Guide to...Image Bank

Cover of Guide to...Image Bank
1.126
Reading the entrails: Digesting posthuman entanglement
Feature
Sasha Grbich

Published 01 December 2019
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Eating together online: The ambivalent conviviality of ASMR videos
Feature
Francis Russell

Published 01 December 2019
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Shared food conversations: Jason Phu and Nagesh Seethiah
Feature
In conversation with Sabrina Baker

Published 01 December 2019
Artlink Subs Promo
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A good dinner party: Food as a medium for social change
Feature
Courtney Coombs

Published 01 December 2019
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Eat the problem: MONA's carnivalesque of cuisine
Feature
Ashley Crawford

Published 01 December 2019
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Fair Share Fare
Feature
Jen Rae

Published 01 December 2019
Artlink Promo
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Violent dreams of development: A food bowl in the north‑west of Australia?
Feature
Alana Hunt

Published 01 December 2019
1
Mai Contemporary Kaurna Food
Feature
James Tylor

Published 01 December 2019

Exploration of images and statements by artists on the theme of death. Artists include William Kelly, Ross Moore, Bette Mifsud and Dennis Del Favero.

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More from this Issue Full Issue Contents

600,000 HOURS (Mortality) Conference Day 21 October 2, 1994
Feature
John Neylon

Examination of the issues addressed at the conference which accompanied the exhibition 600,000 hours (mortality).

Published December 1994
Death in Excess: Nuclear Imagery
Feature
Rod James

Nuclear conflagration - whether real or imagined - captivated the post war psyche. Endist images of one form or another were developed in response to what many foresaw as the likely outcome of a third world war.

Published December 1994
What is Indefinable is Defined
Feature
Andrew Sayers

The death masks hardly exists anymore. The institution has gone the way of all memorials. It has finally been superseded by the photograph, the twentieth century death mask.

Published December 1994
Indecent Exposures and Dissonance: Two New Books from Catriona Moore
Book Review
Stephanie Radok

Book reviews Indecent Exposures: Twenty years of Australian Feminist Photography
By Catriona Moore
Allen & Unwin in association with the Power Institute of Fine Arts
206 pp $21.95
Dissonance: Feminism and the Arts 1970 -90
Edited by Catriona Moore
Allen & Unwin in association with Artspace
308 pp $21.95

Published December 1994
Monstrous Gorgeous
Review
Suzanne Treister

Exhibition review Monstrous Gorgeous
Curated by Virginia Barratt
Contemporary Art Centre, Adelaide, South Australia
8 July - 7 August 1994

Published December 1994
Death: A Post-Mortem
Feature
Anne Loxley

Looks at the exhibition 'Death' co-curated by Felicity Fenner and Anne Loxley held at the Ivan Dougherty Gallery in April 1993. 'Death' was a mixed media survey covering more than 200 years of Australian art which directly addressed the theme of death.

Published December 1994
Chris Hopewell
Review
Maggie Baxter

Exhibition review Chris Hopewell: New works
Lawrence Wilson Art Gallery at the University of Western Australia
2 September - 16 October 1994

Published December 1994
Learning to Understand: Art Helps to Dispel Ignorance
Feature
Bronwyn Bancroft

The artist looks at the paintings which were developed for the Health Commission on education, prevention and caring in the AIDS environment. Using an Aboriginal perspective these paintings were produced as a powerful series of posters.

Published December 1994
In the Coil of Life's Hunger
Feature
Ian North

Looks at the work of James K Baxter 1926 - 1972 (poet) Colin McCahon 1919 - 1987 (artist) both of whom found in travel through New Zealand recurrent metaphor's for life's journey. The principle referent in their work was death.

Published December 1994
19th Fremantle Print Award
Review
David Bromfield

Exhibition review The Nineteenth Fremantle Print Award
Fremantle Arts Centre, Western Australia
9 September - 23 October 1994

Published December 1994
Grief and the Gay Community
Feature
Ted Gott

While AIDS does indeed affect everyone in our society, at the moment in Australia we are seeing predominantly a gay and lesbian artistic response to the epidemic.

Published December 1994
Cinema, Death and the Abject
Feature
Adele Hann

Cinema is both dead and deathless. Cinema like this can take us to the great chasm in our lives and hold us over the edge.

Published December 1994