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You are here » Artlink » Issues Index » Stirring

Stirring

Polemical essays in Stirring address the 'white thing' of Indigenous art, the track record of AbaF (Australian Business and the Arts Foundation), the challenge to traditional printmaking from the new giclee (inkjet) technology, the Australia Council and Howardism. We also take a look at the international biennials of the world, complete with a map documenting all the biennials still running, a list of the artists most frequently included and a star chart showing the curators who are most in demand around the globe. We document the untimely demise of a public art icon in Brisbane by Wendy Mills and Catherine de Lorenzo profiles public sculptor Richard Goodwin. Lu Jie writes on the Miniature Long March of Qin Ga. Artists' pages by Deborah Kelly, Stuart Ringholt, Stephanie Radok, Sarah Jane Pell, and Kim Guthrie.


Topic list: architecture, blockbusters, censorship, cities, cultural policy, dissent, economy, education, globalism, law & censorship, new technology, public art, reconciliation.



Articles in Vol 25 no 3

An Inauspicious Occasion Full article available
Feature by Timothy Morrell

In May 2005 Brisbane lost a landmark. Wendy Mills' water sculpture On this auspicious occasion, commissioned in November 1998 as part of a major refurbishment of Brisbane's Queen Street Mall and a broader attempt to achieve a more culturally sophisticated city, came down in the dead of the night. — More »

Biennials of the World: Myths, Facts and Questions
Feature by Stephanie Britton

In recent years, in the rarefied world of high art, in the places where international curators meet and work, amongst critics, commentators, artists, sponsors and collectors there has been no subject more widely discussed than that of the international recurrent exhibition. While Stephanie Britton recognises that the more closely it is examined the larger and more complex the subject becomes she has set out to tackle some of the essential ideas and questions surrounding these exhibitions. Includes two double fold out charts exclusive to Artlink: 1) a map of the world showing all the current biennales and triennials plus a new analysis of the 112 most frequently invited artists; 2) a star chart titled Artlink's Intergalactic Guide to the Curators of International Biennials and Triennials which lists the most frequently employed curators on these events and which events they have worked on. — More »

Depravity-in-Wharfedale
Feature by Donald Brook

Founded as recently as 1888 the West Riding Pauper Lunatic Asylum in Wharfedale was by reputation the biggest madhouse in Western Europe, and Brook's small village lay huddled beside it. Brook tells the story of living in sin, celebacy and the wall that proposed a division between madness and sanity. — More »

Echoes of Home Full article available
Feature by Pat Hoffie

Museum of Brisbane, 6 May - 21 August, 2005 — More »

Fremantle Print Award 30 Years Later and Still Standing
Feature by Thelma John

One of the many pleasures of running an annual award for excellence in printmedia is the thrill of unpacking the entries and encountering a work that takes your breath away. That thrill can evaporate when the judging panel dismisses the favoured work, or simply die away amongst the endless piles of entries waiting to be 'processed' before you. — More »

Give Wings to the Arts
Feature by Rodney Hall

This article outlines a radical new model for arts funding in Australia which will seek to adequately address many of the economic and creative necessities of young and established artists. Hall clearly sets out the proposal for the model, pointing out the "four wings" which would come into place to assist various sectors of the creative industries including Visual Arts, Literature, Crafts and Composition and Choreography and would replace both existing Fellowships and New Works Grants. — More »

Gleaning Relational Aesthetics
Feature by Stephanie Radok

The term Relational Aesthetics was first coined by Nicolas Bourriard, French curator and, since 1999, co-director with Jerome Sans of the Contemporary art centre Palais de Tokyo in Paris. Relational art doesn't produce a product but focuses on relations between audience members, events and ideas. — More »

Here Come the Jets
Feature by John Neylon

Current trends in image reproduction, addressed through the introduction of giclee technology and industry. Neylon deals with issues of print's authenticity and some of the controversial debates surfacing within Australia's art community. — More »

New Museum Creates Cafe Society in Shenzhen
Feature by Binghui Huangfu

At the end of January 2005 in the He Xingning Art Museum in Shenzhen, a conference was held to coincide with the opening of the first dedicated Contemporary Art Museum in China named OCTA Contemporary Art Centre. The conference was essentially looking at the major issues confronting contemporary art in China as it goes through yet another dramatic evolution. — More »

Philanthropy, Sponsorship, or Dinner?
Feature by Joanna Mendelssohn

On July 29 2005 the Prime Minister, John Howard, was guest of honour at the annual Australian Business Foundation for the Arts (AbaF) Awards Dinner. Joanna Mendelssohn reports on the event. — More »

Public Interrogations
Feature by Catherine De Lorenzo

Architecturally-trained artist Richard Goodwin regards built and urban spaces as his performative stage. He has sought out parks, passageways, plazas, under and overpasses and other connective, forgotten and in-between spaces to insert an often absurdist mark of his presence. — More »

Qin Ga: 'Miniature Long March' Full article available
Feature by Jie Lu

The Long March – A Walking Visual Display is an international collaboration involving over 250 Chinese and international artists taking place along 20 sites of the historical Long March. Each site was chosen for its symbolic import; the Long March was tatooed onto Qin Ga's back transforming his body into both an artwork and a Long March object. — More »

White face/blak mask
Feature by Djon Mundine

Describing himself as 'A Victim of Friendly Fire' curator and writer Djon Mundine lays bare the politics of indigenous art with its legions of white experts, academics, dealers and anthropologists. He suggests we would be advised to follow the silences rather than the noise. — More »



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