Implementing Aboriginal and Multicultural Policy in the Museum Sector

Cover of Implementing Aboriginal and Multicultural Policy in the Museum Sector
1.128
Wardlipari Homeriver: Vulnerable observations
Feature
Uncle Lewis Yarluburka O’Brien and Ali Gumillya Baker

Published 01 March 2019
1.126
Local colour: Dyeing and women's wealth
Feature
Julie Ewington

Published 01 March 2019
1.122
Hi-vis commodities: A body corporate's toxic economy
Feature
Tessa Laird with Debris Facility

Published 01 March 2019
Artlink Subs Promo
1.126
Revisiting colour problems: Emily Vanderpoel, Hilma af Klint, Becca Albee, Clare Milledge
Feature
Amelia Wallin

Published 01 March 2019
1.126
Queer uses of colour: A tinted hermeneutics
Feature
Abbra Kotlarczyk

Published 01 March 2019
1.278
Meet Lisa Walker in her workshop: VR in the museum
Feature
Justine Olsen and Prue Donald

Published 01 December 2018
The Japan Foundation
1.126
Eugenie Lee's Seeing is Believing: VR in pain management
Feature
Dylan DeLosAngeles

Published 01 December 2018
1.128
Artificial imagination: Deepfakes from latent space
Feature
Sean Dockray

Published 01 December 2018

Helen Andreoni writes on matters which are addressed in the report commissioned by the Office of Multicultural Affairs (OMA) by Amareswar Galla (also in this edition of Artlink).

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More from this Issue Full Issue Contents

Independent Curators
Book Review
Elizabeth Cross

Book review A guide for the Employment of Independent Curators
by Alison Carroll
Published by the Art Museums Association of Australia 1991

Published March 1992
A New Museum for Victoria
Feature
Geoffrey Maslen

In the first project of its kind, private investors will provide half the money needed to build the Museum of Victoria at a new site on the Yarra River.

Published March 1992
Towards the Light: The story of One New Age Gallery's Quest for Purpose and Relevance in a Changing World
Feature
John Neylon

On 23 October 2002, yet another Council of Australian Museums Associations (CAMA) ran down. Conferees were already half deep in thought about melting credit cards and distant work site desks stacked high with urgent files. Well Not exactly CAMA...

Published March 1992
Cultural Diversity and the Challenges of Access
Feature
Claudine Brown

Cultural diversity has become a key issue in the 1990s for a number of reasons. In the United States we have recently completed a census. The results of that census indicate a dramatic change in the nation's demographics.

Published March 1992
CAMA Conference: An Overview
Review
Susan Tonkin

Conference review CAMA Something for Everyone: Access to Museums held at the University of Adelaide October 1991.

Published March 1992
If you Can't Measure It, You Can't Manage It!
Feature
Nelson English

I am particularly troubled about debates such as those illustrated by the publications 'What Price Heritage? - Finance 1989' and 'What value Heritage? DASETT 1990' and Professor Donald Horne's article 'Weekend Australian Jan 4-5 1992' on museums, because there is nearly always truth on all sides.

Published March 1992
Museums and Technology: A Recession Boom?
Feature
Charles Pickett

With so many people feeling bruised and battered by the 1980s, it may seem cynical to point out that this unlamented decade also produced some new museums. These two 1980s legacies appear unrelated. On the face of it, museums are a quintessentially boom-time phenomenon, another emblem of 1980s extravagance.

Published March 1992
To Have and To Hold: Art Museum Departments
Feature
Alison Carroll

One of the things which continues to fascinate me about museums is how, despite the vast amount of talk about displaying material culture, the often personal, often idiosyncratic, often haphazard decisions about departments are very rarely mentioned. Yet these decisions are central to much of the museum's collection, display, exhibitions and research programme.

Published March 1992
A Dialogue with Richard Grayson
Review
Fotis Kapetopoulos

Exhibition review An Interrupted Dialogue. One of the first international experimental art exhibitions to be shown outside Hungary since the end of World War 2. Grayson worked with Suzy Meszoly of the Soros Fine Art Documentation Centre of Budapest in 1988 during the time when changes were sweeping through Central Europe.

Published March 1992
Exhibiting Conflict - Who Dares?
Feature
Viv Szekeres

Museum exhibitions tend not to challenge visitors with critical perspectives, contradictory points of view or subject matter which is controversial. I would like to explore different ways that conflict might be included in exhibitions and used to further our understanding of the past.

Published March 1992
Whams and Whimms: An Exercise in Classification and Meaning
Feature
Dale Spender

Interview with Louise Dauth about issues of gender. Dale Spender is a foundation member of the Women Heritage and Museums Group.

Published March 1992
From Curiosities to the Hyper-Real: Notes on Context in Museum Anthropology Exhibitions
Feature
Philip Jones

Daniel Thomas provoked a distinct murmur at the 1990 CAMA Conference when he suggested that art museums have a greater capacity to disturb and move people than other cultural museums. If this is true and I think it is.....

Published March 1992
 
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