Multicultural Arts: Development and Change in Brisbane

Cover of Multicultural Arts: Development and Change in Brisbane
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Reading the entrails: Digesting posthuman entanglement
Feature
Sasha Grbich

Published 01 December 2019
1.088
Eating together online: The ambivalent conviviality of ASMR videos
Feature
Francis Russell

Published 01 December 2019
1.126
Shared food conversations: Jason Phu and Nagesh Seethiah
Feature
In conversation with Sabrina Baker

Published 01 December 2019
Artlink Promo
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A good dinner party: Food as a medium for social change
Feature
Courtney Coombs

Published 01 December 2019
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Eat the problem: MONA's carnivalesque of cuisine
Feature
Ashley Crawford

Published 01 December 2019
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Fair Share Fare
Feature
Jen Rae

Published 01 December 2019
NAVA
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Violent dreams of development: A food bowl in the north‑west of Australia?
Feature
Alana Hunt

Published 01 December 2019
1
Mai Contemporary Kaurna Food
Feature
James Tylor

Published 01 December 2019

It is fair to say that the development of multicultural arts and the recognition of cultural diversity in Queensland is still in its early stages. Photos (6) of an event at the Cafe Folkloric.

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More from this Issue Full Issue Contents

Failsafe Opera
Review
Mary-Anne Haddad

Exhibition Review: Performance Installation by Andrew Petrusevics and Chris Gaston
Adelaide Univsersity Union Art Gallery
7 - 21 March 1991

Published June 1991
Silvia Stansfield
Feature
Stephanie Radok

The ceramic work of Silvia Stansfield draws on the cultural legacy of South America. Discussion of the work of this artist with good colour photographs.

Published June 1991
Heritage Revealed
Feature
George Boeck

The Australian National Gallery's library has just completed a project which documented ethnic and immigrant objects in about 750 photographs. The bulk of these photographs show textile and ceramic craft brought with immigrants to Australia or made in Australia following traditional methods and designs. Nearly 20 ethnic groups from Europe, the Middle East and Asia are represented. Photos of textiles included.

Published June 1991
Desultory Remarks from a NESB Museologist
Feature
Amareswar Galla

It is evident we are trying to redress an imbalance in the cultural representation of our heritage and arts.

Published June 1991
Cultural Iconographies
Feature
Stephanie Britton

Cultural Iconographies is an exhibition of work by migrant and refugee artists who have been in Australia for a relatively short time. To take place in the Bondi Pavilion, Sydney during Carnivale October 1991.

Published June 1991
People's Cultural Action in Australia: The PACIN Experience
Feature
Christian Ramillo

Looks at workshops organised by PACIN - the Philippines-Australia Cultural Interaction Network for Asian and Pacific communities in Sydney.

Published June 1991
Ngura Kujara - Two Homes
Feature
Felicity Wright

Exhibition Review: Tandanya Adelaide South Australia January - June 1991. Interviews with curators Kerry Giles Kurwingie and John Kean. Images of inma at Ernabella included in the article.

Published June 1991
Visions in the South Pacific: The Immigrant Artist: A Twice Told Tale
Feature
Elizabeth Gertsakis

Colonial Ghettoes: the possibilities and limitations of new identity as vision.

Published June 1991
Observations of a Chinese Painter
Feature
Tang Qizhong

Tang Qizhong is a painter and Fine Arts educator from China. He writes about his art practice and the relationship between art practices and institutions in China and Australia.

Published June 1991
A Letter from Berlin
Feature
Hossein Valamanesh

Hossein Valamanesh writes from Berlin hoping that this issue of Artlink will help in the understanding of the multicultural nature of Australian Culture and not assist in any way in making pigeon holes to safely classify the issue.

Published June 1991
The Odyssey of Salvatore Zofrea
Feature
Joseph Eisenberg

Zofrea wrote "I want my work to sing forever."

Published June 1991
Film Makers Davor Dirlic and Laszlo Dudas
Feature
Anna Epstein

Fortunately the artists are capable of overturning all the newly acceptable conceits about them, and they might deny most of the assumptions that multicultural academics make about them, whilst still giving a new window on our world, as indeed, all good art from anywhere will.

Published June 1991