Guide to...Image Bank

Cover of Guide to...Image Bank
1.278
Meet Lisa Walker in her workshop: VR in the museum
Feature
Justine Olsen and Prue Donald

Published 01 December 2018
1.126
Eugenie Lee's Seeing is Believing: VR in pain management
Feature
Dylan DeLosAngeles

Published 01 December 2018
1.128
Artificial imagination: Deepfakes from latent space
Feature
Sean Dockray

Published 01 December 2018
NAVA
1.196
Brenda Laurel's Placeholder: In dreams everybody flies their own way
Feature
Claire L. Evans

Published 01 December 2018
1.128
The distributed virtual: Jill Scott's Eskin4 and other electronic environments
Feature
Rob La Frenais

Published 01 December 2018
1.126
Against realism: The badly rendered potential of VR
Feature
Ian Haig

Published 01 December 2018
Dan McCabe
1.094
The virtuous politics of Alejandro Iñárritu's Carne y Arena
Feature
Vince Dziekan

Published 01 December 2018
1.126
Metascape, memory and spacetime: The museum in VR
Feature
Andrew Yip

Published 01 December 2018

Exploration of images and statements by artists on the theme of death. Artists include William Kelly, Ross Moore, Bette Mifsud and Dennis Del Favero.

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More from this Issue Full Issue Contents

Fania
Review
Angela Valamanesh

Exhibition review Fania
Curated by Erica Green
University of South Australia Art Museum
28 July - 27 August 1994

Published December 1994
Australasian Artists' Responses to Death
Editorial
Peter Bishop

Postmodern culture has proclaimed the death of meaning, of the real, of metanarrative. Identity, memory, the body, nature, culture, power and the sacred - those fundamental ingredients of death's imagination - have undergone profound transformations over the last three decades. The contributions in this issue of Artlink address various parts of this new vision of death.

Published December 1994
Chris Hopewell
Review
Maggie Baxter

Exhibition review Chris Hopewell: New works
Lawrence Wilson Art Gallery at the University of Western Australia
2 September - 16 October 1994

Published December 1994
Familiarity? Re-Examining Australian Suburbia
Review
Sean Kelly

Exhibition review Familiarity? Re-examining Australian Suburbia
Mikala Dwyer, Michele Beevors, Glen Clarke, Elizabeth Woods, Tony Schwenson and Aleks Danko
Curated by Brian Parkes
Plimsoll Gallery, University of Tasmania
23 September - 16 October 1994

Published December 1994
Kumantji and the Contemporary Curator
Feature
John Kean

Across much of Aboriginal Australia the announcement of a death is followed by profound communal mourning, the removal or destruction of the deceased's belongings and most significantly a prohibition on the use of the deceased's name.

Published December 1994
A Paradigm Exhibition
Review
Janet Maughan

Exhibition review Perpetual Motion: Aboriginal Strategies for rejigging art and technology
Curated by David Kerr and Doreen Mellor
Tandanya National Aboriginal Cultural Institute, Adelaide South Australia 8 July - 14 August 1994

Published December 1994
Mourning: Traditions, Symbols and Meaning
Feature
Judith Heaven

Traditions and rituals of mourning for the dead are common to most cultural groups and societies; mourning of the dead is even seen in some animal species.

Published December 1994
Death's Artefact... Recent Art and War
Feature
Elena Taylor

Although one would expect the field of war art to be generously littered with dead bodies, this is not the case. Instead death has been presented circumspectly, through the rituals surrounding it or through metaphor.

Published December 1994
19th Fremantle Print Award
Review
David Bromfield

Exhibition review The Nineteenth Fremantle Print Award
Fremantle Arts Centre, Western Australia
9 September - 23 October 1994

Published December 1994
Animal Death and an Artist's Culture: Brian Blanchflower's Tursiops Installation
Feature
John Mateer

Examination of the installation Tursiops by Brian Blanchflower which refers to the brutal heritage of Western Australia's first settlement at Albany which had a large whaling station until the late 1970s.

Published December 1994
Death, Pleasure and Gender in Film
Feature
Barbara Creed

The cinema's ability to represent death - the act of dying, bodily transformations, decay, the corpse - in astonishing realistic terms helps to explain why film, the moving rather than the static image, has become the central depository of death narratives (ancient and modern) in contemporary culture.

Published December 1994
No Drop City: Contemporary Australian Architecture
Book Review
Deborah White

Book review Contemporary Australian Architecture
Graham Jahn
Photography by Scott Frances
Basel/East Roseville: Gordon and Breach International/Craftsman House 1994 241 pp

Published December 1994
 
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