Articles from this contributor

• Feature: New Geographies of Knowledge
• Review: Warka Irititja Munu Kuwari Kutu/Work from the Past and the Present
• Review: Black Humour
• Review: Artists' Week... Walk that Walk
• Feature: Embodiment: Concerning the Ontological in Art
• Editorial: Quandong Country
• Feature: The Sublime and the Parochial: The Foot of God
• Review: Mothertongue
• Feature: Drugs 'n' Art
• Review: Salome's Dance
• Review: Doin' the Limbo
• Review: Light Works
• Feature: When Is A Door Not A Door?
• Review: Memory Staccato
• Book review: Indecent Exposures and Dissonance: Two New Books from Catriona Moore
• Feature: Critical Mass/ City Art/ Artists' Initiatives
• Review: Jemmy Caution
• Feature: Knocking on the Inside: Heather Ellyard, Annette Bezor, Janette Moore and Anna Platten
• Review: MFG: A Report on the First Eight Months of Greenaway Art Gallery
• Feature: Artists Week
• Feature: Making a Living: The Jam Factory
• Review: Ordinary Otherness
• Review: Gavin Blake
• Review: Torso, Group Show: Richard Baxter Smith and Bill Doyle
• Through the Looking Glass: Community art at the Strathmont Centre
• Feature: Women Sculptors - A New Bread
• Review: Locations
• Feature: Silvia Stansfield
• Review: The Fourth Side of the Triangle: Bronwyn Oliver
• Feature: Andy Goldsworthy: Everything in the City is Nature
• Review: Possessed
• Review: Asunder, and Lindy Lee Painting
• Review: First Australian Jewellery Biennial
• Feature: A Response by a Fringe Dweller
• Feature: Gleaning Relational Aesthetics
• Feature: Signs of the Times: Stephen Page, Sacred Symposium, Adelaide Biennale
• Feature: Wet Culture - Playing With Codes
• Feature: Raw and Cooked Margins
• Feature: The Meaning of Aboriginal Art
• Review: 22nd Telstra NATSI Art Award
• Review: Mildura Palimpsest #4
• Editorial: Small and Green is Beautiful
• Review: Fabrics of Change: Trading Identities
• Feature: Remediation as art with Gavin Malone
• Feature: Drawing on the Earth: Bronwyn Wright's 'Running Dog'
• Review: Mark Siebert: Out of Circulation
• Review: Giant Steps and Transcriptions
• Review: Tweak, Tweak, Let's Surf
• Review: Holy, Holy, Holy
• Review: Place Made - Fifth Australian Print Symposium
• Editorial: Knowing the Place for the First Time
• Review: Plans and Disasters and Modern Love Pictures
• Review: Parameters Head: A La Ronde, Sally Smart
• Review: Visual Arts Program
• Feature: Trade: Fiona Hall
• Feature: Focus: No Man is an Island: A Two Part Reading
• Review: Singapore Nokia Art 2001
• Review: New Art Spaces in South Australia
• Review: Arid Arcadia: art of the Flinders Ranges
• Feature: A Water or a Light
• Review: Doldrum, Nicholas Folland; Gloria Novi Saeculi, Genia Chef
• Editorial: Taking the Pulse / Inserting the Probe
• Editorial: Seeking Origins - Whakapapa Genealogy
• Review: 21st Century Modern: 2006 Adelaide Biennial of Australian Art
• Artist profile: Craig Walsh transfigured nights, surprising days
• Book review: Aberhart
• Review: Biennale of Sydney 2008 Revolutions - Forms That Turn
• Editorial: Editorial: South of my days
• Review: Bridget Currie, James Dodd, Louise Haselton, Laura Wills
• Feature: Artworks Out on the Beach Townsville
• Review: The Ranger
• Review: The 32nd congress of the international committee of the history of art (CIHA)
• Review: Papunya Painting: out of the desert
• Polemic: The ethnographic present: Aboriginal art today - the gift that keeps on giving
• Profile: Mark Siebert: new work
• Feature: Ten Days on the Island festiva
• ETW: Exhibitions 2 watch: June - August 09
• ETW: Exhibitions 2 Watch: September - November 09
• Feature: Strange bedfellows
• ETW: Exhibitions 2 Watch: December 09 - February 2010
• Review: book: Possession
• Review: Barks, Birds and Billabongs
• ETW: Exhibitions 2 Watch
• ETW: Exhibitions to watch
• Review: Adelaide International 2010: Apart, We are Together
• ETW: Exhibitions to Watch
• Review: 17th Biennale of Sydney, The Beauty of Distance: Songs of Survival in a Precarious Age
• ETW: Exhibitions to Watch
• Book review: Eleven recent publications
• Review: Abstract Nature
• Review: Hermannsburg: echoes in the landscape
• ETW: Exhibitions to Watch
• Editorial: Rewriting the Labels
• Book review: Paint every hill: Billy Benn
• ETW: Exhibitions to Watch
• Exhibitions to watch
• ETW: Exhibitions to Watch
• Profile: The Mystery of Shit: Wim Delvoye
• ETW: Exhibitions to Watch
• Editorial: Making History
• Review: Restless - Adelaide International 2012
• Exhibitions to Watch: Exhibitions to Watch
• Exhibitions to watch
• Review: We are all Flesh: Berlinde De Bruckyere
• Exhibitions to watch
• Remembering Lidia Groblicka 1933 - 2012
• Feature: Artrave