Guide to...Image Bank

Cover of Guide to...Image Bank
0.786
Between worlds: Belinda Mason and Blur Projects
Feature
Alasdair Foster

Published 01 September 2020
0.786
Body, remember: Wrap me in a sister cloak
Feature
Ali Gumillya Baker

Published September 2020

0.794
Regimes of care: Concerning the afterlife of artists
Feature
Robert Cook

Published 01 September 2020
Guildhouse
0.788
The idea of redemption: Artmaking in prison
Feature
Alasdair Foster

Published 01 September 2020
0.786
On thin ice: Creating a life beyond addiction
Feature
Ginger Gorman

Published 01 September 2020
0.792
Flesh after fifty: Changing images of older women in art
Feature
Jacqueline Millner

Published 01 September 2020
Bill Morrow
0.786
How can I live in your world? Empathic strategies in contemporary Asian art
Feature
Reuben Keehan

Published 01 September 2020
0.786
Shahidul Alam: You're blocking the sun
Feature
Kelly Hussey-Smith

Published 01 September 2020

Exploration of images and statements by artists on the theme of death. Artists include William Kelly, Ross Moore, Bette Mifsud and Dennis Del Favero.

Buy Now   or   Subscribe
Artlink App in iTunes
Share on Facebook Share on Twitter
Support independent writing on the visual arts. Subscribe or donate here.

More from this Issue Full Issue Contents

Death's Artefact... Recent Art and War
Feature
Elena Taylor

Although one would expect the field of war art to be generously littered with dead bodies, this is not the case. Instead death has been presented circumspectly, through the rituals surrounding it or through metaphor.

Published December 1994
Grief and the Gay Community
Feature
Ted Gott

While AIDS does indeed affect everyone in our society, at the moment in Australia we are seeing predominantly a gay and lesbian artistic response to the epidemic.

Published December 1994
Chris Hopewell
Review
Maggie Baxter

Exhibition review Chris Hopewell: New works
Lawrence Wilson Art Gallery at the University of Western Australia
2 September - 16 October 1994

Published December 1994
A Cemetery for the Community: Enfield Memorial Park, South Australia
Feature
Hilary Hamnett

Thus we come full circle to view the cemetery not as a necessary inconvenience to be isolated on the edge of town and visited once every few years but as a resource that can make a positive contribution to the community.

Published December 1994
Death in Excess: Nuclear Imagery
Feature
Rod James

Nuclear conflagration - whether real or imagined - captivated the post war psyche. Endist images of one form or another were developed in response to what many foresaw as the likely outcome of a third world war.

Published December 1994
What is Indefinable is Defined
Feature
Andrew Sayers

The death masks hardly exists anymore. The institution has gone the way of all memorials. It has finally been superseded by the photograph, the twentieth century death mask.

Published December 1994
Crossovers - Site Works and Symposium
Review
Ian McLean

Exhibition review Crossovers: Site works and symposium
Tasmanian School of Art and various locations, Launceston, Tasmania 26 September - 2 October 1994

Published December 1994
Kumantji and the Contemporary Curator
Feature
John Kean

Across much of Aboriginal Australia the announcement of a death is followed by profound communal mourning, the removal or destruction of the deceased's belongings and most significantly a prohibition on the use of the deceased's name.

Published December 1994
A Paradigm Exhibition
Review
Janet Maughan

Exhibition review Perpetual Motion: Aboriginal Strategies for rejigging art and technology
Curated by David Kerr and Doreen Mellor
Tandanya National Aboriginal Cultural Institute, Adelaide South Australia 8 July - 14 August 1994

Published December 1994
Images of Death 600,000 HOURS (Mortality) Experimental Art Foundation
Feature
John Neylon

Images of death explored in the context of the exhibition 600,000 hours (mortality) held at the Experimental Art Foundation, Adelaide South Australia October 1994.

Published December 1994
Death, Pleasure and Gender in Film
Feature
Barbara Creed

The cinema's ability to represent death - the act of dying, bodily transformations, decay, the corpse - in astonishing realistic terms helps to explain why film, the moving rather than the static image, has become the central depository of death narratives (ancient and modern) in contemporary culture.

Published December 1994
Learning to Understand: Art Helps to Dispel Ignorance
Feature
Bronwyn Bancroft

The artist looks at the paintings which were developed for the Health Commission on education, prevention and caring in the AIDS environment. Using an Aboriginal perspective these paintings were produced as a powerful series of posters.

Published December 1994
 
Desert Mob
NAVA
MGNSW
ACE Open
UNSW