Multicultural Arts: Development and Change in Brisbane

Cover of Multicultural Arts: Development and Change in Brisbane
1.128
Wardlipari Homeriver: Vulnerable observations
Feature
Uncle Lewis Yarluburka O’Brien and Ali Gumillya Baker

Published 01 March 2019
1.126
Local colour: Dyeing and women's wealth
Feature
Julie Ewington

Published 01 March 2019
1.122
Hi-vis commodities: A body corporate's toxic economy
Feature
Tessa Laird with Debris Facility

Published 01 March 2019
Artlink Subs Promo
1.126
Revisiting colour problems: Emily Vanderpoel, Hilma af Klint, Becca Albee, Clare Milledge
Feature
Amelia Wallin

Published 01 March 2019
1.126
Queer uses of colour: A tinted hermeneutics
Feature
Abbra Kotlarczyk

Published 01 March 2019
1.278
Meet Lisa Walker in her workshop: VR in the museum
Feature
Justine Olsen and Prue Donald

Published 01 December 2018
Crown Resorts
1.126
Eugenie Lee's Seeing is Believing: VR in pain management
Feature
Dylan DeLosAngeles

Published 01 December 2018
1.128
Artificial imagination: Deepfakes from latent space
Feature
Sean Dockray

Published 01 December 2018

It is fair to say that the development of multicultural arts and the recognition of cultural diversity in Queensland is still in its early stages. Photos (6) of an event at the Cafe Folkloric.

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More from this Issue Full Issue Contents

Srecko Radman "... In the 'Start' Position"
Feature
Susan Faine

Discussion of the artist's practice as an artist from Croatia in Melbourne since 1971 - how is it affected by linguistic and ethnic differences.

Published June 1991
Juggling the Roles
Review
Jude Adams

Exhibition Review: An Art and Working Life Project
Hosted by the Working Women's Centre Prospect Gallery
South Australia
March 1991

Published June 1991
Janusz Kozak
Artist Profile
Helen Haralambous

Looks at the art practice of Januzs Kozak, a painter who was born in Poland and who now works and lives in Wollongong.

Published June 1991
Other Peoples' Stories, Other Peoples' Voices
Feature
Ruby Langford

Does anyone have their right to represent stories and cultural background not their own? Does anyone have the responsibility to do so? No, I don't think so.....

Published June 1991
Desultory Remarks from a NESB Museologist
Feature
Amareswar Galla

It is evident we are trying to redress an imbalance in the cultural representation of our heritage and arts.

Published June 1991
The Studio in Deer Park
Feature
Paul Borg

Paul Borg, an artist of Maltese origin, speaks of his unusual working arrangements.

Published June 1991
How Clay Speaks for Neville Assad
Feature
Kevin Murray

The alphabet was invented, so they say, in Lebanon. To some Lebanese, their country represents an un-broken link with the birth of human history. Non-Aboriginal Australians, by contrast, share stories of interrupted family ties, of exile and forgetting. How then do these Lebanese relate to life in Australia?

Published June 1991
Failsafe Opera
Review
Mary-Anne Haddad

Exhibition Review: Performance Installation by Andrew Petrusevics and Chris Gaston
Adelaide Univsersity Union Art Gallery
7 - 21 March 1991

Published June 1991
A New Multiculturalism-in-the-Arts Program for South Australia
Feature
Stephanie Britton

In December 1990 the South Australian Government announced a new 'Multiculturalism-in-the-Arts' Program to encourage major arts organisations in receipt of government funding to increase their activities for people from linguistic and culturally diverse backgrounds.

Published June 1991
Metaphors of Multiculturalism
Feature
Steve Routoulas

Palimpsest...Vision of a multicultural Australia. An exhibition co-ordinated by the Multicultural Arts Trust of South Australia, December 1990 Chesser Gallery Adelaide. Great colour photos.

Published June 1991
Milan Milojevic
Feature
Milan Milojevic

The artist writes about his art practice. Good colour photographs.

Published June 1991
A Matter of Representation
Feature
Monica Pellizarri

Since the birth of Australian television, non-anglo Australians have suffered from an acute case of foreign accent syndrome. Unfortunately 35 years on they are still suffering, not only from bad accents usually spoken by Anglo actors playing NESBs, but from the dearth of authentic storylines and subsequently the lack of accurate representation of NESBs on our TV and screens.

Published June 1991
 
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