Tut's Whittle Wonders
Written with David Wood. Explores the work of Tut Ludby who whittles wood in the small town of Strahan in Tasmania.
More from this Issue
Ciao from Canberra
Hidden in the neat suburban streets of Canberra are the sculptures of Giacomo Rampone. Superbly crafted from steel and cement, these sculptures adorn the front gardens of each of Rampone's homes past and present.
Maria
Looks at the environment of Maria "Mad Mary" Hermann at her house in Leederville Western Australia.
A Room of Their Own
Exhibition review Contemporary jewellery at the Jam Factory
Leslie Matthews "Inner Vane"
13 August - 13 September 1992
Cecelia Cmielewski 15 May - 5 June 1992
Jam Factory Adelaide South Australia
Masterminded Masterpieces: Legendary Art
Mrs Iris Frame is going to be bigger than Elvis Presley. She told the author so herself. Her dream is to establish a museum of her life's work on her property just like Gracelands.
Arcanum (Extracts from the Archives)
Exhibition review Union Gallery
Adelaide University
South Australia
19 August - 4 September 1992
Nyungar Landscapes: Wetern Australia
In a remote corner of the south west of Western Australia, a school teacher who had never trained in art, was the catalyst for a school of landscape painting reminiscent of the style of Namatjira. Everything about this story was remarkable, not least that this happened over 40 years ago and that the average age of the artists was 10. The place was a tiny settlement known as Carrolup, now known as Marribank near Katanning.
Self, Image and the Gaze: Anna Platten
Exhibition review Works by Anna Platten: Paintings and Studies 1982 -1992
University of South Australia Art Museum
30 July - 29 August 1992
Frank 'Bronco' Johnson - The Poetics of Defence
He was always delighted to be fighting with someone....
A Living Treasure: The Topiary of Jack Cashion
As a sculptor working in metal I have been interested for some time in combining plants with the hard surfaces of copper and steel. The issues involved in using shrubs and trees are many, including that the work isn't trivialised or lacking in credibility, transport and of course storage.