Exchange Value # 1. If It's Tuesday it Must be a Conference on Art and Globalism

As with Feminism in the 1970s certain ideas are in the air and finding widespread expression amongst artists and art institutions. Globalism impacts upon artists options and this phenomenon of artists and curators on the move is the result of the explosion of communication around art. Peers looks at the influx in globalism and its various influences in the Australian and international art scene.

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Lost Plot

Adelaide Central Gallery 20 August - 12 September 2004

Sera Waters

Primavera

Museum of Contemporary Art Sydney

Chee-Sean Tan

Instinct

Emily Floyd, Sharon Goodwin, Irene Hanenbergh, Louise Hearman, Rebecca Ann Hobbs, Ronnie Van Hout, David Noonan, Lisa Roet, Kathy Temin. Curator Lisa Vasiliou Faculty Gallery, Monash University 9 September - 5 November 2004

Jazmina Cininas

Fakery and Fabrication in Photomedia

A series of photographs, still images from Monika Tichaceks 2002 video/performance work Lineage of the Divine, were exhibited in Japan in Supernatural Artificial, an exhibition of nine contemporary Australian photomedia artists. Tichacek exploits a heightened intimacy between viewer and work to construct complex and ambiguous scenarios that simultaneously delight, unsettle and confound.

Jeff Khan

Sutapa Biswas: Birdsong

Sutapa Biswas was born in Santinekethan, India, in 1962 and immigrated to the UK with her family at the age of three. Her subsequent life and studies in Britan have resulted in a truly cross-cultural, multi-layered dialogue within her work. Her 2004 film Birdsong encapsulates the realisation of a young boys dream (in this case her son). Sutapa believes for a child, there is nothing that holds them back if you allow them to dream....

Catherine Wilson

Artrave

Artlink

The In-Between: Hybrid Arts Laboratories as Places to Question

Hybrid art laboratories - both funded and semi-funded - are dotting themselves around the Australian arts landscape. Most of them involve time away from the everyday, where experience can be intensified and where a new set of meetings between artists can take place. It is an experimental environment encouraging a mode of artmaking that struggles to exist between art form and another, one identity and another, one technology and another, one world and another.

Rachel Fensham

The Winter (of our Discontent) Games

Blackmore Park Leichhardt 29 August 2004

Joanna Mendelssohn

Human Weeds

Contemporary Art Centre of South Australia 10 September - 17 October 2004

Andrew Best

Exchange Value # 2. Keeping up the Momentum

Britton follows up from Peers examination of Art and Globalism to discuss the trends of international art residencies and the evident exchange in cultural values and creative receptibility that comes as a result of working in a foreign country; the buying of time away from other strategies for staying solvent - part time or full time jobs, or feeling under pressure to make work with commercial appeal.

Stephanie Britton

Savvy: New Australian Art

Savvy: New Australian Art QUT Art Museum, Brisbane 6 August - 17 October 2004

Michele Helmrich

SameDifference: 04 Biennale of Electronic Arts, Perth (BEAP)

PerceptualDifference John Curtin Gallery, Perth 8 September - 12 December Curator: Chris Malcolm BigDifference Lawrence Wilson Art Gallery, Perth 12 September - 3 October Curators: Oron Catts and Ionat Zurr

Simon Blond

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