prue Donald

Published 01 December 2018
1.126
Eugenie Lee's Seeing is Believing: VR in pain management
Feature
Dylan DeLosAngeles

Published 01 December 2018
1.126
Artificial imagination: Deepfakes from latent space
Feature
Sean Dockray

Published 01 December 2018
Artlink Subs Promo
1.196
Brenda Laurel's Placeholder: In dreams everybody flies their own way
Feature
Claire L. Evans

Published 01 December 2018
1.128
The distributed virtual: Jill Scott's Eskin4 and other electronic environments
Feature
Rob La Frenais

Published 01 December 2018
1.126
Against realism: The badly rendered potential of VR
Feature
Ian Haig

Published 01 December 2018
Axolotl
1.094
The virtuous politics of Alejandro Iñárritu's Carne y Arena
Feature
Vince Dziekan

Published 01 December 2018
1.126
Metascape, memory and spacetime: The museum in VR
Feature
Andrew Yip

Published 01 December 2018

Response to the article by Jacques Delaruelle (article no 664) on the nature of art education - a debate which has raged in Sydney in recent years.

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More from this Issue Full Issue Contents

Jacques Delaruelle
Feature
Jacques Delaruelle

In recent years there has been a major debate in Sydney on the nature of art education. Both Jacques Delaruelle and Fay Brauer have been active participants. Plants grow in silence but we (in the art world) vegetate noisily. see also article by Fay Brauer (no 665).

Published September 1994
Postcard from Sydney
Feature
Brenda L Croft

Looks at Boomalli Aboriginal Artists Co-operative in Sydney NSW and the role it plays in supporting and marketing indigenous art.

Published September 1994
Sue Lorraine
Review
Noris Ioannou

Exhibition review em/body
recent work by Sue Lorraine
Artspace, Adelaide Festival Centre
South Australia
13 May - 25 June 1994

Published September 1994
Here, There Be Dragons
Feature
Christine Burton

Western Sydney can be seen as another city with another culture. This is not quite accurate, but it is the fasted growing region where the bulk of the younger population of the city live. And it has art.

Published September 1994
Why Criticism?
Feature
Bronwyn Mckean

The most incisive commentary on the visual arts in Sydney usually occurs in private conversations that are not repeated in print for fear of the NSW defamation laws. But there is a great deal published on the visual arts....

Published September 1994
Contemporary History in the Making - Casula Powerhouse
Feature
Melissa Cater

Reconciliation, redevelopment and community involvement have transformed a Sydney power station into a regional arts centre - Liverpool Power Station.

Published September 1994
Where Would Sydney be Without its Art Prizes?
Feature
Anne Loxley

The hype, the hysteria, the media and the money. Of all Sydney's art prizes it is the Archibald which arouses the greatest public interest...

Published September 1994
A Series of Close Connections
Feature
Eric Riddler

Really the only way to understand the apparently large Sydney art scene is to use diagrams and statistics, all of which were compiled by the author.

Published September 1994
Tim Storrier: Sydney Artist
Feature
Anne Loxley

Interview with Tim Storrier.

Published September 1994
Frank Watters: Sydney Art Gallery Owner
Feature
Bronwyn Watson

Interview with Frank Watters (photographed in article).

Published September 1994
In the Air, on the Ground (and Water too) - Public Art in Sydney
Feature
Sally Couacaud

In the air, on the ground ( and water too). Sydney is undergoing an unprecedented interest in public art. Artists, curators, academics, contemporary art spaces, museums. commercial galleries, architects, urban designers, town planners, local government, arts councils and ministries - all are involved in varying degrees in making, discussing, supporting or promoting public art. Major fold out of William Yang's photographs.

Published September 1994
Sydney from Afar
Feature
Daniel Thomas

For 20 years Daniel Thomas lived and worked in Sydney. In the 2 decades since he has left he has remained a frequent visitor, but he still sees Sydney from afar.

Published September 1994
 
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